Malcolm Goldstein, violin
Marc Sabat, viola

In the piece “3 Chorales for Harry Partch”, my music explores Partch’s concept of “utonality”, which constructs the minor triad as an inverted mirror-image of the major triad. Since the major triad is derived from the harmonic series, i.e. 4-5-6, and may be extended upward by taking additional overtones, i.e. 4-5-6-7-9-11, Partch suggests a parallel notion for the construction of the minor triad, by taking intervals from a subharmonic series. There is an inherent paradox in this construction, since the overtone chords “fit” into a fundamental (1) and form a consonant blend, whereas the undertone chords tend to produce much more complex-sounding (dissonant) structures. In my composition, a single “utonal” chord is gradually constructed, pitch-by-pitch, over three phrases. The undertones appear in the following sequence:    

(1) 12 (D) - 8 (A) - 9 (G)      
(2) 12 - 10 - 8 - 11    
(3) 8 - 11 - 12 - 14 - 10 - 9

3 Chorales for Harry Partch (1993)

I enjoy  the  diversity of musics and cultures. I purpose in repost -  journey through time and space through a musicians composer.
See also my other pages
GO WITH THE WIND - Recorder/Blockflote/Flute/Flöte (https://soundcloud.com/go-with-the-wind)
 with the HARP and ZITHER
HARP, KANNEL, KANTELE, GUSLI,.... fretted and fretless Zither(https://soundcloud.com/zither-et-cetra)

Composer, sculpture artist / instrument builder, Max programmer, improviser.

Canadian composer Marc Sabat (*1965) is based in Berlin since 1999. He has made pieces for concert and installation settings, drawing inspiration from investigations of the sounding and perception of Just Intonation and of various music traditions — folk, experimental and classical. His pieces are presented and broadcast internationally at festivals of new music including the Donaueschinger Musiktage, Klangspuren Schwaz, MaerzMusik, Huddersfield, Darmstadt, Musica Viva and Carnegie Hall. Scores and artist editions are available from Plainsound Music Edition. Recent recordings include the LP “Les Duresses”, released by care of editions (Berlin) as well as discs on the labels Populist Records (Los Angeles) and World Edition (Köln).

Sabat studied composition, violin and mathematics at the University of Toronto, at the Juilliard School in New York, and at McGill University, as well as working privately with Malcolm Goldstein, James Tenney and Walter Zimmermann. Together with Wolfgang von Schweinitz he has developed the Extended Helmholtz-Ellis JI Pitch Notation and is a pioneer of music written and performed in extended Just Intonation. He teaches at the Universität der Künste Berlin, and as a guest at the California Institute of the Arts, the Escola Superior in Barcelona, the Janacek Academy in Brno and the Paris Conservatoire. In 2010, he was an artist-in-residence of the Villa Aurora in Los Angeles, followed in 2011 by a one year residency at the German Academy in Rome, Villa Massimo.

Canadian composer Marc Sabat (*1965) is based in Berlin since 1999. He has made pieces for concert and installation settings, drawing inspiration from investigations of the sounding and perception of Just Intonation and of various music traditions — folk, experimental and classical. His pieces are presented and broadcast internationally at festivals of new music including the Donaueschinger Musiktage, Klangspuren Schwaz, MaerzMusik, Huddersfield, Darmstadt, Musica Viva and Carnegie Hall. Scores and artist editions are available from Plainsound Music Edition. Recent recordings include the LP “Les Duresses”, released by care of editions (Berlin) as well as discs on the labels Populist Records (Los Angeles) and World Edition (Köln).

Sabat studied composition, violin and mathematics at the University of Toronto, at the Juilliard School in New York, and at McGill University, as well as working privately with Malcolm Goldstein, James Tenney and Walter Zimmermann. Together with Wolfgang von Schweinitz he has developed the Extended Helmholtz-Ellis JI Pitch Notation and is a pioneer of music written and performed in extended Just Intonation. He teaches at the Universität der Künste Berlin, and as a guest at the California Institute of the Arts, the Escola Superior in Barcelona, the Janacek Academy in Brno and the Paris Conservatoire. In 2010, he was an artist-in-residence of the Villa Aurora in Los Angeles, followed in 2011 by a one year residency at the German Academy in Rome, Villa Massimo.


Sabat studied composition, violin and mathematics at the University of Toronto, at the Juilliard School in New York, and at McGill University, as well as working privately with Malcolm Goldstein, James Tenney and Walter Zimmermann, among many other close colleagues. He teaches at the Universität der Künste Berlin, and has been a guest artist at the California Institute of the Arts, at the Escola Superior in Barcelona and the Paris Conservatoire. In 2010, he was an artist-in-residence of the Villa Aurora in Los Angeles, followed in 2011 by a one year residency at the German Academy in Rome, Villa Massimo.
