Hello, we’re NASA. You may have seen our astronauts, rocket launches, or Mars rovers — but have you heard our sounds? From interviews with astronauts and engineers to stories that take you on a tour of the galaxy, NASA’s audio offerings let you experience the thrill of space exploration without ever leaving Earth.

In November 2012 Manzilla was held at gunpoint by a man in a child-sized godzilla costume. Manzilla, $42 poorer, went home, re-assessed her life, quit her NYC job, purchased a keyboard, and began recording music. She now lives in New Orleans, soaking up soul and peeing into jars.

http://adultjazz.tumblr.com  |

[management]  
glance(at)hotmail.com 
 
[live agent]  
david(at)codaagency.com 
n. america - avery(at)windishagency.com

claire givens
jeremy phipps
aaron boudreaux
charles lumar ll

beko it's over follow us now on Too Good To Be True

I'm DJ, producer and artist manager from New Orleans, Louisiana. I've been a drummer for most of my life and switched to DJ’ing after hurricane Katrina ended all 5 of the bands I played with. In my time since 2005 I've toured the world playing with and managing artists from New Orleans like Bounce artists Big Freedia, Nicky da B, Ha Sizzle and Katey Red, among others. My musical style is highly improvisational and focuses on live remixes and mashups of songs from multiple genres, decades and styles, with a focus on New Orleans music and global electronic music.

I'm also half of Chore Boys.

Lauded in Fanfare Magazine for her “lavishing tone and sensitive, nuanced, thoughtful, unhurried timeless playing,” American pianist Carolyn Enger is a boldly passionate musician. Anthony Tommasini, Chief Music Critic of The New York Times, selected her recording of Ned Rorem’s Piano Album l and Six Friends on Naxos American Classics Series recording, as one of the “Best in Classical Recordings for 2013.” MusicWeb International described her playing as “thoughtful and sensitive… expressive…  with fine nuance and tone shading.” Fanfare wrote, “Enger’s dynamic control and emotional sensitivity complement her keen sense of timing and proportion.” She is “a musician of rare quality.” 

An active soloist, Ms. Enger has delivered her distinctly personal concerts in venues around the world, from Carnegie Hall’s Weill Recital Hall, Lincoln Center’s Bruno Walter Auditorium, and the Kosciuszko Foundation in New York City, to the National Gallery of Art in Washington, DC and the Felicja Blumenthal Music Center in Tel Aviv, Israel. Dedicated to bringing music to new audiences, Ms. Enger often performs in accessible civic spaces such as Israel’s Bet Yad Lebanim in Nahariya, and St. Peter’s Church and the Donnell Library Center in New York City. Ms. Enger’s community engagement performances have left presenters and audiences “in complete awe of her passion, skill and genuine warmth.” 

Her debut album, In Evening Air, includes music of Beethoven, Copland, Hanson, Liebermann, Rorem and Scriabin. Recording In Evening Air inspired her to delve deeper into Rorem’s pieces for piano; she instantly fell in love with his miniatures, of which Ned said, “I’m very pleased with all this, immortalized…and with your playing… A good performance all the way through.” Beyond her exploration of Rorem’s music, Ms. Enger’s commitment to programming compelling new works extends to American and Israeli composers such as Sean Hickey, Lowell Liebermann, Arvo Pärt, Caroline Shaw, Avner Dorman, Lior Navok and Betty Olivero. This season she gave the world premiere of Sean Hickey’s Reckoning at Spectrum.

Her interest in distinctive concert experiences has led Carolyn to explore a multimedia concert program about WWll, combining music, literature, and images, centering on the lives of Mischlinge – Half-Jews – in Germany, before, during and after the Holocaust. It underscores her larger mission to create meaningful and relevant concert experiences for audiences.

Ms. Enger is a Steinway Concert Artist.

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