I like the origanality , pushes what people find aceptable which is often cofused as good because it fit's what they were told  was good same aplyse to painting. very cool

btw, once you've heard the chant, you will be affected by the spell. sorry about that.

RECORDING SESSION AUDIO HERE:
https://soundcloud.com/whitney-george/veiled-for-string-quartet-live-performance

Saturday, February 13th at 7:30 pm
The Great Room: South Oxford Space
Brooklyn, New York

The Curiosity Cabinet: Martha Cargo, Aleks Karjaka, Hugh Ash, Charlotte Munn-Wood, Adam von Housen, Pedro Vizzarro-Vallejos, Caleigh Drane, Emilio Guarino, Justine Aronson, Whitney George

Veiled—performed by The Curiosity Cabinet (Feb. 2016)

1. In Observance of Dusk

Cover of the Chante Moore Ballad written by Jud Friedman and produced by George Duke	off of the album Precious, the debut studio album by American singer Chanté Moore. It was released on September 29, 1992, through Silas Records and MCA Records.[2] in the United States. The album featured production from Simon Law, Bebe Winans, George Duke, among others.

Listen to the original here:
https://youtu.be/uImy1gU-W1g

Follow Chante Moore here:
https://twitter.com/iamchantemoore
https://www.facebook.com/chantemoorefans
https://www.instagram.com/iamchantemoore

As if we never met

demo i made with brian somewhere around '03. this ended up turning into the knotwells song "i'll be gone tomorrow". i play the electric bouzouki and my green fretless.

space gypsy

Grabado @elveinte By Nobody 
Febrero - Marzo '19
credits
released March 12, 2019 

Música y Letras By Kicha Baptiste 
*Excepto Bandolero 
Letra: Jose Manuel Figueroa, Adaptación de Kicha Baptiste.

1. - Para Decir Adioss - DMA

Asleep

Hail Satan

In the ground

"Telephone"
Single by Lady Gaga featuring Beyoncé
from the EP The Fame Monster

both parts performed by: Princess Rexii

Written	2008
Released	January 26, 2010
Recorded	2009
Studio	Darkchild, Los Angeles
Genre	Dance-pop
Label	Streamline Kon Live Cherrytree Interscope
Songwriter(s)	
Stefani Germanotta Rodney "Darkchild" Jerkins LaShawn Daniels Lazonate Franklin Beyoncé Knowles
Producer(s)	
Darkchild Lady Gaga[1]

"Telephone" is a song recorded by American singer Lady Gaga for her third EP, The Fame Monster (2009), the reissue of her debut studio album The Fame (2008). The song features American singer Beyoncé. The song was written by Gaga, Rodney Jerkins, LaShawn Daniels, Lazonate Franklin and Beyoncé. Inspired by her fear of suffocation, Gaga explained that the lyrics preferring relaxing on the dance floor to answering her lover's phone call are a metaphor, the phone calling her representing the fear of not having worked hard enough to succeed. With the track succeeding her fourth single from The Fame, "Paparazzi", the duet additionally embodies a fear of being suffocated and trapped by the media. Originally, Gaga wrote the song for Britney Spears, who recorded a demo. Musically, "Telephone" consists of an expanded bridge, verse-rap and a sampled voice of an operator announcing that the phone line is unreachable. Beyoncé appears in the middle of the song, singing the verses in a rapid-fire way, accompanied by double beats.

Listen to the original here:
https://youtu.be/EVBsypHzF3U

Follow Beyonce:
https://www.youtube.com/user/beyonce
https://soundcloud.com/beyonce
https://www.instagram.com/beyonce/?hl=en
https://open.spotify.com/artist/6vWDO969PvNqNYHIOW5v0m
https://listen.tidal.com/artist/1566

Follow Lady Gaga:
https://soundcloud.com/ladygaga
Facebook: http://gaga.lk/facebook
Instagram: http://gaga.lk/Instagram
Snapchat: http://gaga.lk/Snapchat
Twitter: http://gaga.lk/Twitter
Website: http://www.ladygaga.com/
Official Store: http://gaga.lk/GagaStore
Email List: http://gaga.lk/News

Follow Princess Rexii:
https://linktr.ee/PrincessRexii

Telephone Rexmix

Collaboration with http://soundcloud.com/hawk-horses ~

Heidi Harris, vocals, theremin, clarinet, mixing
Olds Sleeper, vocals
Christen Napier, banjo, jaw harp



Download this track

kwa seysrow (with hawk horses)

Did you hear what happened yesterday?

Come tomorrow, things will be the same.

Every time I dream about our lives —

Just like honey, 
how did we survive? 

Ohhmm.

Touch me. I’m a man. 
Baby, here I am.

Did you hear what happened yesterday?

Someone said the world’s been set aflame. Oh no!

Are we gonna make it?

Hungry like the wolf.
Tearing me apart.
I’ll never let you go.

Burning up, I set us both on fire.

Now I hear you calling out my name.

Hush my darling, sleep now in the fire.

Wake me up and blame it on the rain. Oh no.

Are we gonna make it? 



[All music / lyrics ℗ © 2021. Charles Tillman.]

Burning Love

Home of Space Mandino

Rockabilly Noir, Horror/Sci-fi, Shamanic blues, Tribal Avant-garde, banjo, harmonium, throat singing. 

Rockabilly/Reggae Noir, Horror/Sci-fi. You're being chased by satanic blood-sucking robots. And they're closing in. You should probably start running now. and whatever you do, don't fall into any open graves.



Asleep

Ear Cabbage Records

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