The longest running D&B DJ in the USA and founder of Big Riddim Recordings, Dave AK1200, has been a driving force within Drum and Bass culture in America since its inception. From his legendary mix CD's to his extensive list of high profile remixes and original tunes, he has maintained a presence within the industry for more than 20 years. For lack of a better term, AK is a "classically" trained DJ. He is known for his abrupt style of live mixing and spontaneously programming groups of tunes into unforgettably raw sets. 

AK’s dedication and devotion to drum and bass culture in and for the USA are unparalleled. He is a constant voice for the scene, and has spent the majority of his career helping to develop and establish new or unsigned DnB artists, particularly American. In 2000, he united with his long time friends and biggest competition, Dieselboy and DJ Dara to create Planet of the Drums with the collective goal of bringing drum and bass music to the main stage in America. Alongside Messinian on the microphone, the Planet of the Drums crew has become the most recognizable brand in the history of American drum and bass music.

AK has also closely worked with American DnB’s most decorated and prolific producer, Gridlok. In 2008, they released the highly acclaimed Autopsy double album. Immediately following that, they came with “Dub 4 Dub”, a tune described by Goldie as one that “should have come out on Metalheadz”. Most recently, they have created the DNBSTRONG tour campaign. Originally a phrase coined by AK to describe the growing enthusiasm amongst like-minded artists and fans of homegrown DnB and the culture itself, DNBSTRONG became a statement for all to once again rise up collectively and bring attention to the music and scene they proudly represent. 

As we enter the post-EDM era, and newer music forms begin to take root and grow steadily into their own legacy, DnB culture continues to lead the way as a benchmark of true underground music with great confidence. With continuously standard setting tunes to the die-hard fans, this music is quickly becoming the next target for the masses that seek the one true sound they can commit to. AK1200, with his explosive sets and constant cheerleading for the DnB community, continues to encourage and inspire new and old fans, DJ’s, and artists alike. His ability to bring momentum to every market he performs, and relentless promotion of the scene itself and by delivering the message that no one person is bigger than the scene united, AK1200 truly is leading by example. 


For bookings - email Pam@pamdjs.com

And all things AK1200 -

www.facebook.com/ak1200official
www.facebook.com/bigriddimrecodings
www.facebook.com/planetofthedrums
www.twitter.com/ak1200
www.soundcloud.com/ak1200
www.mixcloud.com/ak1200


Born out of an era where Ridley Scott imagined dystopian futures on the silver screen, and artists like NIN and Aphex Twin rocked MTV.

Getting creative in the studio with the likes of Seven Lions, Skrillex, Deadmau5, and Tom Morello, and contributing to film scores and OSTs, including “Teenage Mutant Ninja Turtles” and “XXX -Return of Xander Cage” in collaboration with top composer Brian Tyler, Stanczak's long standing career in electronic music never stands still.

DJ/Producer Liquid Sky Music/Jungle Sky Family
Original Junglist since day one.
LOVE

DJ Bookings (Worldwide):
James @ Earth Agency:
james@earth-agency.com 
+44 7725 225 052

North American DJ Bookings: 
Scott McCusker @ Cyber Groove Agency	
scott@cybergrooveprod.com
Tel: +1 917 727 9371

Booking Agent :: Scott McCusker :: Scott@CyberGrooveProd.com :: (845) 304-8800

Freaky Flow
g-sus.com / freakyflow.com 
Los Angeles, CA, USA 

Freaky Flow, originally from Philadelphia, PA, moved with his family to Toronto, ON, before reaching four years of age. He first took a serious interest in music at the age of eleven, mesmerized by soul jazz, garage house, and hiphop. Four years later, he purchased his first set of turntables and started spinning hiphop with his skilled partner, D-Wreck. Through this genre, Freaky learned the basics – scratching, cutting, and mixing – in just that prioritized order. 

Jungle, drumandbass, and the underground music culture soon captured his attention; Flow, in turn, transferred his knowledge of hiphop into this new, captivating music. He found that scratching and cutting had unique properties in accompaniment with jungle. Party-going patrons worldwide quickly caught on to this sound. Consequently, Freaky Flow today plays on a regular basis at major events throughout Canada, the US, Mexico, Puerto Rico, Japan, Hong Kong, Germany, Austria, England, and Slovenia, making him the most booked drumandbass DJ in Canada. Notably, for years, all of Flow’s sets featured lyrical-mastermind, MC Flipside, on the microphone, but with Flipside’s mid-2004 decision to quit touring with Flow and focus on his own stage show and studio work, Flow now finds himself rocking crowds again all on his own, just like back in the day. 

The transition from DJ to producer was only logical; Freaky wanted to be throwing down his own dubplates. With several partners, Freaky Flow oversaw the operation of Placebo Recordings (distributed by Stickman Records) between 1996 and 1999. The label led Flow to work with many acclaimed artists, including The Soul Grabber (Aquarius/Stickman), The Rascalz (ViK/BMG), and others. With his extremely busy schedule, however, Flow soon found it impossible to go to school full time, manage the Special Projects department at Stickman Records, DJ across the world, and direct and produce for a record label. Thus, to the dismay of many, Placebo Recordings’ release schedule and Freaky Flow’s studio production both came to an abrupt halt at the end of ‘99. After completing his degree, however, Flow’s return to the studio garnered immediate attention: His remix resume alone includes work for 311 (Volcano/Zomba/BMG), Choclair (Virgin/EMI), Pressure Rise (Aspect), Type One (GFS/Sound Gizmo), and others. 

Flow is no stranger to the mix CD, either. The “Obscene Underground – Volume 1” compilation (on Stickman Records) sold over 20,000 units in Canada alone. Freaky Flow’s second CD, aptly entitled “World Domination” (Moonshine Music), was released in May 2001, and surpassed his first disc in sales, hurdling over the 20,000 unit mark, making Freaky Flow the highest CD-selling drumandbass DJ of all time in Canada. A third CD – the first ever live CD that Flow has recorded – entitled “Keep It Live” (Moonshine Music), was released just one year later, with a fourth, "The Envy" (Topaz Records), hitting shelves the following year. A fifth mix CD, “Flashback” (Freaky Flow), dropped in 2004, featuring entirely songs and remixes involving Freaky Flow studio work. Just two years later, Freaky Flow launched his first ever solely-owned label, “Freaky Flow Recordings”, which brought “The Heavy Petters”, his protégé group, to music’s forefront. Most recently, amidst Flow’s relocation to Los Angeles, CA, fans can check out his latest mix CD, “The Furious Factor” (Moist Music), a retrospective mix containing entirely music from the renowned Canadian drumandbass label, Furious Records. And if that’s not enough, fans can watch for brand new online mixes every few months.

Yet even with all of these endeavours keeping him so busy, Flow has not lost sight of why he began to DJ in the first place. He simply possesses new tools to bring his art to more people. Indeed, the music is still his top priority. For Freaky Flow is still known as one of the most versatile and technically skilled producer/DJ's in North America, and still labeled ‘Toronto's Jungle Scratchmaster’ by promoters, producers, and partygoers alike. Swarms of partiers may consistently be found huddled around the DJ booth when Flow is on the decks, watching his every move.

Bass Boss of www.soundcloud.com/playmerecords  /  DJ / producer / extreme cat enthusiast





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