Just mad beats and good tunes. All tunes are free today get 'um while they're hot XXXXXXXXXX Ps. All tracks are Free for personal use Absolutely NO Commercial use without prior arrangements Please! Enjoy my home made scratchingsX

Biografie IP-Number: 00255234675 , Collecting society: AKM (Austria-EU)
Growing up with Burgenland-Croatian and Austrian folk music, Siegfried Hajszan already became familiar with musical instruments at an early age. Three years of music school in Großpetersdorf (accordion). To the annoyance of his mother, changed from the accordion to guitar (self-taught).

The first hard rock band was Wyfalu, followed by the duo Pannonian Cocktail with G. Preiner. Moved to Vienna for work the age of 20, where he played with various musicians and had the opportunity to play in a temporary rock-project with Lukas Ligeti in a band.

After returning to the Burgenland, he went back to his Slavic roots. Croatian Folklore - Tamburizza: Arrangements and songs for tamburizza groups in Burgenland. Active tamburizza player. Parallel rock and dance music formations: Rebeat, S.O.M. Good News PANNONIX.

Married, has a daughter.

MUSIC:
The focus in my music is almost always on the "melodic" idea and is the basis for the composition of a musical work, whether it is a song or extensive instrumental work, and regardless of whether it's about serious or entertainment music.

My musical interests are therefore not only limited on preferences of some popular genre but also to formulate umbrella term, including jazz, classical music, avant-garde, folk, which I will partly include, but also just as well change the style within a composition. There was never a concern to specialize myself on one specific style, as I have no musical education. At best (ideally), the ideas will reveal themself and display a coherent sequence of work phases (countermelody etc.), including arrangement particles, which represent a finished composition.

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Label Deep creata nel 2019 a sostenere NME e EMR le altre due Electro Label Music, create da mè .

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