Restless Objects

ambz

生活(Demo)

This tune is meant to be a meditation about the results of the so-called “Arab Spring”, or possibly about some of the relationships going on between the "Third World" and Western countries...

Teth Sin : vocals, guitars, bass guitars, samplers (electric piano, kalimba, drums)

Original composition, arrangement, lyrics, mix, mastering & cover artwork design by Teth Sin

Objectified

Boson Spin - Do not look back [part 2]

Shamanic Bass Roar

Performed & Recorded by Matteo Mariano in 2004. http://macrogramma.com
Original cover art by Pietro Puccio (2019). http://www.pietropuccio.it

All that I did not understand, Story of an afternoon and Under Antonio Ceriani / Tutto quello che non ho capito, Storia di un pomeriggio e Sotto Antonio Ceriani

These three songs are constructed in a very similar way, practically recording short guitar patterns and creating loops by re-editing them and processing them with the same outboard. They were also the easiest tracks of the selection to restore as they were kept on multi-track format. All three tracks are directly inspired by Pietro Puccio's paintings. Between the distressing expectation of Under Antonio Ceriani and the lazy and lukewarm pace of the Story of an afternoon, my favorite has always been All that I did not understand, with that mass of unknown emerging from the depths of the canvas and swallowing all the forms and colors.
***

Questi tre brani sono costruiti in modo molto simile, in pratica registrando dei brevi pattern di chitarra e creando loop rimaneggiandoli e passandoli dagli stessi macchinari. Sono stati anche i più facili della raccolta da restaurare in quanto tenuti in multi-traccia. Tutti e tre i brani sono ispirati direttamente da dei quadri di Pietro Puccio. Tra l'attesa desolante di Sotto Antonio Ceriani e il pigro e tiepido incedere di Storia di un pomeriggio, il mio preferito è sempre stato Tutto quello che non ho capito, con quella massa di ignoto che emergeva dal fondo della tela e ingoiava le forme e i colori.

from macrogramma volume 2, released September 5, 2019
Performed & Recorded by Matteo Mariano in 2004

macrogramma volume 2

Storia Di Un Pomeriggio

Wenn wir jetzt versagen, dann nicht aus Mangel an Gelegenheit, sondern weil wir es versäumen, die Gelegenheit beim Schopf zu packen.
Der Brunnen wurde gereinigt.

The Fountain

Incorporated

taRka with SâVge & The Muses present
PACTS MADE IN DARK NOTHINGNESS
___________________________________
First layer (foundation):
4003 bass, Linnstrument, various synzzz n sequencing, percussion
Cross Rotations https://soundcloud.com/user-208097705/cross-rotations
SanjajnaG aka Agitation aka THEE 5TH BRAIN CITADEL
@user-208097705 @agitationphi @user-126729602 @user-685450274

Second layer:
Lyrics, Vocals & their Pre-Mix, Cover Design
Mariam Zohra D : Myrh
@myrhyum @tariqa-kali @myrhyummy @dreamspeakum

Third layer:
Space Drum, Didgereedoo, Flute, Field Recording, Lyrics, Vocals & their Pre-Mix
SâVge with guest The Owl 🦉
@bissecta @bissecta_de_kinsame @kins-me
Myrh does final arrangement of SâVge's additions w. some fx

Final layer:
Lyrics, Vocals, FX, Modulars, Final Mix/Master
INRGD 
@inrgd @maquinasemdialogo @nuitsacrifice @agarwoodduo

Cover features SanjajnaG; Photographs by Astarte23 @astarte23 and Myrh

All seeds in the soil are in darkness. Pacts made in darkness are sprouting hope, beyond nothing and something. Through concrete and uncertainty, the glow is on!
Weave On!
>SMSI<
------------------------------
lyrics by myrh with inrgd’s lyrics in brackets and SâVge's with “ _ “
PACTS MADE IN DARK NOTHINGNESS
____________________________________
by all means necessary 
to weave
by all means necessary
above all considerations
to weave
in love
in love

in love

A yo!
before birth
saw - fate-ye
A yo!
pacts made in dark nothingness 
eh say now, saw - fate-ye
aligned my Self before the realization
A yo!
eh say now, saw - fate-ye

A yo de vie des!
(oh, you got me like fever)
at the mercy of the web
(feeling everywhere)
at the mercy of the web

(feeling everywhere, and oh it got me fever)

(and oh it got me fever)

oo yada ray o yay ooooo

- dark already candelight- 

(feeling everywhere, and oh it got me fever)

- before illusion - 

eee feray eh eru ve yeoo

- don’t tie me! cha! - 

pacts made in dark nothingness
pacts made in dark nothingness

submitted my life

aligned my Self

 - dark ... - 

pacts made in dark nothingness

(until you realize)

nothingness
submitted my life
Lal Ded*
my life
Lal Ded

the dark seed
the dark seed

(desire, thunder, 
.......
desire, thunder
and then you realize)

more flowers blossoming

- brightening! -

more pain more love more joy - more empathy - more joy more love more pain

>SâVge speaks the sounds of a seed busting through the concrete!
- MHHMMHMMHHHMMMMMMMHH -

seeds to blossom
seeds to blossom
flowers!

(how you feel: when ever you feel all)

*Lal Ded (1320–1392), known as Laleshwari in other parts of the subcontinent, was a Kashmiri mystic of the Kashmir Shaivism school of philosophy.[1] She was the creator of the style of mystic poetry called vatsun or Vakhs, literally "speech" (from Sanskrit vaak). Known as Lal Vakhs, her verses are the earliest compositions in the Kashmiri language and are an important part in the history of modern Kashmiri literature.[2][3] Sufis missionaries utilized her philosophy.
https://en.wikipedia.org/wiki/Lalleshwari

Pacts Made In Dark Nothingness <||> SanjajnaG+Myrh+SâVge+INRGD

Performed & Recorded by Matteo Mariano (2019/2020) http://macrogramma.com
Original cover art by Dario Panzeri (2020). http://dariopanzeri.org

"Metafonia" is the Italian word that identifies the phenomenon known in parapsychology as "electronic voices". Metafonia I is the second track in order of publication, and the first in order of numbering, of a series of compositions inspired by this phenomenon. 
Approaching Halloween and the dark atmosphere of this historical period are reflected in the dark character of the song.

Each piece was made starting from vocal samples recorded and processed in real time with a laptop (and with the addition of some synths). The only voice behind these pieces is mine (at least I think, and above all I hope, even if I can never be completely sure), recorded while I was improvising random phrases, as if I were my own medium.
I waited a long time before deciding to finish and release this series of songs, the gloomy atmosphere of this end of October 2020 made me realize that it was time to let them go.
The project is to release all the tracks, one or two at a time, between today and the evening of October 31st (as per pagan tradition), to collect them in a single album that will be available on Bandcamp ...
---
"Metafonia" è la parola italiana che identifica il fenomeno noto in parapsicologia come "voci elettroniche". Metafonia I è la seconda traccia in ordine di pubblicazione, e la prima in ordine di numerazione, di una serie di composizioni ispirate a questo fenomeno.
Halloween che si avvicina e il clima tetro di questo periodo storico traspaiono dal carattere cupo del brano.
Ogni brano stato della serie è realizzato a partire da campioni vocali registrati ed elaborati in tempo reale con un laptop (e con l'aggiunta di un po' di synth). L'unica voce alla base di questi brani è la mia (almeno credo, e soprattutto spero, anche se non potrò mai esserne del tutto certo), registrata mentre improvvisavo frasi casuali, come fossi il medium di me stesso.
Ho aspettato diverso tempo prima di decidere di terminare e pubblicare questa serie di brani, l'atmosfera cupa di questo fine di ottobre 2020 mi ha fatto capire che era arrivato il momento di lasciarli andare.
Il progetto è di rilasciare tutte le tracce, una o due per volta, tra oggi e la sera del 31 ottobre (come da tradizione pagana), per raccoglierle in un unico album che sarà disponibile su Bandcamp...

Released October 21, 2020

all rights reserved

Metafonie Volume 1

Metafonia I

Marco Lucchi : piano
Vanessa Pettendorfer : organ

a rework by Vanessa Pettendorfer of 'piano patterns n°6' by Marco Lucchi

4 novembre 2020

Marco Lucchi & Vanessa Pettendorfer - Perpetuum mobile

Dedicated to my wife Zlata.

A reworked version of the old composition: changes in instruments, edited text, some external effects.

Nocturn «Zlatá Praha». Op.22.

Sound Designer & Composer. Creates instrumental music and soundtracks for film/videos and for art exhibitions.

Storia Di Un Pomeriggio

Macrogramma