@012twelve • Source Artists • @delsinrecords

maria@sourceartists.net

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†✝◀ǤO̴̖Đ̸̡̱̦͇̮̫̽͂̆ͬͨ̾ͨ͗M̌̓͏̵O̴̖ĐΞ▶✝†
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HATE promotes the best electronic, techno-oriented releases.

HATE on Soundcloud is all about exclusive Podcast Series & Premieres Cycle.

Mix series, born in October 2016, includes works from artists who are involved in the development of our channel and provide the tone of HATE Collective for a long time. Past records from them you can find on our YouTube channel.

After only one year from its birth, HATE podcast series was mentioned by Telekom Electronic Beats as one of "10 Techno Podcasts Every Techno Head Should Know": http://www.electronicbeats.net/the-feed/10-techno-podcasts-every-techno-head-hear/
 
Follow us here:
https://www.youtube.com/c/HATE
https://www.instagram.com/hate_collective/
https://www.facebook.com/hatecollective/

Contact us here:
hatemusic1@gmail.com

All Above LP out now on https://soundcloud.com/editionsmego

upcoming listening-occasion at 
kwia, berlin ~ 16 Nov 2025
with: 
sarah wreath 
yuri shimaoka
lou drago

This is the archive of our regular show on Cashmere Radio, Berlin. 

It is undeniable that we are living in uncertain times. For those of us failing - or refusing - to fit the patriarchal, racist, neoliberal mould we have lost hope in the future. We can see capitalism is not working but we cannot yet envisage an alternative. We discover that the stability we were instructed to obtain whether it be financial, political or ecological, is fleeting, if at all. The resulting anxiety is an instrument of neoliberalism that prevents many of us from being able to raise consciousness of the structural injustices that alienate us.

In a world where security is no longer feasible, the only constant we can rely on is change. Barad teaches us that the world is a dynamic process of intra-activity and materialisation, an ongoing ebb and flow of agency. The Buddhist Law of Impermanence proves that nothing in this world is eternal. Regardless of ones point of reference we can understand that every aspect of life, physical and mental is in flux and perhaps this transience is the only thing we can depend on.

Each month host @lou_drago invites an artist to ruminate on these ideas and create an hour of relief from these anxieties. A temporary suspension of reality, where the listener can speculate on alternate futures free from all systems of oppression.

Photographs 1-30: courtesy Ángela de la Serna
(except 25: courtesy of Sybil @syberkid)
Photographs 31 onward: courtesy Janusz Lorent (except from 37 with is a digital colourfield work by @ligovskoi) 
42 until now’s photographs are from Micki Rosi Richter (except 43 which is another digital colourfield work by @Ligovskoi.)

Cover art by Micki Rosi Richter

Contact: lou.drago @ pm.me

past listening occasions: 

kwia, berlin ~ 19 january 2025
with :
olle holmberg
marum
yuri shimaoka 
lou drago

kwia, berlin ~ 9 may 2024
with: 
ligovskoï
dan nicholls
yuri shimaoka
lou drago

Mi chiamo Matteo, ho 21 anni 
Produco musica da qualche anno per passione
Suono la batteria da quando ho 5 anni

10 weeks, 10 songs, 10 cities
https://linktr.ee/Fredagain

Connecting club culture to the wider world, on screen and irl through parties, film and video.

The future:

08/11 Ormside, London (UK)
21/11 NE x Headframes, Kiruna (SE)
12/12 Tresor, Berlin (DE)
19/12 Under Bron, Stockholm (SE)
20/12 Astron, Athens (GR)
31/01 Industrial Copera, Granada (ES)
13/02 TBA Tblisi (GE)
06/03 Under Bron, Stockholm (SE)


Requests/Booking:

booking@northernelectronics.se

The cohesive array of depth charged devices that Anthony Linell has produced is formidable. From his opening statements as Abdulla Rashim on his early label of the same name, right through to his recent work that puts his aliases aside, there is a robust and rigorous intent that compounds the elemental strategies of techno's models to apprehend his singular vision.

Presiding over Stockholm's Northern Electronics label with Varg (Jonas Rönnberg), Linell dispenses with mechanisms of attention on all fronts. Marked by an indefatigable self-reliance, the label presents exactly what it means to display, and no more. Carving an idiosyncratic platform for his music is as great of a warning as there could be that Linell's leveraging little toward the benefit of the audience. By his measure, the familiarity and comfort of contemporary techno is stripped back to its rushing heart, the senses left tailgating the strobe in a fit of intuition over decision. The greater this is exposed the colder it gets, and its in these extremes that Linell's caustic rhythmic precision hits. Live, it comes off as a galvanizing strike from the outside; analysing the room as a DJ, it's a case of being pursued through the dark.

Just as the brevity of Linell's output in the eyes of techno is exalted as it is brought into focus, the background to this blurs as you start to decipher his other projects. Lundin Oil skirts the fringes of noise and experimental music, and in collaboration with Varg as Ulwhednar, this is perhaps even more pronounced.

Purposively ricocheting between the techno world and experimental electronic music, Linell forges a distinct passage that gathers the aesthetically uncompromising motifs and missions from across this spectrum. It's this combination and resolve that's brought Linell to the world's attention, however little that attention has been solicited.

Marwan is following