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Henning Nugel - Glen (Dressed)

Meeting A Ghost

Malcolm Goldstein, violin
Marc Sabat, viola

In the piece “3 Chorales for Harry Partch”, my music explores Partch’s concept of “utonality”, which constructs the minor triad as an inverted mirror-image of the major triad. Since the major triad is derived from the harmonic series, i.e. 4-5-6, and may be extended upward by taking additional overtones, i.e. 4-5-6-7-9-11, Partch suggests a parallel notion for the construction of the minor triad, by taking intervals from a subharmonic series. There is an inherent paradox in this construction, since the overtone chords “fit” into a fundamental (1) and form a consonant blend, whereas the undertone chords tend to produce much more complex-sounding (dissonant) structures. In my composition, a single “utonal” chord is gradually constructed, pitch-by-pitch, over three phrases. The undertones appear in the following sequence:    

(1) 12 (D) - 8 (A) - 9 (G)      
(2) 12 - 10 - 8 - 11    
(3) 8 - 11 - 12 - 14 - 10 - 9

3 Chorales for Harry Partch (1993)

All material © &  ℗ by Unseen Music.  To license material please contact Keith Kenniff via http://www.unseen-music.com/contact

Helios - Come With Nothings

Learn more: https://www.spitfireaudio.com/shop/a-z/olafur-arnalds-composer-toolkit/

Also featuring Spitfire Symphonic Strings.

Ísbjörn - Oliver Patrice Weder

Audrey

https://oliverpatriceweder.bandcamp.com/releases
https://www.instagram.com/oliverpatriceweder/
https://www.instagram.com/sa_recordings/

SA001
Released January 17, 2019 

Mix and Master by Harry Wilson 
Photography by Lee Kirby 
Design by Aspa Founti & Tom Howe 
All Recordings © 2019 SA Recordings 
All Compositions © 2018 Oliver Patrice Weder

For A Troubled Mind

This iconic Vangelis composition is the opening scene from the original Blade Runner movie (taking place in a dystopian future Los Angeles of the year 2019), and it is one of the most amazing soundtracks ever written.

Rendition performed and produced by Ando P. using Xerxes synthesizer with Kurzweil Midiboard and Doepfer R2M ribbon controller.

June 2019

Originally composed by Vangelis, Blade Runner soundtrack, 1982.

Blade Runner Main Titles

Blade Runner Main Titles (cover)

Homecoming

Georg Philipp Telemann, Fantasie für Flöte solo Nr. 1 in A-Dur, TWV 40:2

FJORDNE - Last sun (The Setting Sun, 2009)

Canadian composer Marc Sabat (*1965) is based in Berlin since 1999. He has made pieces for concert and installation settings, drawing inspiration from investigations of the sounding and perception of Just Intonation and of various music traditions — folk, experimental and classical. His pieces are presented and broadcast internationally at festivals of new music including the Donaueschinger Musiktage, Klangspuren Schwaz, MaerzMusik, Huddersfield, Darmstadt, Musica Viva and Carnegie Hall. Scores and artist editions are available from Plainsound Music Edition. Recent recordings include the LP “Les Duresses”, released by care of editions (Berlin) as well as discs on the labels Populist Records (Los Angeles) and World Edition (Köln).

Sabat studied composition, violin and mathematics at the University of Toronto, at the Juilliard School in New York, and at McGill University, as well as working privately with Malcolm Goldstein, James Tenney and Walter Zimmermann. Together with Wolfgang von Schweinitz he has developed the Extended Helmholtz-Ellis JI Pitch Notation and is a pioneer of music written and performed in extended Just Intonation. He teaches at the Universität der Künste Berlin, and as a guest at the California Institute of the Arts, the Escola Superior in Barcelona, the Janacek Academy in Brno and the Paris Conservatoire. In 2010, he was an artist-in-residence of the Villa Aurora in Los Angeles, followed in 2011 by a one year residency at the German Academy in Rome, Villa Massimo.