If you like D&B you’re in the right place 🤝

Independent drum + bass label based in Shoreditch📍

Hooverphonic is a Belgian band founded by Alex Callier and Raymond Geerts.
They became triphop icons when they released their first album 'A New Stereophonic Sound Spectacular' in 1996 and their second album 'Blue Wonder Power Milk' in 1998.  With the single 'Mad About You' of the third album 'The Magnificent Tree' they conquered the world.
In 2016 Hooverphonic releases 'In Wonderland', their first multi-vocalist album with a variety of eclectic sounds blending the typical Hooverphonic strings with new electronics.


Gramatik Discography:
Re:Coil Part II (2019)
Re:Coil Part I (2017)
Epigram (2016)
Coffee Shop Selection (2015)
The Age Of Reason (2014)
SB4 (2013)
#digitalfreedom (2012)
Beatz & Pieces Vol. 1 (2011)
No Shortcuts (2010)
Street Bangerz Vol. 3 (2010)
Water 4 The Soul EP (2009)
Street Bangerz Vol. 2 (2009)
Street Bangerz Vol. 1 (2008)
Expedition 44 (2008)
Dreams About Her EP (2008)

Member : John Lord Fonda
Contact, promo, booking : johnlordfonda.mgmt@gmail.com
Record Labels : Citizen Records, A-traction Records, Boxon Records, Mélopée Records ...
Profil pic taken at La Nef, Angoulême, FR
Other Aliases : half of Mental Overdose, Hermetic Unity, Metallyzer, Karabine.

The Avener
For bookings, please contact :
pierre.delorme@miala.fr

All other requests:
Management : contact@96musique.com

Biography :

It came as quite a shock when The Avener’s Fade Out Lines rocketed to number 1 in the German iTunes charts. It had been a long time indeed since a French artist had achieved that kind of success in Germany, especially with such a startling single. The triumph of Fade Out Lines opened a door onto a unique and yet instantly familiar world. Its irresistible, sophisticated rhythms conjured up a dual image of lovers ending up on the quays of the Seine at daybreak, and of an urban club funk beat.
Since then, the single’s phenomenal success has proved contagious, confirming The Avener’s prime intention: to travel the frontiers between genres, periods and styles; between the music we listen to and the music we dance to; between underground and high-end pop. As The Avener says himself: “Fade Out Lines is hard to define. It’s blues with jazz, folk and funk influences, and electronic instruments. It has feelings, emotion and nostalgia, but a lot of energy, too.”
It perfectly reflects his upcoming album, The Wanderings Of The Avener, a sophisticated electro manifesto in the spirit of St Germain and his Boulevard’s nu-jazz sampling, reconciling the styles of Moby and Wankelmut, King Britt and Cassius...
The ghost producer of many club hits, Tristan became The Avener when he decided to re-embrace the pleasure of music for its own sake, his early love of piano and melodies, his rich, eclectic, multilayered musical culture and deep house – an antidote to the mechanical chill that has crept into electro over the last few years.
Tristan shut himself away in the studio for months. “I began to rework old tracks that went unnoticed at the time, giving them a more modern feel...” He was determined to achieve a perfect balance: a mixture of acoustic and electro combining songwriting science with the intuition of a dance-floor specialist. And while The Avener wrote his own music, The Avener also covered Sixto Rodriguez, John Lee Hooker, Mazzy Star, The Be Good Tanyas, Andy Bey and Adam Cohen in a mosaic of seminal blues, underground folk, nocturnal pop, ironic rock and the work of forgotten artists from the 70s and 80s, exploring secret paths of memory. His sampling of Phoebe Killdeer & the Short Straws’ The Fade Out Line, a foretaste of the album, was quietly uploaded in summer 2013. It steadily gathered momentum by word of mouth in France before going massive in Germany and then all around the world.
The Avener’s delicate, radiant style has been welcomed as a So French Touch of Elegance and acclaimed as the missing link between harmonic emotion and the urge to dance worldwide. Confirmation of this triumph looks certain with the release of his first album, The Wanderings of the Avener, out on January 19, 2015.

Hi friends 🚶‍♂️
愛

https://fanlink.to/dont-look-at-me

Swiss musical mastermind Christian Beat Hirt has been a constant force in the music industry since the 90s. A globally renowned producer and label owner, he launched his Me & My Toothbrush alias in 2013. Dedicating this project to disco and new funk, he fused together organic guitar sounds with analog synths, resulting in a fresh & clean musical blend (giving listeners that real toothbrush feel!) Achieving several Beatport No. 1 tracks, including ‘Get Down, JB!’, ‘Hands Off’, ‘Push The Tempo’, ‘Be Alright’ and ‘Funking Around’, some of his addictive cuts are approaching the 10 million stream mark and have made their way into influential playlists and sets around the globe.

A musician in the truest sense of the word, Christian Beat Hirt boasts over three thousand published compositions and productions, including his GRAMMY-nominated remix with EDX for Charlie Puth’s ‘How Long’ in 2019. Co-producing with the likes of Nora En Pure, EDX and many more, Chris has also been involved in over 500 official remixes for the likes of Camilla Cabello, Tiësto, Tove Lo, Beyoncé, Charlie XCX, David Guetta, to name a few. Mixing and mastering some of the biggest artists in pop and dance music, he has played an essential role in the development of dance culture, and continues to contribute to the scene with his own productions, his Enormous Tunes imprint, and its prolific sub-labels.

Known for their immersive live sets and finely crafted productions that blur the 
lines between genre, performance and storytelling, Y do I are Amos Chalfon 
and David Semo, a boundary pushing electronic duo who have quickly 
become one of the most compelling new voices in melodic techno. Blending 
elements of psytrance, progressive house, minimal and cinematic electronica, 
their sound is deeply emotional, spiritually charged and unmistakably original. 
2024 marked a breakout year for the duo, with a milestone debut at Hï Ibiza 
for Afterlife and a critically acclaimed EP with Kevin de Vries, showcasing 
their talent for tension, texture and narrative through sound. That momentum 
carried into 2025 with a landmark performance at Afterlife Tulum and the 
upcoming release of “The End Of Genesys”, a powerful collaboration with 
Anyma that premiered in the trailer for his Las Vegas Sphere residency. With 
a remix for Camelphat, ARTBAT & Rhodes also on the horizon this Summer, 
Y do I continue to evolve at a blistering pace; bridging underground flair with 
festival-scale impact. Their music exists in a space between body and mind, 
shadow and light, pushing melodic techno into bold, emotional and 
psychedelic new territory.

Manuel Chopard is following