Mountain Man is my song when i first moved to the mountains,i wanted to have a go at making new age country so out came Mountain Man its different to my other songs because i want to have a go at every form of music as all of it help people and touches hearts and has the power to bring us together enjoy

Unknown Album (20_08_2009 8_37

Mountain Man country (new age or wave country)

Pista instrumental con la guitarra llevando la melodia instrumental- 

El Tiempo de Mañana

"Song of the Open Road" is a poem by Walt Whitman from his 1856 collection “Leaves of Grass”. It has 15 sections, each with 3-4 stanzas. For the lyrics of the song that I have composed, I have chosen the most famous of these sections, which is the first. At the end of this introduction I have attached the lyrics of this section.

The intention has been to compose a small song to continue delving into the use of the singing voice synthesis software, Vocaloid. Since this software only sings in the English language (which is not one of my usual languages) I thought that it might be interesting to use a poem by an author of that language as a text and I decided on this American poet.

On the other hand, the most important issue in the harmonic-melodic aspect has been that I have considered it as an exercise in Modal Harmony. I have used a different mode for each of the stanzas of the poem and in this order: Phrygian, Dorian, Mixolydian and Lydian. It is an order that fulfills the elementary principle of going from less to more musical "brightness." I have also dispensed with the Ionian and Aeolian modes to get away from the tonal environment and enhance the modal color. In the use of each of these modes I have introduced a "strange" note, that is, it does not belong to the scale of the mode. In all cases this note is the one that corresponds to a semitone lower than the base note of the scale of the mode; it is also located in the last position of the melody of each stanza, closing it and coincides with the first note of the following stanza, but in this case it is not strange, on the contrary, it coincides with the characteristic note of the new mode. This is the way the different modes are chained together.

I attach the lyrics of the poem to facilitate your understanding: 


Song of the Open Road

Afoot and light hearted I take to the open road,
Healthy, free, the world before me,
The long brown path before me leading wherever I choose.

Henceforth I ask not good-fortune, I myself am good-fortune,
Henceforth I whimper no more, postpone no more, need nothing,
Done with indoor complaints, libraries, querulous criticisms,
Strong and content I travel the open road.

The earth, that is sufficient,
I do not want the constellations any nearer,
I know they are very well where they are,
I know they suffice for those who belong to them.

(Still here I carry my old delicious burdens,
I carry them, men and women, I carry them with me wherever I go,
I swear it is impossible for me to get rid of them,
I am fill’d with them, and I will fill them in return.)




Esta introducción en castellano:
https://drive.google.com/file/d/1OqX5rUbuEkHBFP8MlUnpJfH2LaJIynP9/view?usp=sharing

Aquesta introducció en català:
https://drive.google.com/file/d/1fKxXa2Ms5qZES9MdmYOnRT3894_cdC2r/view?usp=sharing

Song Of The Open Road

Forgetting my solace
In the name of shame
Less than what’s always been portrayed
It’s always just slivers
Just a bit more than what’s been weighed 

In this absence
I have been alive four days
In this absence
I have waned... 

Scare let it scare
I’m done with fighting
Try more than I 
I’m done with seeing
If it saves our lives

Shark

Aware

Picture a beach, then yourself floating in the crystalline turquoise water. This is what this song is about.

Music by Marcio Hendrik

Loop22

Bandcamp

Lyrics :

(Verse:)
We saw what you did
We know what you are
Now follow us so we can fix it
Before it goes too far
(x2)

(Chorus:)
Why would you fucking do that ? 
We told you not to fucking do that 
You saw what happens when you fucking do that
So don't you ever fucking do it again

-Verse-
(x2)
(Bridge:)
You don't get to talk to us like that
(x8)
-Chorus-

Uniform (Control)

Everybody's asking.
What you gonna do with your days?
With seven hundred little records, and none of them are ever played.
The girl must have it.
The girl must have it.
And if she don't get it, she'll go out and grab it.
A monkey or a rabbit?
Just too stoned to rock.

You're on a black tie, slow ride, rip tide, hard drive, breath.
It's just a hang tight, back slide, corner of time, death.
keep clean, daydream, bad scene, stay seen, bed.
You seem pretty keen.
Though you look pretty green.
Yeah.

Everybody's saying. 
You are wasting your life.
But you don't remember signing up for all this trouble and strife.
The girl must have it.
The girl must have it.
And if she don't get it, she'll go out and grab it.
A monkey not a rabbit?
Just too stoned to fuck.

Nobody's talking, an invisible line.
But how's it gonna help if you just lay in bed and whine?
The girl must have it.
The girl must have it.
And when she wants it, she'll go out and get it.
How far you wanna take it?
Just too stoned to rock.

Oh, it's all a deep red, death bed, he said, she said test.
Another ripped off, bad cough, hot shot, top mop, rest.
Dark green, time team, low means, whipped cream, yeah.
You seem pretty keen.
Though you look pretty green. 
Yeah.

You're on a black tie, slow ride, rip tide, hard drive, breath.
It's just a hang tight, back slide, corner of time, death.
keep clean, daydream, bad scene, stay seen, bed.
You seem pretty keen.
Though you look pretty green.
Yeah.

The Girl Must Have It

Get this beat now! 🛸

Only You Can Give Me That Feeling

Lines and harmonies are all built on the interval of the fourth :-)

Four Up

You tube link:
https://youtu.be/TOOnh8NLkzQ?si=0_Qvdd5m5YQERqg5

Coffee Beans

"Pieces of the Puzzle – Marcio Hendrik Makes Sonic Connections for Film Scores, Soundtracks
Marcio Hendrik relishes solving complex sonic puzzles. 'I like to dismantle all the pieces that I put together, like a puzzle, and then dismantle them again to make the music neat and clear,' he said.
The Rio de Janeiro producer strategically connects discrete audio pieces to create captivating film scores and soundtracks through Artigo Audio.

Together, those emerging instrumentals unfold a hidden classic-meets-alt-rock world filled with enticing people, places and experiences. With limitless possibilities and choose-your-own-adventure storylines, listeners travel to an undiscovered, intergalactic dimension, a drug-infested Edinburgh and a nocturnal-inspired Hollywood."

Full article at: http://tinyurl.com/mrhendrik

Loop22

Marcio Hendrik

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