tracks I'm playing on

Performed by Annie Gårlid, Mathilde Conley, and Nathan Plante
Texts from James Joyce and Hermann Broch
Samples recorded by Noa Frenkel, Mathilde Conley, Andrea van Noord, Annie Gårlid, Constanze Priester, Max Murray and Samuel Stoll - 2014

Max Murray | Szene nach Aktion / for alto, two piccolo trumpets, and fixed media

Performed by Olivia Stahn [soprano], Mathilde Conley, Florian Baccuet, Paul Hübner, Chloë Abbott [trumpets], Samuel Stoll, Morris Kliphuis [horns], Wojciech Jeliński, Weston Olencki, Maxine Troglauer [trombones], Gunnhildur Einarsdóttir [harp] Matthias Engler [percussion], Max Murray [conductor]

Max Murray | Schaufeln | Brayen — Rain / for soprano, nine brass instruments, harp, and percussion

Juste Janulyte, Unanime, long version for 8 trumpets
The Monochrome Project, live @ festival Romanische Sommer, Cologne 6th June 2021
Marco Blaauw, Christine Chapman, Mathilde Conley, Rike Huy, Bob Koertshuis, Nathan Plante, Markus Schwind, Laura Vukobratović

Juste Janulyte, Unanime, The Monochrome Project

for ten brass 

written for Apparat, for the program GVILD MVSIK (September 2023). 

tpt: Paul Hübner, Mathilde Conley, Chloë Abbott, Florian Baccuet
hn: Samuel Stoll, Morris Kliphuis 
tbn: Wojciech Jeliński, Weston Olencki, Maxine Troglauer 
tba: Max Murray

more information: www.westonolencki.com/sonata

Sonata pian e forte [2022-23]

first performance 27/11/2024
Ensemble Apparat. KM28 Berlin.

Mathilde Conley- trumpet
Samuel Stoll- french horn
Weston Olencki, Henrik Munkeby Nørstebø, Mattie Barbier- trombone
Max Murray- tuba

is this the land i wish death to find me

The whole piece is 100% based around one simple melodic motif.

It uses just one brilliant patch (4 violins and electronics) for Camel Audio's 'Alchemy' sample-based synthesizer - sound designer Simon Stockhausen.

More of his work here: www.patchpool.de/

Composed, arranged, recorded and produced by Mark Taylor (Chameleon Music)

Silence & Tears: 17 Musical Short Stories

Last Few Breaths of Life

Plight

Henrik has been an integral part of the Ambientologist family from the beginning, and it’s with great pride that his work be showcased as an early member of the label family, and more still in offering a rare full length album.

Själ ties everything the Stockholm based cellist has been doing into a consolidated, coherent and above all magnificent work, filled with rich emotion and, in keeping with its namesake, beguiling soul. As one of the most expressive instruments at a composer’s disposal, Henrik allows the cello to do the talking. Slow and deeply stirring arcs, married with sweeter taps of piano, cello plucks and subtle electronics.

You can support the man himself buy purchasing here: bit.ly/34mDmaE

The evocative capacity of television or film scores pervades the album, each track painting up vivid imagery of both the real and the transcendent. Sväva takes the listener on a journey above a rolling desert, while Ren Och Fin paints a pensive picture of medieval Europe that would give Ramin Djawardi a run for his money. Master of atmosphere, anthéne, provides the epilogue with his expansive deconstruction of Kraft.

Above all, Själ is as elegant as it is grounded in immersive feeling and deep, resonant imagery. And in his own words:

The soul communicating with the nervous system.
It gives you thoughts and images in your inner mind.
It can be memories or diffuse pictures. It takes you away from reality.
A musical-tonal floating away of the mind.

If you fancy keeping up with future releases, or even just dive into the mixes and musical meditations/talks, take a peek at the links below:

IG: @ambientologist_yt
Spotify: spoti.fi/2BadMtU
YouTube: bit.ly/2zaNfee
Facebook: bit.ly/2RrZZbA
Bandcamp: bit.ly/2m0t8fd

Släppt av:
Ambientologist
Releasedatum för album:
2019 December 4d.

Kraft (anthéne Remix)

REIN (Rhaeto-Romanic for the river Rhine) speaks of severe challenges threatening the Rhine and other rivers due to climate change and drought. Rivers are vital arteries, and this music reflects on their life-sustaining essence, and the environmental precariousness of the world, we currently live in.

REIN has been commissioned by ZeitRäume Basel for the Basel Sinfonietta.
World premier September 15, 2019 under the baton of Baldur Brönnimann,
@Mitteldeck Basel, on the river Rhine
Recorded by Swiss Radio SRF 2

REIN for orchestra (2018/19)

Introduction aux jupes satiniennes

Bird (Naviarhaiku 330)

Juste Janulyte, Unanime (2020)(short version)
for 8 trumpets, written for The Monochrome Project,
multitrack recording during lockdown April 2020 by Marco Blaauw, trumpet

Juste Janulyte, Unanime, for 8 trumpets

Marco Lucchi : organ

25 ottobre 2020

***

Tyger! Tyger! Burning bright
In the forests of the night:
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?

And what shoulder, and what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? And what dread feet?

What the hammer? What the chain?
In what furnace was thy brain?
What the anvil? What dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And water'd heaven with their tears:
Did He smile His work to see?
Did He who made the Lamb make thee?

Tyger! Tyger! Burning bright
In the forests of the night:
What immortal hand or eye
Dare frame thy fearful symmetry?

William Blake

organ verses n°2

Music For Quiet Moments 28 - Time Stands Still

Music For Quiet Moments 28 -Time Stands Still (Udine 24 Jun 2006)

Bobby Rangell: alto sax
Nico Arnicho: percussion
Daniel Diaz: acoustic bass guitar & live synth sparkles

Live in the studio recording, circa 2007 in Paris, reworked and remixed Friday November 27th 2020.

Again, from the  masters I got back some weeks ago and I am rediscovering and reworking some music for there.

This is part of a one day session with these extraordinary musicians  this is the only session with the three of us together in the studio. We recorded tones of music that day, including [junto0463](https://soundcloud.com/daniel-diaz/two-memories-gradient-disquiet0463) and [naviarhaiku358](https://soundcloud.com/daniel-diaz/black-horse-naviarhaiku358) with a 4th element , Pajaro Canzani on guitar)

This is the introduction to an instrumental composition we recorded for a producer (documentary) who accepted the mix but later asked for the introduction to be removed.
So this free form 2 minutes remained unused.
I remixed this today for 27/NOV/2020 thanksgiving  junto challenge
https://llllllll.co/t/disquiet-junto-project-0465-you-thank 
as a thank you note for those excellent musicians.

I spent some time live and i the studio with Bobby since that day, but completely lost track of Nico, 10.000 Km between us...

Going back to these masters is a joy and reminds me how great it is to play together with fellow musicians and how grateful I am that I could do it with such great, talented guys.


Photo by DD: self portrait with blue forms

Happy thanksgiving everybody, love
DD 27/NOV/2020

Deep Blue 01 (Giving Thanks) - disquiet0465

a rework from Lärmschutz of "piano patterns n°14" by Marco Lucchi

for "piano patterns" vol. 2, a project by Marco Lucchi
soundcloud.com/marcolucchi/sets/piano-patterns-vol-2

gennaio 2021

Marco Lucchi - Open After Nutter (#14 Ruined By Lärmschutz)

I make music. mostly with a trumpet. member of ensemble apparat, ensemblekollektiv berlin, and the monochrome project, among others.

Juste Janulyte, Unanime, for 8 trumpets

Marco Blaauw

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