Have been DJing since 1992, mainly playing soulful/deep house.
Have played many house parties and bars over the years in Paris, London, Ibiza...

Bookings: edparisdj@gmail.com

Enjoy the music
Peace...
Ed

FRESHLY SQUEEZED - "world leaders in putting a modern dance music spin on vintage records" (Mixmag) - FOLLOW US. 

An independent label and "purveyor of future cult classics" (The Independent). From compilations like the WHITE MINK series - "Electro swings first landmark moment" to ELECTRO BLUES - from quirky artists like SWING REPUBLIC, KID KASINO, JFB, JEM STONE or SWINGROWERS to 'discoveries' like THE CORRESPONDENTS. Promoting sell-out UK shows by artists like CARAVAN PALACE or PAROV STELAR, the label has always led the way in fusing vintage influences with contemporary production. 

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And now the new FRESHLY SQUEEZED weekly radio show syndicated world-wide on FM and digital features 2 hours of the very vintage and vintage-influenced sound, remixed, remastered or rewound. 

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“Freedom is another word,” so the song went back in an easier and less costly time, “for nothing left to lose.” Freedom—the kind that Tedeschi Trucks Band has created for themselves since their inception in 2010—has come at a much higher price and required a deeper sense of dedication. It’s the kind of freedom that has allowed them to keep a band that has grown to more than a dozen musicians and crew on the road for five years, garnering an ever-increasing international audience, while developing a musical identity that has yielded original, award-winning recordings. 

Let Me Get By is the third and latest studio album by the TTB, featuring ten new, original songs that together stand as a testament to the hard work, independent spirit, and now full-on commitment of the husband-and-wife team of Derek Trucks and Susan Tedeschi, plus the musicians and music professionals who are part of the band’s ongoing journey. The album’s artwork—a Mongolian golden eagle caught moments after flying from its master’s glove—and even the album title, reflect the sense of total dedication that serves as the driving wheel of TTB.

“’Let Me Get By’ actually refers to a lot of things,” says Trucks, “like the band becoming more self-reliant than ever before—writing our own songs and producing our own music in our own studio. It’s about moving on to a new recording label with a deal that gives us more freedom, and personally, I found myself with more time to focus on TTB after the Allman Brothers played their final shows this past year. 

“It definitely took time for us to get here. I think the connections we have in this band and among the crew and extended family is the real reason why. I look around the stage every night and am just in awe of the situation—the music’s amazing and road-tested and we all really like each other. That’s what I hear in the music on this new album—this feeling that we’re now putting 100% of what we have into this band, not going back to anything else, not having anywhere else to go.”

The TTB journey began on April 1, 2010 with their first gig at the Savannah Music Festival, and led to the recording and release of their Grammy-winning debut album Revelator in 2011, and Made Up Mind two years later. During their five-year rise, the group toured incessantly, raising their profile and being handpicked to play with the likes of Eric Clapton, Bob Dylan, and Santana; to appear on television shows hosted by Jay Leno, Conan, and on the premiere of Stephen Colbert’s The Late Show; and hosting special all-star musical salutes themselves, including Bonnaroo’s Superjam in 2014 (with Chaka Khan, Anthony Hamilton, Taj Mahal, and others), and Lock’n Festival’s Tribute to Joe Cocker’s Mad Dogs & Englishmen in 2015 (with Leon Russell, Rita Coolidge, and many other original members.) 

What began as an eight-piece group has now expanded to an onstage lineup of twelve musicians—a lineup that has remained unusually consistent. In 2015, for the fifth straight year, they were on the road for more than 200 days, and sold more tickets than ever before. Swamp Raga, the recording studio that Trucks and Tedeschi built from scratch next to their house, has been expanded and updated to the point that no other facilities are required. Bobby Tis, the band’s longtime, on-the-road monitor engineer has become their full-time studio engineer; Trucks himself now serves as sole producer. All tracks on Let Me Get By, to be released on January 29, 2016, are credited to Trucks, with three songs co-produced by guitarist and longtime collaborator Doyle Bramhall II.

“Derek hears everything from a big picture stance,” says his wife and band co-leader, singer/guitarist Susan Tedeschi. “Not just track by track but the album as a whole. What needs to be added, when a song is done, and he really knows how to get the best out of each player. On this album I feel like I was personally produced with more direction than I ever have. He instinctively knew when I could sing a better take, and would have a suggestion or two, and that really brought the best out of me.”

Let Me Get By is the culmination of an exceptionally busy year for TTB. The music on the album in fact, as guitarist and bandleader Trucks remembers, was born during tour rehearsals in their hometown of Jacksonville, Florida in January with an impromptu idea played by the band’s keyboardist. “The song ‘Let Me Get By” started at sound check one day, Kofi [Burbridge] playing that riff and then we took it into the studio and [singer] Mike Mattison and Sue went upstairs and the lyrics just poured out. It's a bunch of different true stories meshed into one.”

Like the group’s other recordings, Let Me Get By benefits from a number of musical elements that have become TTB trademarks: their deep sense of American roots music: rock, blues, soul, and especially gospel; Their balance of easy-flowing song structures and soaring, improvisational sections; Tedeschi’s spiritually charged vocals, and Trucks’ wide range of guitar tones, slide and picked, from back-alley, distorted rawness to Indian sitar-like sinuousness. 

There are a number of characteristics that differentiate the music on this new album. One is a clearer, more mature musical identity that comes through a generous array of musical moods and feels. Tedeschi credits it to the inside familiarity among the group’s members: “the album didn’t come from any outside influence. This is the first time it’s all in-house, so I feel it's really a good look at the actual band in action, how we communicate together.” Trucks agrees, adding that “the band is in a better place than it's ever been that way. When everybody would be in the room anyone could just throw out ideas and everybody’d be willing to listen. You have to really trust each other and not be afraid of getting your feelings hurt. That’s more how it was at the beginning but now it’s a fun process, with everyone contributing.”

Another growth ring is a sense of expansion to TTB’s sonic signature. There’s an increased focus on Tedeschi’s powerful guitar playing (especially on “Don’t Know What It Means,” in which she solos powerfully before her husband’s guitar statement. As well, the album features the first lead vocals on a TTB album by Mike Mattison (on “Crying Over You” and “Right On Time”), whose mastery as a lyricist and songwriter has always been a central part of the TTB sound.

For Trucks, Let Me Get By is concrete evidence that the band is on the right track, and that more singular music will continue to flow from the expansive yet tightly connected musical family TTB has become. “There’s a lot of sacrifice that goes into a band like this and the fact that everybody’s on board musically, hearts and minds, makes it very humbling. There are nights on stage when I think I don’t know if it’s ever been more fun to be in a band and be on the road and be alive than it is right now with a group like this. For me, that’s the joy and the thankfulness that comes across in Let Me Get By. 

“Susan and I take that seriously and at the same time, Susan started a kind of joke about it. After shows, she started to say to everyone, ‘Thanks for letting me be in your band’ and we’d all laugh. Now we all say it.”

Psychedelic Trance mix Sept 2025
youtube videomix
https://youtu.be/iliCWEUxlks?si=A4jEB72tYWOVCg5Q
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for bookings contact me here via mesage
or contact me via mail 
electricsamurai.booking@gmail.com

see you on the other side!!
The Samurai

----------------------------

The Samurai been dj-ing psychedelic trance music since 2004 , and since 2009 also mixin house ,trance , electro and techno. 
first DJ gig was back in 2007/2008 new years party!!
Since 2010 The Samurai also making his first steps into the Magical Universe of producing music!!

my facebook page
http://www.facebook.com/profile.phpid=100000617160737
my facebook bandpage
http://www.facebook.com/pages/DJ-Electric-Samurai/90272438398

MGMT: aidan@dittomgmt.com
BOOKINGS: seth@mbartists.co.uk

Sharing the sounds of Chad Harrison, whether it's Jackin House/Minimal Tech or Bassline. It's always a groove lad! 
Follow the page! There is more to come :)

Any tunes wanted - Drop us a message x

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The hottest guests and the finest underground dance music, delivered weekly. A place to hear the freshest new and exclusive tunes before they hit the dance floor, an authority on upcoming artists and labels and your ‘source’ of knowledge for the tracks shaping the scene.
 
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Spinal Fusion is the stage name of Bilas Rajderkar, a psytrance artist, producer, and sound engineer hailing from India. Bilas discovered his passion for music at a young age and began experimenting with electronic sounds when he was just 17 years old.

Founder of Profound Records in 2012, he continues to produce and release music under the label. Collaborations with well-known artists such as Sonic Species, Ajja, Killerwatts, Mad Maxx, Avalon, Outsiders, Hypnocoustics & Spectra Sonics he has certainly made a name for himself in the international psytrance scene. 

Having performed at major festivals around the globe i.e. Boom Festival, Ozora Festival, Mandallah Festival, Flor Da Vida Festival, Terratronic Festival, E trip Festival, Soulvision Festival, Shambhala Festival, Respect Festival, Progressive Festival by DM7, Elementare Festival, The Experience Festival, Freq’s of nature Festival, Hilltop Festival, Shankra Festival, F.L.O.W Festival, S.U.N Festival, Blackmoon Festival, Antaris Project, Infected Guitars, Respect Arte e Cultura, are some festivals he has been invited to perform, which is a clear testament to Spinal Fusion's talent and the quality of his music. It's also worth noting that he has performed at various events in his home country of India, which is a vibrant and growing market for psytrance music. 

By participating in these events, Spinal Fusion is helping to promote and develop the scene in India and bring greater recognition to the country's talented psytrance artists and producers. Overall, it's clear that Spinal Fusion's music has a global appeal, and his performances at these high-profile festivals are a testament to his talent and dedication to the genre.



For Bookings Contact:
Worldwide Bookings: recordsprofound@gmail.com
India Bookings:  spinal.fusion21@gmail.com 
Brazil Bookings: spinal.fusion21@gmail.com

Young six-string virtuoso and songwriter Marcus King’s debut album, Soul Insight, which arrives on October 30 via Evil Teen Records, displays his stunning command of rock, blues, psychedelia, funk, soul and improvisation — all with a distinctly Southern musical accent. It also brings the 19-year-old a step closer to his musical destiny.

“I guess I knew I was born to play guitar when I was seven,” King says.  “That’s when I got my first electric guitar, and while all the other kids were outside playing, I’d be inside on that guitar. When I got in trouble in school, my daddy said I could choose between a spanking and getting my guitar taken away for a week. I took the spanking.”

Soul Insight is the explosive result of that dedication, magnified by another dozen years and more than a thousand nights playing in clubs — initially alongside his father, bluesman Marvin King — since the age of 11, just two years before Marcus formed his own group and stepped into the role of leader. 

King’s talents and trajectory have already led his band across the country, and he’s opening shows for the Foo Fighters, Johnny Winter and, of course, Gov’t Mule and its leader, Warren Haynes. King emerged from his native Greenville, South Carolina, and its sister city Asheville, North Carolina, where Haynes was born. King hit Haynes’ radar thanks to the reputation the young artist has earned with his incendiary live performances. In December 2014, King and his band were invited to perform as part of Haynes’ annual Christmas Jam benefit, which occurs in Asheville’s U.S. Cellular Center Arena, the prestigious club the Orange Peel and other rooms around the musician-and-artist-heavy mountain city. A few months before that, the Marcus King Band had recorded Soul Insight at the Compound Studio, just south of Los Angeles in Signal Hill, California.

“Recording the album was a really organic experience,” says King, who also produced Soul Insight. “Whether I wrote the song or, in the case of the instrumentals, we developed them together as a band, we’d played them long enough so we were really comfortable with the material. And we lived at the studio while we were recording, so it was really laid back and comfortable. That let me relax and play my best.”

How good is King’s best? Good enough that Haynes picked up the album for his Evil Teen label and has signed on to produce its follow-up. 

The proof of King’s developing virtuosity and vision is in the tracks. Soul Insight opens with “Always,” a riff-driven rocker about a spurned lover that brings King’s big burnished tone to the fore. “Boone” displays King’s acoustic side and reveals his talents as an arranger, opening with his singing slide resonator guitar and voice, and building to an explosive crescendo that echoes the influence of his own guitar heroes, including Haynes and his Allman Brothers Band foil Derek Trucks, and Jimi Hendrix. Soul Insight’s first single and album’s closing song, “I Won’t Be Here,” also echoes the Allman’s in King’s gorgeous, arcing vocal melody and the blend of King’s acoustic and electric guitars as he sings about the bittersweet experience of moving past an old romance into a new relationship.

“Warren and Derek were big influences on me,” King relates, citing the 2003 Allman Brothers’ album Hittin’ the Note and Trucks’ Grammy-winning Already Free as particularly inspiring. “That’s the level I aspire to with my own music,” King adds. 

Talking about Jackies is talking about real House Music. We are a independent Barcelona based House Music Label, delivering parties around the world since 2017. 

We firmly believe in the transformative power of House music, which serves as a unifying force connecting communities. Our parties transcend borders, uniting music lovers worldwide and delivering an unforgettable sonic journey. 

We are proud to be pioneers in Spain, having successfully organized the first-ever festival dedicated entirely to House Music. Our inaugural edition, featuring Folamour, drew in a crowd of 5,000 enthusiasts. Taking a significant leap forward, we doubled our capacity to accommodate 10,000 attendees in the subsequent event headlined by Honey Dijon, plus a diverse line-up of dance music greats. 

With an extraordinary 7-year journey, we've had the privilege of hosting unforgettable parties in the world's most iconic electronic music capitals. From our summer residencies at La Terrrazza and the W Hotel in Barcelona to the winter magic of the legendary Musica NYC in the heart of Manhattan, our presence resonates across the globe. We've made waves during Miami's renowned Music Week, cruised through Amsterdam's ADE alongside the legendary Louie Vega, and enchanted audiences at London's Egg and W Hotel. In Ibiza, we've shared the stage with Defected at the iconic Eden, embraced the mystique of Tulum's Vagalume, and added a touch of summer magic in Marbella. In Madrid, we electrified an audience of 6,000 at IFEMA, and in Medellín, we felt the warm embrace of our beloved community. These cherished destinations and many more are part of the story we've written together.

Artists we have worked with: Folamour, Honey Dijon, Louie Vega,  Moodymann, Dennis Ferrer, Todd Terry, Richy Ahmed, Steve Lawler, Christian Smith house set, Sam Divine, The Shapeshifters, Davide Squillace, Catz n'Dogz, Kevin Saunderson, COEO, Cody Currie, among others.

Clubs: La Terrrazza Barcelona, Ifema Madrid Parc del Forum Barcelona, La Fira Barcelona, ​​Pacha Barcelona, Musica Nyc, ​​Eden Ibiza, Vagalume Tulum, Supperclub boat Amsterdam, Mogli Marbella, Egg London, to name just a few.

Do not miss the latest works produced in our record label by names like Todd Terry, Angelo Ferreri, Dj W!ld, Piem, CASSIMM, just to name a few.

Don't forget to follow our renowned weekly podcast with more than 30k monthly listens where we select and promote the best international/national artists of the genre.

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