ABLETON DISS TRACK (REAL)

Anli

to forcefully recontextualize experimental and contemporary music // to negate the sonic description of innovation created by global north in the 21st century // to negate the fictional history of development in experimental music // to reconsider counterpoint as a colonial fragment // to reconsider tonal harmony as a colonial fragment // to reconsider the clavichord and baroque music as a colonial fragment // to consider the charango as a virtual extended technique instrument // to rethink the clavichord within a new possiblity for counterpoint // to acknologde the “herofication” of european musical landmarks as a form of ideology // to propose and practice an open multiple form view for new music // to negate a local practice and dialogue as a universal speech // to practice and recenter global south as the matter of the conversation // to ignore their idols // to profit from the gringo’s system // to buy my grandma a house // pela paz do corpo mestiço pardo brasileiro // to ocupy their spaces // pela malandragem // “europe is indefensible” // “demorou, eu quero é mais, eu quero até sua alma” // pelo lixo ocidental // eu nasci pobre mas nao nasci otario // good luck getting me out of your deutsche land

Credits:

Composition: Marcio Zygmunt
Arrangement: Marcio Zygmunt
Performance: Marcio Zygmunt (Electronics, Voice, Guitar, Flute), Ivana Bandalo (Clarinet), Coraima Díaz Torres (Voice)
Engineering: Marcio Zygmunt
Mastering: Marcio Zygmunt
Coverart: Marcio Zygmunt

[jovemdeu$, 2022]

jds$003

$ecretos de Un Ojo Atrapado (A Minha Mãe Me Avisou)

As Negações do Brasil Autóctone (Arquivo Gado do USA) & Beautiful $ound of​ Global North on Mute

of History Manufacturing §§ Porque Vocês Não Sabem do Lixo Ocidental

Canto do Galo ꍇ꙰ꍇ꙰ (Arquipélago da Madeira)

8/10

2 paths converged along a riverside. Each path has it's lows. each path has it's highs. The two options lay before her as she contemplated which path to take next. There are no boundaries layed out beneath her feet to guide her. She walks along both paths, and feels more split than ever before.

~~~

[my socials]
soundcloud: @moreovermedia
tiktok: www.tiktok.com/@moreovermedia
youtube: www.youtube.com/channel/UCysFdL7dd-Rllnzu3A2SYQg
twitter: www.twitter.com/MoreOverMusic
instagram: www.instagram.com/moreovermedia

~~~

river song

clouds (in the trees)

BACK AND FORTH (feat. redraz0r)

LYRICS

back and forth
thru these hoes
i cant stop it
sippin on the four
like a percy
she done popped it
demons at my door
im the one that they be wantin'
finna slide the mag and walk it
pussy we gon lock in
all about that talkin
but a pussy never walk shit
walk em down like 
its duo
we gon pop shit
waitin for no pink
dont have me waitin for deposit
we gon line em up on red
i got a laser in my pocket

red raz0r

poppin on the pussy
then we out inside a rocket
pre meditation
all them boys they get to plottin
down south flo
all these bitches get to flockin
run up in the funtion
pussy boy we boutta lock in
theres no

option
aint no comin back
pussy you been dead to me
he gon fuckin lack
and fuck his brother
human centipede
sodemize that
with my pistol
all my enemies
end up dead inside the ground
huh
leave em 6 feet
walk up in this bitch
i woke up rnd like 5 today
gun em down like its rnd 10
and he gon die today
all these pussies seein stars
and they not in the wraith
i might bring it back to 18
me gon slide on fate
slide
slide the cokey up nose bitch
me and fix up in the stu
we chokin hoes bitch
huh
feinin for that old shit
i might have to call up jasper
totin on them poles bitch

BACK AND FORTH (feat. redraz0r)

Xsetra - dont give a fuck VIP

01/01/26

of History Manufacturing §§ Porque Vocês Não Sabem do Lixo Ocidental

MARCIOZ

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