commissioned by Deutschlandradio Kultur and CTM Festival. Broadcasted on 2.09.2016: http://www.deutschlandradiokultur.de/ursendung-the-dia-grammatology-of-space.1022.de.html?dram%3Aarticle_id=364100

(dia)grammatology of space (full radio version)

www.marcinpietruszewski.com

marcin pietruszewski (born 1984) a composer and researcher.
 
 
He is engaged in sound synthesis and composition with computers, exploring specific formal developments in the tradition of electroacoustic music and contemporary sound art, as well as extra-musical domains of auditory design, computational linguistics and psychoacoustics. He works across performance, multimedia installation and radio productions probing the dynamics between formalism of synthetic sound and its material realisation.                             
 
 
He has collaborated extensively with musicians and composers - e.g., Marcus Schmickler (performed and recorded Schmickler's Demos for choir, chamber quintet and electronics), Tristan Clutterbuck (fancyyyyy), Jules Rawlinson and Lauren Sarah Hayes. Recent projects include a collaboration with Florian Hecker and a graphic design company NORM from Zurich, a philosopher Chris Schambaugh (The New School, New York), choreographer and dancer Agnes Cebere (Martha Graham School of Contemporary Dance, New York), the Laboria Cubonics Collective (the authors of Xenofeminist Manifesto).
 
contact: studio@marcinpietruszewski.com

"An-Edgy_living_RhizoME"

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💎https://linktr.ee/fermc3333💎

https://bandcamp.com/f3e6m9c

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Wer glaubet, der ist grosz und reich, 
Er hat Gott und das Himmelreich.
Wer glaubet, der ist klein und arm, 
Er schreiet nur: Herr Dich erbarm!

https://tldr.nettime.org/@mil1000 (masto)
https://www.instagram.com/1ooomil/
https://bandcamp.com/mil1000feux
https://www.senscritique.com/Mil-Feux

main: experimental, modular, MAXDSP, Puredata, Ableton Live, Jazz, Free Form, Improvisation, Free Jazz, Noise Music, Afrika, drums, drums, drums

Berlin’s CTM Festival supports an open, networked, mutually-collaborative, global music culture through its yearly 10-day festival as well as countless collaborative and research initiatives, co-commissions, concerts, and other constantly-evolving formats. The 2 decades old festival stands out for its conscious pairing of daring artistic content and adventurous club experiences with an in-depth discourse programme, framing today’s sounds and music cultures within a shifting, hybrid global society.