First jam with the Cirklon. No computers allowed!

Sir Klon

commissioned by Deutschlandradio Kultur and CTM Festival. Broadcasted on 2.09.2016: http://www.deutschlandradiokultur.de/ursendung-the-dia-grammatology-of-space.1022.de.html?dram%3Aarticle_id=364100

(dia)grammatology of space (full radio version)

http://www.recitalprogram.com/gatherings/
Limited CD Edition of 200
8-page color booklet with essays and artwork
OUT ON JUNE 7th
http://www.recitalprogram.com/purchase/

R62 - Anne Tardos - "Seven-Layer Song" from Gatherings CD

From split tape 'Boiling Sea' with Atonet, released October 25 2019 through Moloton.

Moonilena - Shore Leave

deadpan robotic

From LAL-100 - Ilpo Numminen - I Guess You Could Call This a Long Play LP.

"This album is my expression of love to the 5U format modular synthesizers, reel-to-reel recorders and to the pulsating music that emerged in Germany in the early 70s.  
With these songs I hope to radiate the ecstatic joy of making (electronic) music, encourage listeners to try new ideas and spread creative energy. Overall, I like to think that these things are the substance of the kosmische music.

The first song of this album is a salute to the Trout Mask Replica, that has just had its 50th year anniversary. I guess it’s funny to begin a synth-album with a guitar solo. Rest of the songs echo more or less my influences from the krautrockers." - Ilpo Numminen

Ilpo's first solo vinyl is a collection of seven hypnotic songs from the time period of 2015-2020. I Guess You Could Call This a Long Play is a thoughtfully constructed thrilling record with many atmospheres, smooth transformations and deep sonic layers.

Ilpo Numminen - Helsinki Kemiö 175 km

4-Smallsong

Loop 34 (Bucles)

a quick test of the nlc dp filter (headphones recommended):

a bunch of chopped up noodles from a doepfer system stuck inside a squid salmple, the mix of which is randomly addressed, reduced, and crushed, then sent to the dpf, and plays alongside a main sine noodle from an a-143-9. the diode half of the dpf has a high-ish q setting (which is kinda tame compared to other filters) and a low cut off, and later is modulated by a low rate of digital noise from the a-117 and a sine lfo from a second a-143-9. the transistor side (which has no input and is internally fed by the diode side via photo-couplers) has a maxed out q  and an even lower cut off, and its cv2 is randomly assigned the 2 oscillators section from the a-117 808 source via a switch, which gives it that wild feedback sound. the output of the dpf is monitored from the sum output, and a tiny bit of reverb is added in ableton.

this filter is very  touchy, and depending on how its built, can have a very narrow range on control (as mine does,) and the transistor ladder only really gets fired up if the diode ladder is hot enough (mine uses MCT9001 photo-couplers,) so you can get all these really interesting 'edge of breakup' sounds, to use the dirt-pedal/guitar amp parlance of the day...and its quite nice if you can dial it in, but it does takes some patience.

it also gets *real* bonkers when you start swapping the q path and monitoring different outputs...but i haven't really figured out how to bend any of that to my will yet...

Untitled XV

TR108 - United Bible Studies - The Night Fell Off Its Axis [excerpt]

morphaqin #1

www.marcinpietruszewski.com

marcin pietruszewski (born 1984) a composer and researcher.
 
 
He is engaged in sound synthesis and composition with computers, exploring specific formal developments in the tradition of electroacoustic music and contemporary sound art, as well as extra-musical domains of auditory design, computational linguistics and psychoacoustics. He works across performance, multimedia installation and radio productions probing the dynamics between formalism of synthetic sound and its material realisation.                             
 
 
He has collaborated extensively with musicians and composers - e.g., Marcus Schmickler (performed and recorded Schmickler's Demos for choir, chamber quintet and electronics), Tristan Clutterbuck (fancyyyyy), Jules Rawlinson and Lauren Sarah Hayes. Recent projects include a collaboration with Florian Hecker and a graphic design company NORM from Zurich, a philosopher Chris Schambaugh (The New School, New York), choreographer and dancer Agnes Cebere (Martha Graham School of Contemporary Dance, New York), the Laboria Cubonics Collective (the authors of Xenofeminist Manifesto).
 
contact: studio@marcinpietruszewski.com