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Peter’s musical eloquence has brought his work to the attention of orchestras and performers across Europe and the U.S.A, where his music has been recorded, broadcast and performed. His music crosses boundaries: a melange of sounds, bringing together elgarian melody and jazz harmony and rock rhythms. Peter’s musical apprenticeship was served as choirmaster, theatre M.D., teacher and performer, as well as composer.

Past commissions include pieces for the Kreisler Duo (violin and piano), “Three Way Mirror”, “Spring in Harderwijk” Utrecht Chamber Orchestra, “Phantasy Serenade” Ensemble 315, “Divertimento” (Children’s Orchestra) “Prayer 2001” (children’s choir and piano), “Summer Reflections” (bouzouki and strings) “Brass Sextet” Yorkshire Classic Brass and “Winter Sketches” (guitar and flute) Roberts/MacKenzie Duo

In 2011 he had four premieres; “ Berwick Variations” for solo guitar, “ Three Ages of a City” for guitar and orchestra, “ Lizst’s Lost Love” for piano and “ Beyond the Sound of the Sea” for three cellos and numerous other concerts of his works.

Commissions and premieres for 2012 included; “Three Songs” for baritone and piano, “A Suffolk Serenade” for tenor, horn and strings and “Landscape With Trees” for guitar quartet. “Four Quarters” for soprano and small orchestra, “Annabelle’s New Life” for solo guitar. “Inner Circle” for Two Pianos and Percussion and “C Music Hear Music 2” a work for Brass Quintet. He was invited to speak at the first International Composers Festival, where his piano concerto “After the Snow” was performed.

Current projects include “Sounds Lyrical” - collaborating with poets, “Sound Gallery” - showcasing contemporary composers, working on musical arrangements for recordings and concerts by pop/rock bands and a commission for Italian virtuoso guitarist  Giulio Tampalini.  Peter’s work will be performed by Hastings Sinfonia and Osaka Concert Orchestra at the second International Composers Festival, where he will also be speaking. He is a regular contributor to the Late Music Festival, where his work ‘What Goes Around .... Comes Around’ (viola and piano) was performed by Rosalind Ventris and Lara Dodds-Eden. 

Peter was composer in residence at Utrecht Chamber Orchestra and is visiting lecturer at York St. John University and Leeds College of Music.
He is also composer in residence to Converge at York St John University.


“Nossa brincadeira é tornar a rotina lúdica, qualquer expressão em arte.” 

bolívia 51 é um projeto musical multimídia de Frederico e Leonardo. A dupla Compõe, executa e grava tudo que fazem. Recorrem a todos e quaisquer instrumentos: violões, guitarras, baixos, teclados, programações, cordas vocais. Em formatos variáveis, apresentam um resultado bastante diverso. Buscam a forma para cada peça. Ora harmonias entrepostas, ora o minimalismo de uma única nota. Orientam-se, sobretudo, ao aspecto específico de cada composição, buscando melhor expressá-la.  

”Se músicos somos? Sim. Acho graça dizer, pois cresci com a noção de que aqui somos todos. cantadores e dançarinos de coco, irmãs pastorinhas, pai sanfoneiro, irmão seresteiro. Discípulos de Mestre Galdino em suas prosas de doido e animais inventados.”

A sonoridade da dupla é algo complexo dado à liberdade e multiplicidade que se permitem os músicos. Quanto ao estilo, se enquadram em diversas de classificações. Rock, MPB, samba, ska, outros tantos, sempre de forma autoral. Caracterizam-se por uma identidade bastante evidente. Produzem músicas com uma impressionante freqüência. Tamanha intensidade dedicada neste processo os levou à necessidade de criar vídeo clipes, ou experiências áudio visuais, como sugerem.

Em dois anos, esta dupla acumula um volume impressionante de material editado e divulgado somente entre amigos. São quase 200 músicas gravadas em casa, incluindo o projeto intitulado: bolívia 51 canta vinicius de moraes (composto por mais de 20 sonetos musicados de forma espontânea com base no “livro de sonetos de Vinicius de Moraes”); finalizaram aproximadamente 20 videoclipes, assinando integralmente a autoria das imagens, captação e edição (incluindo a peça realizada em homenagem póstuma a tia do leonardo, Janete Costa, composta por 5 atos: morte / arquitetura / artesanato / vida / família ). A dupla vem atraindo a atenção e a curiosidade de diversos canais de mídia relacionados a música e comportamento. O programa Estereoclipes, veiculado pelo canal 11 no Recife, vem exibindo O clipe da música “O Jogo” desde outubro/2009. Conquistaram a atenção destes produtores em função dos vídeos terem sido gerados sem orçamento algum e de forma tão intensa (imagens captadas por celular). Exemplo prático em que a verdadeira necessidade de expressão não depende necessariamente de recursos técnicos mirabolantes. 

“Somos Frederico e Leonardo, preferimos Fred e Léo. Em dupla então, o tempo mostrou com clareza, preferimos ser chamados assim: bolívia 51.
O som que fazemos é uma busca constante e sabemos que o fim não existe, uma estrada de erros e acertos, notas, letras e verdades, que descarregamos ao vivo, gravando em roda ou distante de tudo.”

Bolívia 51 trabalha há 2 anos de forma anônima. apresentam agora o resultado desta forma diferente de se viver música. 


Tony Marino pianist & composer of jazz, Latin jazz & World music; though his style seems to capture listeners from other genres continuously.  Visit Tony @ https://tonymarino.us.

I'm a composer in modern classical styles, progressive rock, jazz-rock fusion, singer-songwriter, and new-age instrumental guitar. I also perform and improvise on guitar in several genres.

Guitarist William Ghezzi has performed extensively with orchestras, chamber ensembles, choruses, dance companies, in theater and opera, and for films, radio and television. He has appeared with the Montpelier Chamber Orchestra, the Harry Partch Ensemble, the Philadelphia Guitar Ensemble, and in many other solo and chamber music settings. Mr. Ghezzi can be heard on Spotify, iTunes, Amazon, and YouTube Music his videos can be seen on YouTube, Vimeo, and Instagram. His latest recording, Telemann: Fantasias for Viola da Gamba, is available on all major streaming services.

​Currently Ghezzi is working on a project to transcribe, record and perform a selection of Fantasias by Georg Philipp Telemann originally composed for viola da gamba.  Only recently rediscovered, these pieces are a new addition to the guitar repertoire

He has commissioned numerous solo and chamber music compositions for himself, the Newman/Ghezzi Guitar Duo, the Baxter/Ghezzi Flute & Guitar Duo and the Philadelphia Guitar Ensemble including works by Robert Maggio, Laurie MacGregor, Kile Smith, Robert Capanna, and Jan Krzywicki. Currently Ghezzi is working with composer Paul A. Epstein to transcribe a selection of his piano compositions for guitar. 

Ghezzi's arrangement of "Morceau de Concours" for flute and guitar by Gabriel Fauré was selected as a finalist in the Newly Published Music Competition of the National Flute Association and is published by Trillenium Music Company. His other publications include "Wachet auf, ruft uns die Stimme" for voice, flute and guitar by J.S. Bach, "Guitarbooks I and II: Early Repertoire for Classical Guitar", "Four Chanson: for High Voice and Guitar" by Gabriel Fauré and "Suite no.6" by J.S. Bach originally for cello.
​
​Ghezzi holds a music degree from Temple University, College of Music where he studied with Peter Segal and Anna Kotsaranko. He has studied privately with Phillip de Fremery, Eliot Fisk and Vladimir Mikulka. He has been on the music faculties of Temple University, Chestnut Hill College, and Settlement Music School in Philadelphia. Mr. Ghezzi lives in West Lebanon, New Hampshire. Currently, he is giving private guitar instruction at all levels from his home.

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