7" is Limited to 300. With Download Card and Insert. 
http://nightschoolrecords.bigcartel.com/product/lssn019-sally-dige-forget-me-losing-you

Statuesque Vancouverite Sally Dige is emblematic of a restless spirit flitting in and out of view, an apparition just out of reach. 

On "Forget Me"the idea of self is brought into focus then blurred  as Dige intones a gothically-enhanced hymn to self-erasing. Over an emotionally wrought 4 mins, post-punk bass lines and moody synth-leads edge the author into willed obscurity from view. On the edges of the song are hints at a fractured, fragile character: "I'd rather go alone / and not be missed by anyone." Is it auto-biographical? Or a character impeccably acted? On the other side "Losing You" proves that Sally Dige never gives too much away. Here she wears the mask of a jaded lover watching the physical and moral collapse of someone once loved, confronted with something unrecognisable. Melding an Italo Disco skeleton with dark analogue synths, in many ways the music is similarly an eroded form once recognised, now perverted into a propulsive, strange new language.

Forget Me (From LSSN019)

From our forthcoming album. More info soon.

Linear Attraction

Silent Signals - Waiting for reaction

Peace Is Important To Me

lizard brain put out bad vibes | untitled project 001 sessions | ambient atmospheric psyche drone jungle horror WIP | stortion 5.1 sr 86 bpm take 1 81425

Breaking substance
explosive flights
you have medals,
victorious
hot like water...
You've got metals and bones
eternal eyes
these monstrous ladies
these monstrous ladies

It's the saddest day
this day of my life
It's the saddest day
this day of my life
this day of my life

From the place they fall
so far away,
waiting...to remember.
Shatter my heart
millions of men
these monstrous ladies
these monstrous ladies

It's the saddest day
this day of my life
It's the saddest day
this day of my life
this day of my life

From the place they fall
so far away,
waiting...to remember
Shatter my heart,
shatter my heart!

Eternal Eyes (Single)

Another track taken from BAICALs debut EP called ' Euphoria '.

Listen / Pre-Order 12'' vinyl now:
https://blackverbrecords.bandcamp.com/album/euphoria-ep

Baical - Yr Lips

Shallow

The Dreams Never End - Imagem

Bragolin is a two-piece post-punk / wave band from Utrecht, The Netherlands. The name is inspired by Italian painter Giovanni Bragolin, famous for his crying boy paintings. The band is led by songwriter/singer/guitarist Edwin van der Velde, with Maria Karssenberg on guitar and organ.

Bragolin’s sound contains a mixture of baritone guitars reminding of 80’s new wave bands, to 90’s reverb laden shoegaze guitars. Instead of the music which the guitar sounds resemble, the mixture with pounding drummachines and bass synthesizers creates Bragolin’s danceable wave sound. The songs vary from pulsating and addictive riffs in their first released music video ‘Into Those Woods’, to the apocalyptic atmospheres of ‘In Our Field Of Oaks’ which contains guest vocals by dark pop singer Adam Usi. The organ sound, the horror movie inspired lyrics and touching voice complete their unpredicted haunting sound.

In 2018 the band released their 8-track debut album ‘I Saw Nothing Good So I Left’ which was recorded by Van der Velde and former band member Isolde Woudstra who also takes credit for the mesmerizing album cover and vocals on the album’s title track. The release was produced by René Jongeneelen of Malochia and Contrast, and was released on Young & Cold Records. Maria Karssenberg joined Bragolin on guitar and organ before the release of the album, after which the two-piece played at various festivals and parties across Europe, among which Wave Gotik Treffen, Extramuralhas, Waveteef, Wavefest and Young & Cold Festival.

For their second album Bragolin teamed up with Adam Tristar to release the ‘Bragolin vs Adam Tristar’ album ‘Let Out The Noise Inside’. This is not a split release but a true cooperation featuring the danceable and electronic sound of Adam Tristar combined with the dark atmosphere and vocals of Bragolin. In the summer of 2019 the collaboration released their first single ‘The End Dwells In Us All’, a new uptempo dance floor killer featuring a hypnotizing arpeggiated synth, catchy bariton guitar riff, ghostly musical saw and melancholic vocals with serial killer inspired lyrics. During the year Adam Tristar has also joined Bragolin on stage for a limited amount of shows. After the single the full album was released on CD and vinyl, again on Young & Cold Records. The album features eight songs of which six are new and two songs where each band covered / remixed the other.

The End Dwells In Us All

MNQ 034 VARIOUS - THE END OF CIVILIZATION LP

Mannequin has the dual and parallel aim to unearth hidden or unpublished gems, running along a road that starts from the period of reference for this kind of music (late 70s – mid 80s) and comes to nowdays, with a vision deeply influence by Factory Records / 4AD labels.

Catching the same spirit of such great labels, we asked to the italian synth wave princess Mushy to create a compilation starting from a tabula rasa. The mission was hard. Following her tastes and heart, she had to select a dozen of new bands from all over the world with unreleased and unique for this project tracks, picking up the title and realizing the graphic design and artwork. The full process of "The End Of Civilization" took almost 1 year but the result was touching us ￼deep into our soul.

Mushy began her career crafting noise bursts and aggressive oblique instrumentals before, in her newest form, blooming into a beautiful, epic and heart-heavy icy synth sound, having both "Faded Heart" (2011) and "Breathless" (2012) as album of the week at Rough Trade. "The End Of Civilization" perfectly represents her double sided synth-wave / kraut-psychedelic soul. Every track she selected for us is an absolute highlight, moving from the analog minimal / cold wave sounds of Police Des Moeurs, ASSS, The Circa Tapes, TEEEL and Rosemary to the tempestuous post punk and psychedelia of Deathday, The Murder Act, Phosphor and The Strange Forces, ending with spectral cold folk of Tablets and The Long Wives.

- Limited edition of 500 copies on black vinyl 
- Digital distribution by The Orchard 
- Exclusive unreleased tracks 
- Artist Selection and graphic design by Mushy
credits

Phosphor - Skull

No demos

🗓️ Mannequin Records showcases
alex@neptunemusic.net / sari@neptunemusic.net

Distro > http://www.rushhour.nl

Bandcamp http://bit.ly/NcCZYL
Beatport http://btprt.dj/1eGHvo5
Juno http://bit.ly/1hZtSIH
Boomkat http://bit.ly/MBEvCM