Joel Puckett is a composer leaving both audiences and the press buzzing. His music has been described as, “soaringly lyrical” (Minneapolis Star Tribune), “Puccini-esque” (Wall Street Journal), and “containing a density within a clarity, polyphony within the simple and – most importantly – beautiful and seemingly spiritual.” (Audiophile Audition). Parterre Box recently proclaimed, “Puckett should be a household name” and the Philadelphia Inquirer’s David Patrick Stearns mused, “if the name Joel Puckett isn’t etched into your brain, it should be.” In 2011 NPR Music listed him as one of the top 100 composers under 40 in the world.

Hailed as “visionary” (Washington Post) and “an astonishingly original voice” (Philadelphia Inquirer), his music is performed by the leading artists of our day and is consistently recognized by organizations such as the American Composers Forum, BMI, Chorus America, National Public Radio, and the American Bandmasters Association.

Puckett’s music attracts diverse performers and listeners through its emotional energy and commitment. Melding tradition with innovation, his distinctive style grows from his power to create transcendent experiences using charismatic musical language.

The Fix, a grand opera commissioned by Minnesota Opera, premiered in the March 2019 to packed houses, enthusiastic audiences, and largely effusve praise. With a libretto by Academy Award and Tony Award winner, Eric Simonson, the work depicts the rise and fall of the 1919 Chicago White Sox. It is a tragedy ripe with power, romance and redemption, set against the backdrop of America’s favorite pastime. Puckett’s earlier commissions have been premiered and performed worldwide, to exuberant critical acclaim.

His flute concerto, The Shadow of Sirius, premiered in 2010 and has received more than 200 performances and been recorded multiple times, including 2015’s Naxos Surround Sound disc, “Shadow of Sirius,” which received a 2016 Grammy Nomination. Currently the Chair of Music Theory, Ear Training, and Piano Skills at the Peabody Conservatory in Baltimore, Puckett presents workshops nationwide and frequently serves as an adjudicator at competitions for rising composers. His music is represented worldwide by Bill Holab Music.

Anthony Joseph Lanman is an active and passionate musician that divides his time between composing, performing, teaching and advocacy for new classical music.

As a composer, Anthony creates music that reaches general audiences as well as new music connoisseurs. Embracing influences that range from progressive rock and metal, to medieval and renaissance music, to jazz, to new classical, Anthony strives to create a sound that is his own. He has written for ensembles and soloists around the world.

Recent commissions include – E.G.S./A.J.L. for guitarist Matthew Cochran, Hear Us! for children’s choir and string ensemble commissioned by Otter Creek Middle School, Automaton – a concerto for 8-string electric guitar and percussion for Clocks In Motion, The Rag and Bone Shop – a song cycle for baritone and piano trio for Brian Lewis and David Small commissioned by the University of Texas Butler School of Music, Rush – a quartet commissioned by the Music Teacher’s National Association and the Indiana Music Teacher’s Association, Hommages for Piano, Book 2, for Holly Roadfeldt, and Damselfly – a duo for 8-string electric guitar and percussion for Kyle Lutes.

Anthony’s performing career began in high school while singing and playing electric guitar with his touring progressive band Canvas. His principle instrument changed to classical guitar during his undergraduate years at University of Texas at Austin where he studied with Adam Holzman. Through his graduate study at Indiana University he added renaissance lute and theorbo to his instrumental arsenal, studying with Nigel North. He has performed with the University of Texas New Music Ensemble, the University of Texas Early Music Ensemble, the Indiana University New Music Ensemble, the Indiana State University Wind Ensemble, and Clocks in Motion. He has also performed many concerts of solo and chamber music.

Anthony’s advocacy is life-long. In the nineties, he hosted a contemporary classical music radio show on KVRX in Austin, Texas. In the 21st century, he promoted fellow Indiana University composers through a web presence on Mp3.com (now defunct); created Guitar Heroes, a weekly presentation series in Second Life; and produced more than 100 episodes of his ongoing music-centric podcasts All the Cool Parts and the 1,000 Recordings Podcast. He has appeared as a guest on Soundnotion, Composer Quest, Classical Guitar Insider, Goes 2 Eleven, and The Portfolio Composer.  His new podcast 1 Track focuses on the music of the contemporary classical world.  In addition, he has exposed thousands of new listeners to contemporary classical composers by sharing this music to his more than 400,000 followers on Soundcloud.

Anthony has held several positions at multiple universities and colleges, as well as K-12 public schools. In 2016, he held an adjunct position at Butler University in addition to teaching choir and music at West Vigo Middle School. He holds a BM in composition from the University of Texas, and an MM and DM in composition from Indiana University.

Anthony currently resides in Bloomington, IN with his wife Jenna and their cats Silas and Bod.

Production Voices creates multi-microphone piano sample libraries for Native Instrument's Kontakt 5 and Kontakt 6 and Plogue Sforzando.

Hi guys, I'm Nitzan Sagie

I'm a composer, producer, arranger, orchestrator and film Director, 

For custom made compositions, composition lessons and general inquiries, please mail me at - freddie.puta@gmail.com

Enjoy my music and have a musical day!
freddiehangoler

Number 1 Billboard Charting Multi Platinum Record Producer, Classical Pianist, Composer & Writer @ Sony Music & Universal Music Group. 

Production Work Inquiries / Remixes etc. - www.alpinemastering.com
Owner / Founder of Fall From Grace Records - www.fallfromgracerecords.com
Owner / Founder of Dying Light Records - www.dyinglightrecords.com
Licensing / Sync / TV - Mishelle Pack - Sony Music - mishelle.pack@sonymusicpub.com 
Bookings - www.reflektagency.com

Multi-platinum record selling musician and record producer, Glenn Morrison is the archetype of the modern DJ/producer star. The 37-year-old Toronto native is as happy rocking an underground house party as he is performing at an exclusive oceanic rooftop venue; as adept at composing an international club anthem like ‘Contact’ as he is at concocting a pop dance record that strikes to the Billboard Charts in America.  His single ‘Goodbye’ has been Certified Double Platinum and went Number 1 for 11 weeks in a row on the Canadian Billboard Chart, as well as going Number 1 in Russia’s Billboard Chart.  It wound up taking over Eastern Europe and became Number 1 in 7 Countries to date.

He is signed to Sony Records, Universal Music Group and Sony Music ATV as a writer, producer, & recording artist. He has been nominated for several Juno Awards in 2015, as well as Fans Choice Award / Dance Artist of the Year / Dance Record of the Year for Sirius XM Radio Music Awards, and won the SOCAN Dance Record of the Year 2015. 

Glenn has enjoyed the support of DJs as varied as John Digweed and Pete Tong to Dixon and Solomun. For three years he was resident at Ibiza’s Amnesia Club, and was a resident at Space in Ibiza for 1 year, as well as Space in Miami for 2 years.  Last year, Glenn added the latest addition to his residency repertoire in his monthly night being held in Las Vegas at the acclaimed Moon Nightclub at the Palms Casino.  And he is perfecting a sinuous, hooky sound that combines the eerie beauty of pure techno with light rains of melody and flashes of emotion.

In short, Glenn Morrison is one of the most dynamic and accomplished talents in electronic music today. Period.

Morrison is a difficult DJ to pigeonhole and that’s what makes him such a fascinating talent. One minute his sound is ruthlessly minimal and funky; the next it’s washed in color and vocals and emotion.

Glenn has had an unusual career path. He started off as a classical pianist, a preteen prodigy, performing  – and winning – competitions. Then came a life-changing encounter with electronic music.

Production continues apace in the new mastering studio Morrison has built in Toronto, entitled Alpine Mastering (www.alpinemastering.com). Be it sound design for video game companies like Nintendo, EA Sports, Activision or Rockstar, or his own productions, he simply doesn’t stop making and playing music.  His latest partnership with IMAX has been a thrilling experience, pushing the boundaries of electronic music to that of sound-scoring live theatre visuals.  Glenn & IMAX unveiled this concept with a 3 part show series at the 2012 ComicCon event held at the Ruben H Fleet Science Centre in San Diego, and it was a huge success. “It’s been a liberating transition for me to make music for all different stylistic purposes, and I’m very grateful for having the ability to do what I love for a living” says Glenn.

Watch this brilliant artist over the course of 2021 as he will be reshaping and redefining how we perceive electronic music through an ample amount of live shows, performances, and recordings.

Dom Phillips, author of ‘Superstar DJs Here We Go!’ - https://www.amazon.ca/Superstar-Djs-Here-We-Go/dp/0091926939

Some people ask: can one make a living from music? Let me ask back: can one make a living without music?

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