Basecamp Haze (Mix01)

A tense and dramatic orchestral hybrid piece. Huge brass and synths create a trailer style piece full of action

Call Sign Alpha

A dystopian tension cue, blending gritty electronic textures, pulsing rhythms, and a sense of unease. Inspired by dark, rain-soaked urban landscapes, it captures the thrill of pursuit and the anxiety of the unknown, perfect for suspenseful and atmospheric storytelling.

Chased Through Shadows (Mix01)

Pulsing tension cue, with eerie textures and a dark feel. Each move is deliberate, guided by unseen forces controlling the board. Subtle shifts build unease as the game unfolds, revealing manipulation, hidden power. Slow, calculated tension lingers.

Secrets of the Board (Mix01)

Flickering red lights pulse through fogged corridors as a sealed lab hums with fractured energy. Glitching screens and distant drones suggest something inhuman has awakened. A pulsing electronic tension cue with glitch percussion, echoing drones, and a sparse, evolving melody. Stark sound design and fractured rhythms evoke a high-tech environment on edge. Great for thrillers, sci-fi dramas, or dark investigative scenes — especially in sequences requiring a sense of calculated unease. 

Dread Circuit Protocol (Mix01)

No Hope

Beneath flickering lights and echoing drips, a solitary figure waits on a decaying subway platform. Time feels suspended as shadows stretch and shift, hinting at threats just out of sight. The sense of dread tightens with each second, like breath held too long, while something unseen stirs beyond the tunnel’s mouth.
This is a pulsing minimal tension cue, driven by ticking percussion, sparse electronic textures, and isolated piano notes. Metallic scrapes, subtle effects, and an ominous organ deepen the atmosphere, gradually intensifying with layered sound design. The overall feel is restrained but unrelenting, maintaining tension without resolution.
Ideal for psychological thrillers, suspense sequences, or noir-inspired urban scenes. Especially suited to portray isolation, unease, or moments of anticipatory fear. Perfect for scenes set in transit spaces, dreamlike waiting areas, or sequences requiring a sense of calculated unease.

Last Southbound Train (Mix01)

Gentle chaos unfolds in a dew-fresh garden, where raindrops cling to leaf tips and flower heads sway under their weight. Ants march through puddles like tiny workers, butterflies flit between blooms, and a frog blinks in surprise as a drop splashes on its head. The garden hums with colour, charm, and post-shower energy.
A cartoonish, feel-good cue blending retro electronic textures with a bouncing marimba and insistent piano arpeggio. The mood is light, springy, and full of movement—perfect for underscoring cheerful yet slightly absurd moments.
Ideal for animation, family-friendly adverts, nature-themed shorts, or whimsical storytelling. Ideal for sequences requiring a sense of cheerful curiosity and playful motion.

Bouncing Drops and Blooms (Mix01)

In preparing this new rendition of Pomp and Circumstance, I set out with a single, noble aim: to honour the dignity and weight of this iconic ceremonial piece. Though this version may stray into more irreverent territory than Elgar likely envisioned, I have nonetheless endeavoured to inject it with all the gravitas, emotion, and majestic nonsense it so richly deserves.

Pomp and Merry Dance (Chipmunk Soundclash)

The End of Time

Humans connect with humans, the sound of the human voice. Skrillex said it's why he likes to make synths and FX from vocal samples, as even if it's not instantly recognisable as a vocal, we subconsciously hear something 'human' in it.

Comical Shouts and Gibberish Vocals are your replacement to those overly cheesy and cliché vocal one shots you hear all the time. Get the listener smiling and laughing, and they'll connect with the track, and remember it.

Take a listen to the demo track. Everything you hear is 100% original samples from the pack, with no further processing.

Note: all of above (excluding BONUS Vocal FX) are included in the Music Production Bundle.

If you have any questions, feel free to email me directly at multiplier@multipliermusic.com

Vocal FX & One Shots.

I grew up in Detroit & ended up in the high desert of California. Though most of these tracks are full dance tracks, I make cues for TV and film. A lot of these cues are private if they're signed to a music library with an exclusive contract. The ones that are not private was just made because I felt like making them. It's the music in my head.

The End of Time

madbaldscotsman