I'M A CON-FUSION | پانصد سر در گمانم

Here I try to have a collection of Iranian traditional Radif singing, improvisation and solo.

my root

عبدالله دوامی

صفحه خش‌دار

درآمد ابوعطا ~ عبدالله دوامی

تصنیف افشاری از عارف قزوینی
آواز: عبدالله دوامی
تار: درویش خان

Tasnif-e Afshâri by Âref Qazvini
Vocalist: Abdollâh Davâmi
Târ: Darvish Khân

Darvish Khan, Tar

Tar Darvish Khan

Tasnife Afshâri (Featuring Abdollâh Davâmi) /Tar Darvish Khan

Chaartaar - Ashoobam - چارتار - آشوبم

سیه بخت فریب - ضیاء - آهنگ: محمود قراملکی - شعر: سعید دبیری - تنظیم: واروژان

Violin: Mehdi Khosravi 
Oud: Atena Kharyaband
photo: Fatemeh Hemati
---------------------------
نام این گوشه به منطقهٔ دیلمان در شمال ایران اشاره دارد. دیلمان از ابتدا جزو آواز دشتی نبوده و بعداً به آن افزوده شده‌است. این گوشه در اوج آواز دشتی اجرا می‌شود.

گوشهٔ دیلمان در موسیقی منطقهٔ گیلان رایج بوده‌است. در ردیف موسیقی ایرانی این گوشه اصالتاً جزئی از آواز دشتی (که ریشه در منطقهٔ دشتستان در جنوب ایران دارد) نبوده و برای نمونه در ردیف میرزاعبدالله و ردیف آقاحسینقلی نامی از آن برده نشده‌است. افزودن این گوشه به ردیف آواز دشتی توسط ابوالحسن صبا انجام شد و بعداً در ردیف آوازی عبدالله دوامی نیز (به نقل از محمود کریمی جزو آواز دشتی قرار گرفت.

از غلامحسین بنان به عنوان یکی از کسانی که گوشهٔ دیلمان را شناساند و متداول کرد نام برده شده‌است.

Deylaman | دیلمان

My name is Dmitri, i create ASMR video to help you relax, feel good and sleep.  Suscribe to me on https://www.youtube.com/user/MassageASMR 
My recommendation is to watch the video for the complete relaxation experience.
Link to Video: https://www.youtube.com/watch?v=NtQ2TVM0mTg
Equipment: 2 x Rode NTG3 + H4N Zoom
My audio files take you on a little journey of relaxation, our end goal is for you to feel good and drift of to sleep.  Almost like a massage to your brain or body.
I create many different types of video on youtube, Role Plays, Soft Spoken, Whispering, Ear to Ear, Crinkle Sounds, Tapping Sounds, Scratching Sounds + Many More.

From Youtube
Tibetan Singing Bowl Studio Session 2 - Deep Sleep & Meditation.  I had a feeling a need to record just pure sounds from the bowl, feeling, turned to action, action lead to creation, creation leads to awakening and the sound of the singing bowls leads to sleep.  

IF you would like to help support me you can do by so donating through paypal: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=2GLQ475T9F8GU
You can also patreon me: http://www.patreon.com/massageasmr

The bowls come from MadamKali http://www.madamkali.com.au/



As with all my video, my intentions is always to provide you a little home away from home, where you can kick back relax and always find a new and unique experience as i guide you with sights & sound to a relaxing location where my objective is to let you feel gentle waves of relaxation & ASMR until you close your eye to fall into a peaceful sleep.

Website: http://www.massageasmr.com
Youtube: https://www.youtube.com/user/MassageASMR
Patreon: http://www.patreon.com/massageasmr
Google Profile:https://plus.google.com/+DmitriASMR
Google Page: https://plus.google.com/+MassageASMR
Facebook: https://www.facebook.com/dmitri.asmr
Twitter: https://twitter.com/MassageASMR
Sound Cloud: https://soundcloud.com/dmitri-asmr



ASMR stands for Autonomous Sensory Meridian Response it is described as a pleasurable tingling sensation that can be felt most commonly in the back of the scalp and down the spine but not limited to these area's.  
I try to describe ASMR experience to people using something common like visiting a hairdresser, do you find the experience of someone focusing on you, the gentle touching of your hair, the sound of the scissors moving around you relaxing?
That would be a relaxing experience, watching ASMR video is like recreating that type of experience.
I believe most people can experience ASMR, to experience ASMR you need to find your trigger, common triggers:
Whispering
Watching Someone Focus on a task
Personal Attention - like a hair cut
Watching Role Play
Tapping Sounds
Crinkle Sounds

Video Panasonic HMC-152
Audio Recorded with normal Rode NTG-3 Mics in stereo

Tibetan Singing Bowl Studio Session 2 - Deep Sleep & Meditation

1 Hour Tibetan Singing Bowl Meditation Chakra Healing Tone G Throat Chakra - Mp3

از یاد رفته: ترانه از رحیم معینی کرمانشاهی، آهنگ در اصفهان از فضل الله توکّل، تنظیم از زنده یاد واروژان با صدای بی تا (سا 1352 (خورشیدی
پالایش، بهبود کیفیّت و تصحیح کوک توسّط حسین معینی کرمانشاهی

از یاد رفته: ترانه از رحیم معینی کرمانشاهی، آهنگ از فضل الله توکّل، تنظیم از واروژان با صدای بی تا

24 minuets of improvised themes on Esfehan and Dashti modes in Persian Classical music, with the magical touch of Master Reza Soufi.

تک نوازی سنتور- رضا صوفی- All of Me - (Reza Soufi- Santour Solo- All of Me)

Some of the gushes of Dastgah e Shur is sung by Maestro Nasrollah Nasehpour, accompanied on the Persian tar by Mohammad Reza Lotfi (re-produced from the gramophone disks).

برخی از گوشه های دستگاه شور از ردیف استاد عبدالله دوامی

www.facebook.com/chaartaar
www.chaartaar.com

Chaartaar - Baaraan Toee

Chaartaar - Mara Be Khaaterat Negah Daar

Chaartaar - Khosha Be Man

آلیس، واروژان - تنها

دکلمه ترانه حرف - با صدای گوگوش
ضبط شده در استودیو "ال کوردوبس" عباس آباد به سال ۱۳۵۳ با خش خش صفحه چهل و پنج دوری که برای همیشه گم شده است
ترانه سُرا: شهیار قنبری
موسیقی : واروژان

دکلمه ترانه "حرف" - گوگوش - شهیار قنبری - واروژان - ۱۳۵۳

Chaartaar - Asheghaaneh Tanhaast

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: bit.ly/2XtJGvQ

Tasnife Afshâri (Featuring Abdollâh Davâmi) /Tar Darvish Khan

Mahoor Institute of Culture & Arts