Intermezzo… A movement coming between the major sections of an extended musical work. Dischi Autunno… A label conjuring black magic between every section in electronic music… Mapping psychedelic flight patterns between worlds unknown, Noura Labbani and Jennifer Cardini’s electronic noir imprint Dischi Autunno sits right in the centre of dance music’s primordial universe. Italo, acid, electro, disco, emo, alternative, indie, lo-fi, trance, bass, new beat, big beat, synthwave and coldwave; a huge unclassifiable cauldron of moody electronic vapours fuming away at a sultry slow and low tempo.

Buy: https://dischiautunno.bandcamp.com/album/intermezzo-due

https://soundcloud.com/a_strange_wedding
https://soundcloud.com/dischiautunno

Premiere: A Strange Wedding  - Gimme Da Space Vox [Dischi Autunno]

Artist: https://soundcloud.com/pontymython
Track: I Summoned Rick
Label: https://soundcloud.com/futureboogie
Format:, 3x12" Vinyl, Digital, VA
Release date: /11/21
YouTube: https://youtu.be/UliqmsoAMZQ

Futureboogie Recordings is calling time after ten years with a 20-track compilation that sums up the sound of the lovingly curated Bristol label. From throbbing arps and noirish guitar twangs to errant analogue blips and ceaseless, rolling grooves, it’s a different sound to what you might have heard five years back on the Summer Riot IV compilation, and certainly a long way from the early days. Consider
Futureboogie 10² an ode to evolution as much as a toast to all the great tracks and the family of artists that have passed through the wide-reaching Futureboogie sphere since before the label was even a sparkle in the disco ball.

FBRLP002

PREMIERE | Ponty Mython - I Summoned Rick [Futureboogie] 2021

He's back. After a break that felt like an eternity, @Cuthead has finally awoken from his creative beauty sleep to check up on his home base Uncanny Valley with his new album THE DETOUR. To avoid overexciting everyone’s attention span, the album is spread over four parts. And he's definitely not coming back as a cheapskate since the album is full of gifts that true Cuthead fans desire. In other words, he does what he does best: Blasting out slick tracks that oscillate between laid-back underground hip-hop, sample heavy house and vintage acid, but with enough surprises along the way. The tracks were created over the last few years, including some jams from his live set that he made while travelling or in a hotel.

As soon as the typical cozy, warm chords kick in during the INTRO of The Detour Part 1, you immediately feel at home again in Cuthead's world, where it's always Saturday afternoon and laid-back jams drip out of the speakers (at least on two of the four parts). On top of that, Chester Watson from St. Louis (one of Cuthead's absolute favorite rappers) provided a feature. With his distinctive voice and dreamy flow, Chester explains in not one but two versions of PROCEED how to carry on and stay relaxed despite adverse circumstances. TOUR DE FRANCE, on the other hand, is a trapstrumental for the masses in which a hi-hat thunderstorm is intertwined with a wind sample that constantly twists around itself.

The second in Cuthead's tetralogy is what we can certainly call a house monster. It starts with a track named after one of Cuthead’s special skills: MPC JAM. With its filter attacks and unmistakable drops, the track builds on Cuthead's great house floor fillers, leaving no ass standing still. SUNDAY 5 PM enters the floor like a bird of paradise with room-filling disco strings, before SPACED OUT follows with Theo Parrish-like grooves. MIDNIGHT ROUTE closes The Detour Part 2 with broken beats and an unusual but irresistible electronic bassline.

The opener of the third part once again praises the old promise of the House Nation, not without ZUBU being refined with the very own Cuthead spin, which definitely puts the track on a techno floor as well. POWER ACID lives up to its name and comes across as a classic warehouse acid screw that takes every rave to the edge. Understatement is also not required with PARTY LIKE IT'S 99. After all, every Saturday afternoon is followed by a Saturday night and a piano house bomb with a little ounce of acid always goes down well on such an occasion.

The final chapter of THE DETOUR opens promisingly and in typical Cuthead style with the aptly titled BONKERS and the kind of weirder head-nodding beat that only the Dresden resident can squeeze out of his samples. In LISOLEIL, Malone the Chemist drops his lines over what feels like an aquatic jazz foundation. Cuthead spotted the Canadian rapper when he posted a freestyle under a tweet from Flying Lotus. After that, the snares are turned up again in the sample fest that is FOXY. OUTRO is almost epic by Cuthead standards and could easily be the soundtrack to a modern giallo film.

The album is accompanied by beautiful animations created in collaboration between illustrator Robert Deutsch and animator Tobias Kramer.

The Detour Part 1
Release Date: 21.03.2024

The Detour Part 2
Release Date: 28.03.2024

The Detour Part 3
Release Date: 17.05.2024

The Detour Part 4
Release Date: 31.05.2024
01 Cuthead - Bonkers
02 Cuthead feat. Malone the Chemist - Lisoleil
03 Cuthead - Foxy
04 Cuthead - Outro

Credits

Written and produced by Robert Arnold.
Lyrics and Rap on Proceed by Montrell Haymon. Lyrics and Rap on Lisoleil by Marlon Gray.
Published by Copyright Control. Proceed published by Copyright Control and Chester Watson. Lisoleil published by Copyright Control and Hoxton Music Publishing.
Artwork by Robert Deutsch
Animation by Tobias Kramer
Mastering by Jacob Korn at Tailout Studios

The Detour Part 4

Bandcamp

Cuthead - Lisoleil feat. Malone The Chemist

✨ Viaggio sonoro verso nuove dimensioni ✨
La mia musica esplora i confini dell’electro ambient, intrecciando sonorità futuristiche e surreali con atmosfere sospese, ipnotiche e cinematiche. Ogni brano è pensato come una porta d’accesso a una nuova dimensione del suono: un luogo in cui tempo e spazio si dissolvono, lasciando spazio a emozioni pure e a paesaggi sonori inesplorati.

🔊 Immergiti nei miei mondi sonori, fatti guidare da voci mantriche, texture eteree e bassi profondi, e lasciati trasportare in un viaggio senza confini.

---------------------------------------------------------------

✨ A Sonic Journey into New Dimensions ✨
My music explores the boundaries of electro ambient, weaving futuristic and surreal soundscapes with suspended, hypnotic, and cinematic atmospheres. Each track is designed as a gateway into a new dimension of sound — a space where time and reality dissolve, leaving room for pure emotion and uncharted sonic landscapes.

🔊 Immerse yourself in these sonic worlds, guided by mantric voices, ethereal textures, and deep basslines, and let yourself drift into a limitless journey.



Fragments of Tomorrow

anthing esque

SISTEMA LUNAR I

Operativo (T Edit)

Club Duro - Operativo (T Edit) [Free Download]

It’s that time again… Every summer Jennifer Cardini’s Correspondant imprint celebrates another ground-breaking year with a far-reaching collection.

Ranging from palpitating ambience to chuggernaut technoid trips; the stirring 16 track set features late night creations from old friends (Red Axes, Zombies In Miami, Mike Simonetti, Moscoman) new friends (Simple Symmetry, Perel, Julian Stetter, ) and friends that have been Correspondant kindred spirits since day one, but have never had the opportunity to cast their magic on the label… Until now (Black Merlin, The Golden Filter, MR TC, Yula Kasp & Mi.ro).

As always, the vibe is deep, smoldering, emotive, innovative and unapologetically cosmic as we’re pushed headfirst into Correspondant’s boundary-less soundscape. From the coiled spring funk of Javi Redondo’s ‘Fictional Friendship’ to the hypnotic harmonics and trippy vocal textures of Uriah Klapter’s ‘Breeze’ via the slinky arpeggiated charm of Marvin & Guy’s ‘Cowboy Disco’, it’s another sublime excursion from one of the most consistent and considered imprints on the left side of techno.

Follow : 
@correspondant
www.facebook.com/Correspondant.records
www.beatport.com/label/correspondant/20970

Black Merlin - Sub Conscious

Out now on vinyl & digital release - https://lnk.to/REKIDS123

July sees Radio Slave’s Rekids invite Britain’s renowned Swayzak to the roster with a Cold War themed release entitled ‘Odessa Calling’ EP. 

A name associated with quality, Swayzak’s ability to retain their signature sound whilst producing across various sub-genres has cemented them a solid reputation since their humble beginnings in the 90s. Their impressive back catalogue includes six studio albums and appearances on labels like K7, M_nus, Curle, Ellum and Swayzak’s own label 240 Volts, which was relaunched in 2017. Originally a duo comprised of David Brown and James Taylor, Brown has been helming the project solo since 2012. He now joins respected Berlin-based imprint Rekids with two inspired productions. 

‘Odessa Calling’ is a mysterious track with hypnotic synths, mesmerising pads and enigmatic vocals that combine together to create a celestial aesthetic. On the flipside, ‘Numbers Station’ continues with the otherworldly feel employing shimmering percussion that wanders alongside a brooding bassline for a well refined finish to the package.

Odessa Calling

Swayzak - Odessa Calling

TS004 - B2 Neon Electric (Rayko Edit) 96 kbps [released 2010]

Taken from: Barnt - What Is A Number, That A Man May Know It? (Magazine 2)
https://magazinecologne.bandcamp.com/album/what-is-a-number-that-a-man-may-know-it

Barnt - What Is A Number, That A Man May Know It?

For releases after 2018, check our website or Bandcamp.