Manüman (Manichan Landry)
DJ & Event Promoter | Founder of Groove & Bass Festival
Montreal, Canada 

Manüman, also known as Manichan Landry, is a prominent DJ and event promoter based in Montreal, Canada. As the visionary founder and owner of the Groove & Bass Festival—an acclaimed electronic music and arts festival in Quebec—Manüman has created an influential platform that celebrates the convergence of global talent and artistic expression.

His journey into the world of electronic music began in 2009, when he first stepped behind the decks at just 14 years old. With a deep-seated passion for music and culture, Manüman has since ventured internationally, exploring diverse musical landscapes and sharing his talents across Europe and North America.

With a wealth of experience, Manüman has captivated audiences from Switzerland to California to Mexico, and all across Canada sharing stages with esteemed artists such as Kenny Glasgow, Khainz, Alex Stein, Marten Horger, Perfect Stranger, Fernanda Pistelli, Beth Lydi, Gene Farris, Jacidorex, gaga & mateo, D-nox, and many others. His presence has become a staple in the global electronic music scene.

Drawing on a rich tapestry of influences from the entire house and techno spectrum, Manüman's unique sound is shaped by his immersive experiences around the world. His performances skillfully blend crisp percussion hooks and groovy basslines, crafting an immersive atmosphere that captivates both body and soul.

For booking inquiries, please contact: manumanMusique@gmail.com 

Connect with Manüman:
 Facebook: https://www.facebook.com/DjManumanN Instagram: https://www.instagram.com/djmanuman/

\ _ MATERIA SLOT ◎◉] records> :: Founder

++ OnlyDoGood.co  ++ LIGHT HOUSE

RAMZA had an impressive start to his career, starting in 2019 playing parties all throughout the Brooklyn underground scene.  Since then, he has found his way to the main stages at Elements Festival, Burning Man, and cities all across the US.

His blend of deep, dark, downtempo and melodic grooves alongside a careful techno influence is both timely and genuine. With many more bookings coming up for the year ahead, RAMZA is quickly solidifying himself as an artist to watch.

Contact: RAMZA@materiaslot.com
RAMZAMusic.com

El bassalto es una expresión de fusión parcial provocada por las altas temperaturas.

Born into a world where beats and melodies were as vital as the air itself, Moojo's musical journey began in the vibrant heart of the South of France, Nice. From an early age, Moojo displayed an innate connection to rhythms and melodies. He surrounded himself with diverse musical influences, ranging from traditional African & Latin sounds to modern electronic beats, laying the foundation for his unique musical identity.
As Moojo grew, so did his passion for music. He embarked on a relentless pursuit of knowledge, honing his skills in production and DJing. With an uncanny ability to blend many cultural styles of music with contemporary electronic elements, Moojo crafted a signature sound that resonates with audiences worldwide.

 Moojo quickly garnered support from industry giants Black Coffee, Diplo and Blondish. His early releases such as ‘Simba’, ‘Makasi’ EP and Mo Black's chart-topping ‘Lora’ were an instant success, with Black Coffee featuring the ‘Lora’ at Tomorrowland.
‘Desperado’ & ‘Vamonos’ (4.9M & 1.9M Spotify streams respectively), caught the attention of stalwarts like Rufus du Sol, Diplo, and Bedouin.
Upon Diplo's invitation, Moojo remixed ‘Fortress’ released on Diplo’s Higher Ground. 2020 introduced ‘Jupiter’, with Caiiro on remix duties.
His breakout hit, a remix of ‘Moth To A Flame’ by The Weeknd & Swedish House Mafia became an anthem and has over 7.1M streams on Spotify, propelling the track to ‘the most listened-to Afro house track of 2022’.
More recent collaborations include Demayä with ‘Lotus’, Da Capo with ‘Secret ID’ and Bun Xapa with ‘Hate It or Love it’, all under Moojo’s label, Calamar Records.

RE:UM – A.K.A multi-instrumentalist and producer Elliott Eriksen – has been active since early 2019, building his own virtual orchestras, chill-out beats and experimental dance tracks which blur the lines between genres.

Before the RE:UM project, Elliott started out as a bassist performing with several bands – later choosing to pick up guitar to emulate alternative/indie influences at the time. It was a few years later that he started experimenting with electronic genres, blending sounds from funk and soul with those from dance and downtempo to shape a new approach to producing.

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