Spirit Soul Deep is a sublabel to Spirit Soul. Here we gather all those dark gems that we still love but might not fit the regular style at Spirit Soul.

Gigs 2025: 

31.12.24 Villa Miauuu NYE,  Basel
17.01.25 Herzschwester Invites@Basso, Basel mit ilia&SdM (my birthday party💥)
28.02.25 Nica@Kaschemme, Basel
28.03.25 Herzschwester Invites@Basso, Basel mit Alain.
11.04.25 Flow Bar, Berlin
20.04.25 Petit Couteau, Bern
10.05.25 Tanz in den Mai, Basel
16.05.25 Nordstern, Basel
23.05.25 Herzschwester Invites@Basso, Basel mit Börns
21.06.25 ART.SET@Nordstern, Basel
02.08.25 Patschifig, Basel
08.08.25 Landestelle, Basel
23.08.25 Coffee Rave@Petite Flambeuse/Rouine, Basel
29.08.25 Herzschwester Invites@Basso, Basel mit Bio Goat
13.09.25 Summerclosing@Landestelle, Basel
19.09.25 Summerclosing@Kaschemme, Basel
31.10.25 Herzschwester Invites@Basso, Basel mit Gldrsh&Thom Nagy
07.11.25 Skorpionenparty@Kaschemme, Basel
24.11.25 Zwiebelerave, Bern



Past (2000-2024): 

Nordstern, Fondation Beyeler, Basso, Marina, Landestelle, Beats&Birds Riederfurka (VS), Rummelsbucht (Berlin), Kauz (ZH), Hive (ZH), CLOUDS Bar (ZH), Presswerk ♡, Hinterhof, Elysia, Borderline, Kaschemme, Sommerresidenz, Hafechäs, Nebel, Friends Bar, Cargo Bar, Grenzwert, Sudhaus, Capri Bar, Aktienmühle, Kaserne, Werkraum Warteck pp, Kuppel, Kunstmuseum Basel, Seiler Juwelier, Stadtcasino (Concert Lounge), Klein&Geheim, NT-Areal, Erlkönig, Funambolo, Lady Bar, Hammer Keller, Garage, Annex, Aqua, FAKT, Jägerhalle, Badhüsli, Villa Rosenau, Bar Rouge, Saxophon, Eventhouse, Sommercasino, Das Schiff, Satisfactory, Tankstelle (SG), Frauenraum (BE), Dachstock (BE), Gate One (BE), GDS.FM (ZH), Revier Club (ZH), Rohstofflager (ZH), Niaxa (ZH)...
Jungle Street Groove, Lethargy (ZH), Ulmet Festival, Tension Festival, Jugendkultur Festival, Bscene, Streetparade, Sonic Rave, Goliath Rave (DE)...
Grüter&Bürgin SRF Virus, Radio X, Radio Rabe... 
etc. 
... and somewhere outside in the sunshine and the moonlight ❤️

About:
Say about trance what you will, it did have it's moments. And Herzschwester was most certainly there, right in the thick of it. At precisely the second when the melodic serotonin-showers turned into melted camembert, she jumped ship, switched monikers and found a home in the tripped out sounds of minimaltechno and deephouse. Sticking to her guns, she has maintained a fine-tuned ear for melody and harmony, bathing even the darkest basement with sunlight and making her a staple artist at openairs. Thanks to this, as well as her effort and dedication when putting on her own events, Herzschwester has become one of the very few local DJ's, to have any sort of serious fan-following.

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

CONTACT: rob@robosonic.cc
BOOKING : Ben King | Radius Agency
Tel:  +44 (0) 208 5499735
E:    ben@radiusartists.com
W:   www.radiusartists.com

AUSTRALIA : mike@thickasthieves.com.au

mixed & mastered music welcome here : promo@robosonic.cc

OUTTAKES Records: rob@robosonic.cc

CORD LABUHN [Robosonic | Outtakes | Punchi] 

Cartoon life - At six years old, CORD LABUHN had his first real career aspiration : becoming an ‘inventor’. Or space traveller. At least working in some kind of laboratory. Hence he became a producer of beats, tunes, records, imagery & merch - and toured the whole planet to play music for the most spaced out...
Earlier, when the ghost of Jimi Hendrix jumped out of his parents record collection and passionately promoted the guitar as the weapon of choice for a leftist punk, folk, if not eurodance infected teenager of the 90s, the piano and his sister’s drumset would have to step back for a while. 

A few years later when TV was still the thing and gaming consoles like PS1 were battling N64, Cord the Beatmaker was rather staring at tiny AKAI S2000, MPC and CRT displays, head-nodding, turning the jogwheels, dreaming of a second turntable to complete his DJ setup - the true school, golden age hiphop way. Next mission - still as a school kid - was a self-released vinyl record with international distribution through a self-founded label – learning everything from scratch, only a few years before DJing went 99,9% digital, crazy fast and globalised anyway. 
Arriving in Berlin and founding the mashup label „BROKEN BOOTLEGS“ (with Exploited’s Shir Khan and Andy Szankay) was good sparring for more delinquent ventures in professional sampling culture. Musical diversion had found an anarchic playground, genre-bending seemed to be a welcome concept for a radical open mind.

To date, his longest running project is ROBOSONIC, which was originally formed as a DJ-producer duo together with Sacha Robotti more than 10 years ago. Over the course of time it became Cords solo moniker in the dance music game, since his former partner had emigrated to the US for a fresh personal start. 
A while after the unconventional, free-spirited debut album „Sturm und Drang“ (2007) Robosonic took the world by storm with a string of popular tunes and remixes that went into the crates of tens of thousands of DJs worldwide and made it to top spots in the infamous Beatport charts (“Worst Love”, “The Edge” 2012, “La Fique” 2013, “House Music” 2015, “Rise” 2016). With releases on labels like Defected, Toolroom, Get Physical, Diynamic, Stil vor Talent, Deep Dish’s Yoshitoshi, Nervous, Crew Love, Kittball or Mother Recordings, ROBOSONIC became an authentic figurehead for something dubbed “Golden Era House” (Juice Magazine). Not only because Cord was convincing real rap icons like Masta Ace, Jeru the Damaja and KRS-One to collaborate on house tracks, but also because ROBOSONIC remixed true legends like Todd Terry, Arthur Baker, Kerri Chandler and Eddie Amador.
The house & techno driven sets and records under the R°° flag are internationally recognised and performances in 45+ countries (and counting) reflect the universal appeal of a trademark sound Robosonic unleashed into the world. North & South America, most European countries, South East Asia, China and Russia, Egypt down to South Africa, Dubai to Australia, Lebanon and Israel. Cord Labuhn has seen and pleased hundreds of stages, clubs and crowds over the last years. And with the string of new Robosonic releases through Defected, Kittball, Mother Recordings and more it becomes clear that he won’t stop shedding club sweat and tears.

hello everybody, one thing as information:
I DON'T ANSWER MAILS HERE!! 
It's too much, sorry, if you have music to share with me please write me:
solomundemo@diynamic.com
solomunpromo@diynamic.com
Thanks
Solomun


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Katermukke isn’t just a label; it’s an evolving sonic odyssey. Each release adds to its dynamic narrative, showcasing a relentless quest for musical innovation. The label seamlessly blends diverse electronic genres—from the hypnotic depths of melodic house and the driving pulse of techno to the dreamy realms of electronica and the infectious beats of indie dance.

Founded in 2011 by the visionary Dirty Doering and Sascha Cawa, Katermukke emerged from Berlin’s vibrant electronic scene as a sanctuary where music breaks boundaries and invites endless exploration.

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