Now an internationally successful DJ, Eric Sneo started learning to play musical instruments from a young age, after his grandfather introduced him to an accordion at only the age of 4, he went on to experiment with drums after buying a drum kit in his teenage years and started to attend local jazz shows, where he really learned how to improvise. In 1991 he saw Sven Vath playing in Frankfurt, and it was here when he fell in love with what he was listening to, and wanted to know more.

With his unique performances on the E-drums during his DJ sets, Eric swiftly developed into a distinctive and highly sought after international performer with his unforgettable sets. After he presented his unique “Art of Life” show at the Nature One Festival (2009) for the first time, he gained rave reviews throughout an exclusive festival tour of the show in the summer 2010 and 2011. Eric can combine his trademark groovy technoid DJ style with his live performance of a range of acoustic and electronic instruments, including E-Drums, E-accordion, percussion & didgeridoo.

In 2011 he launched his new Mudra Audio label, where he released his critically acclaimed album “Polarity” in March 2012. Supported by international artists like Laurent Garnier, Len Faki, Dubfire, Luciano, Gabriel Ananda and Cari Lekebusch, the album was highly successful, so much so much so, that Umek signed the album track “Shut Up & Dance” as a single for his 1605 label, which was released in August 2012.

With his successful “Move On” EP in 2013, he became a member of Christian Smith’s respected, forward-thinking Tronic family, a move that led to him to his 5th album of his career “Intensity’ which was released on Tronic in 2014. Much acclaimed support lead to a steady stream of hits on Tronic, with his “Move On” and “Metanoia” tracks remixed by Pig&Dan, Paco Osuna and Mendo.

Eric has announced he will be released his next album, which will be his second on Tronic in February 2017 with ‘Sound Traveler’. Featuring 14 original tracks which show Eric’s eagerness for experimentation. Providing full bodied beats and rolling basslines, closing the gap between tech-house and techno.

STARTED AS A DJ, RECORD PRODUCER AND REMIXER IN MY HOMETOWN, BREDA. ULTIMATELY VOTED THE WORLD'S NUMBER ONE DJ ON DJ MAG IN 2013 AND AGAIN IN 2014. NOW A MUSICAL CREATIVE FOLLOWING MY OWN PATH, BACK FOR MORE.

#REBELSNEVERDIE

www.djhardwell.com

Grammy nominated producer, DJ and radio host.
New album 'Music Rescues Me' out now!

worldwide booking:
catello@whitelephant.eu

booking spain / portugal
oliver@peacockdjagency.com

booking germany
Truestory Agency
andy@truestory-agency.com

► Bookings
bookings@alienrec.com


Enquanto o mundo pega fogo, enquanto os algoritmos sugam almas, em meio a guerras, pandemias e catástrofes, eu continuo nessa cadeira, vendo tudo mudar e passar a minha volta, continuo nessa cadeira, aprendendo a aprender, tentando me entender, mais com tanta escuridão la fora, a musica que procuro traz luz e alivio, talvez um positivismo irreal, mais é essa magia da felicidade extravagante que me apaixonei, aquela que afasta a escuridão nem q seja por um momento, e me poe a dançar como tudo estivesse em perfeita harmonia. E não está?

While the world is on fire, as algorithms suck souls, amidst wars, pandemics, and catastrophes, I remain in this chair, watching everything change and pass around me. I stay in this chair, learning to learn, trying to understand myself, but with so much darkness outside, the music I seek brings light and relief. Perhaps it's an unreal optimism, but it's the magic of extravagant happiness that I fell in love with – the kind that pushes away the darkness, even if only for a moment, and makes me dance as if everything is in perfect harmony. And isn't it?

http://www.songkick.com/artists/8295508

DJ, producer and label head.
@musiconofficial 

Marco Carola is a global ambassador of techno. From Napoli in the south of Italy, Marco was instrumental in the development of the electronic scene in the early 90s, he took the flourishing techno Napolitano scene to the rest of the world. Over twenty years later and Marco is still one of the most respected artists amongst the techno scene, widely regarded as one of the key factors in driving the genre towards worldwide recognition within electronic music.
 
As a revered producer and successful label head, Marco has spearheaded imprints such as Design Music, Zenit, Question, One Thousands and Do.Mi.No whilst releasing music on a selection of the words finest labels such as Minus, Plus 8 2M and Primate Recordings. In addition to five critically acclaimed albums, including his most recent Play It Loud, Marco has also been responsible for a clutch of seminal mix compilations. In 2006, his mix for legendary London club Fabric’s series was a lesson in sleek, future-facing minimalism. That was followed up by well received compilations for Time Warp in 2009. In 2010 Cocoon label boss Sven Väth asked him to mix the Frankfurt based label’s Party Animals CD alongside Nick Curly, which took Carola's dj taste and skills to new heights.
 
Famed for his energetic and impressive three-deck style of mixing and long journey set, Marco has remained one of the most in demand DJs on the planet throughout the last two decades. Favoring mammoth eight hour plus sets, Marco is predisposed to a subtle working of the crowd that has made him a favorite among fans from Ibiza to New York, South America and beyond.

Jay Denham is the second generation Detroit techno pioneer - musician, dj artist and producer from Kalamazoo, Michigan - city right in the middle between Chicago and Detroit. His style is a unique blend of these two worlds - Chicago house and Detroit techno, with a Kalamazoo touch. He stays true to the underground, makes the music for the art of it and always remembers where he comes from.

Denham's solid musical background takes its roots in 70s, when little Jay opted for a four-string bass guitar over a six-string electric. By age 17, Jay has been playing high school party gigs with his rock band. During these teenage years, he developed a taste for punk and New Wave, though still influenced by funk acts like Rick James, Parliament, Cameo, Zapp, and later Prince and The Time, as well as by electronic music of Kraftwerk.

With the arrival of the 80s, Jay Denham moved on to the early detroit techno and further on to the chicago house, when he came across "Chicago Hot Mix" tapes and the revolutionary Farley Jackmaster Funk and the deep Frankie Knuckles. Immediately blown away by these new sounds, Jay started his pilgrimages to the Cradle of House music in search of records, religiously tape-recording the local radio shows he couldn't receive in his home town, Kalamazoo. A chance encounter with the legendary early House producer, Chip E inspired Jay to try to make this new music himself, and eventually to create his own sound.

The next significant encounter marked another step in Jay's career. At the Western Michigan University he befriended a certain Anthony Shakir, aka DJ Shake, who now runs Frictional records. Shake had a keyboard, Jay had a drum machine and it wasn't long before they were jamming together. Finally a breakthrough - full dedication, hard working and sacrifices paid off - Denham's early works captured the attention of Derrick May and Kevin Saunderson who released Jay's first EPs on Transmat off shoot label, Fragile and KMS label. The track "Rituals" which Jay released as Vice on the Techno 2 Next Generation album was quickly followed by the classic track, "Insync" released as Fade II Black.

The fruitful collaboration came to an end when growing stack of tracks eventually hit against the labels' limitations on releasing and Jay decided to go back home to his roots in Kalamazoo, where he worked with local producers and DJs, and continued to develop his unique sound.

In 1992, Jay Denham struck out on his own. He founded Black Nation Records and launched it with his seminal "Birth of a Nation" E.P. (allusion to the infamous and subversive Ku Klux Klan propaganda film of the same title), featuring tracks by Denham himself and as well as his colleagues - Fanon Flowers, Tony Ollie, Brett Dancer, and Chance McDermott. Black Nation's philosophy: driving underground grooves for the funk-conscious record buyer.

With the success of Black Nation relentless releases of pure Detroit techno, Jay was able to refine his sound to what he describes as the funky techno sound.

After a while Jay decided to set up shop in Munich, Germany, where he worked with a local label Disko B. The label gave him carte blanche to express his creativity beyond the sound he was know for at the time, which gave the world the classic album "Synthesized Society", #2 album of the year 2000 according to the Groove Magazine.

Moving on to the European scene Jay expanded his style (instead of "continued to develop his sound") as a DJ. With more than 35 years of career, Jay is also well known for his dj skills, rocking 3 decks back in the day, performing at the Movement Detroit, Awakenings NL, Time Wrap music festivals, as well as at Tresor Berlin, Rote Sonne Munich, Lost London, Sonar, Time warp, Nature one, and many other clubs around the world with his brand of hot mixing.



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