No vocals yet, but they'll hopefully be in the box soon with Mrs Moag and myself.
Pour mes amis Francophones, c'est une reprise d'un "classique des variétés françaises", années 70,
le reconnaissez-vous ?
https://soundcloud.com/the-acoustic-grill/tracks

mOag - cOming "sOme day" tO the acOustic grill

"You don't sound like anyone else," said Danny Thompson - renowned bass player for Nick Drake and Joe Strummer - about English musician Conil.

The GRAMMY-winning engineer for Tom Waits and Elvis Costello, Tchad Blake said: "Strange Part of the Country is an awesome album! I still listen to it."

Fleetwood Mac legend Peter Green liked Conil's music so much he stopped by Conil’s house to record with him. They recorded a version of Conil's homage to the jazz greats "Round Midnight". 

Strange Part of the Country never conformed to any current trends and has remained timeless. Now, people are discovering this album and it is becoming an all-time favourite. 

When the album was released in the UK, it received some amazing press. Britain's biggest selling music monthly Q magazine gave it: "Four stars - Q Recommends". Blues Matters magazine wrote: "One of the most original artists out there". In the next issue, Blues Matters put him on the front cover.

Conil left London after Strange Part of the Country was released and has spent the last ten years living in the United States and Europe - including New Orleans, New York City, and Berlin.

1980 - 1985 Alternative-Experimental Australian Rock band. 
All concerned: Stirling Bowen - guitars, keyboards, vocals, percussion, , (Xristo) Chris Russell  - drums-noise, guitar, extra B.vocals,  Andy Griffiths_(Griff) - vocals,  Andrew Mc Donald (Mozzwell) - bass-noises, B.vocals. Extra musicians on stage - Charles Caldas guitar, Lindsay Brunsdson - guitar, Rob Lane - Trumpet, Bryn Hills - Trombone. The Long Story...........
Gothic Farmyard project. 1980 to 1985. Gothic Farmyard, an alternative early 80's Australian band who stockpiled songs, however, released studio recorded cassette tapes (limited edition) a live tape and only now are they featured on a compilation CD. The band were described as frenetic, provocative, entertaining, noisy, silly, humorous and engaging by local press and the band described the press the sameway. History: They gigged solidly from 1980 to 1985 with bands ranging from The Scientists, The Johnnys, Beargarden, Sacred Cowboys, Harem Scarem to No Fixed Address and other touring acts. Known as Gothic Farmyard although not really a gothic sub culture band.

Mostly original tracks, a few covers here and there. Thank you for even getting this far. Thoughts, opinions, suggestions all welcome. It's pretty lonely out here toiling over every sound wave and grubby plugin. Any feedback is appreciated and if you've got a track you want me to hear send it over - what comes around goes around etc. A huge shout out to Len Rice for all his production suggestions on this and other tracks of mine - a true expert, check him out https://soundcloud.com/lenrice
One day I hope to get some collaborations going and a far off dream is to re awaken all these tracks in a live environment with a live band and maybe even a live audience. For now the dream keeps me going. Thanks for listening.

I'm trying to use as much real instrumentation as possible: a Taylor and a Norman acoustic guitars, a Fender Strat Roadhouse that goes out of tune if I even look at it, a cheap Vintage mandolin that hurts to play and listen to, an 80 year old zither banjo that screams 'I was never destined for this' and a borrowed Aria Pro II bass that a friend can can never be bothered to take home on the bus. Synths are a plasticky Roland FA06 and a fun but dumb Korg minilogue. Throw in some Native Instruments software primarily for smoochy piano and strings, a £15 melodica full of tramp spit, some harps in impossible tunings, and a box of percussion and assorted prehistoric flints (are you really still reading this??). 

All recorded on Logic Pro X on an ancient iMac that is going to explode any minute and take my entire oeuvre with it. And most likely burn the house down.

Bad keys, shaky shakers, 
acoustic and tremolo guitars... 
I try to not grill ALL of these ingredients
ALL of the time... but it’s hard.

MUSIC , Vocals, LYRICS, Production, Remixes 😉🎶🎧

Glass and concrete are so intertwined with the neural network of their inhabitants that a kind of symbiosis is obtained, reaching parasitism of one above the other. A small person has a choice: to be free or to become a link in this system, having realized this choice, the choice as such ceases to exist.

Dolbania was founded in January 2008 by two friends and a cat - lovers of good heavy music. Then a gloomy Gothic composition was recorded on the poems of I.V. Goethe on an acoustic guitar and synthesizer.
In the first year of her existence, she was in a creative search, with an admixture of depression. We searched for inspiration at abandoned industrial facilities and in listening to a huge amount of music. We fucked for a long time and a year later we finally decided on the style that you can currently hear in our songs.

Virgo/Taurus/Taurus
É nóis que faz o ambiente ficar gostosinho.

mOag - cOming "sOme day" tO the acOustic grill

man On a grill