Fantastic forward momentum.    Unique but familiar.  Veey cool!

For me: a quiet dread.  Like a dream that only becomes understood over time.

@user-370942421-686440500: A haunting and mesmerizing space , timeless and hypnotizing

Remarkable ghostly dark track. Excellent!

A wonderful haunting ambience of dread and foreboding..... all hope abandon, ye who enter here!

Marco Lucchi : piano and electronics

with the voices of Francesca Tuscano, Giovanni Fontana and Mauro Carrera

lyrics by Mauro Carrera
music by Marco Lucchi

a project by Mauro Carrera

maggio 2021

***

Levando il guardo infin al ciel dal suolo
il volto volto in tenero sorriso
parlò al Padre come un buon figliuolo

E come quei che il sole guarda fiso
sanza temenza di perder la vista
così volse al Fattor diretto il viso

Dante

This is the 7th single from Mizu Amane, a side project of Films, a dark fantasy music project formed by the instrumental band Anoice, featuring their cinematic sound alongside two female vocalists with the same name. While Films' songs are sung with their own originally created languages, Mizu Amane features Japanese archaic languages which are no longer spoken.

Just like the previous works from Films and Mizu Amane, Anoice's members took charge of all the production, from composing and recording to mixing and mastering. The sound tapestry braided by the lovely sound of the piano, played by Anoice member, Yuki Murata, and the nostalgic vocal melodies sung by Films, is the world of Mizu Amane.

Mizu Amane also created the synthesizer sounds which imitate Japanese traditional instruments such as Shou, Tsuzumi, and Ekiro, using them to form some of the sounds of this release. The mystical sound of the Shou is a particularly notable feature of this song. This is a masterpiece allowing the listeners to feel a sense of eternity, which is best listened to on a gentle spring day.

miotsukushi

BandCamp (FREE)

miotsukushi (Anoice / Mizu Amane 'miotsukushi')

Born out of mere chance performance, the new collaborative record between Abul Mogard and Rafael Anton Irisarri is almost an inevitable outcome of their long-lived sonic relationship, and yet I’m still excited and jumping up with glee. It’s not often that I witness two of my favourite musicians come together to create something very special, so when they do, I approach it with a deep appreciation and focused regard. I’ve sung high praises for these two alone throughout the early years of their very successful musical careers: Raf, of course, and his 2009 debut on Miasmah (which I’m still listening to, by the way, as well as The Sight Below output), along with his continuous friendship and support, as well as partnership in curating Headphone Commute’s For Ukraine compilation; and Guido, whom I detected to be an amazing synthesist [rather than a retired factory worker from Belgrade] very early on, and who became an inspiration for my own modular journey and then, again, a friend. Search these pages, and you will discover plenty of coverage [written by a genuine human, may I add – should I use that tagline instead of “honest words on honest music”?]. So yes, I am all over this amazing piece [slightly shortened for this “premiere” feature], which is taken from their upcoming two-long-playing-track release on Irisarri’s own Black Knoll Editions, recorded between London, Rome and New York [the second piece is taken from their live performance at Centro de Cultura Contemporánea Condeduque in Madrid].

Impossibly distant, impossibly close

Place of Forever (AM Radio Edit)

TRACK PREMIERE : Abul Mogard & Rafael Anton Irisarri - Place of Forever (AM Radio Edit)

Gonna start doing more covers because they make me feel good :)

I also didn't realise that yesterday was a full moon LET ALONE a Pink Moon ! What a coincidence, thank u Nick Drake. So there's a little photo of the moon before I knew it was pink. 💖

Know (Nick Drake cover)

Here is the title track from my new Petroglyph Music Release :-)

Quantum Listening is a manifesto for listening as activism. Through simple yet profound exercises, Deep Listening is the foundation for a radically transformed social matrix: one in which compassion and peace form the basis for our actions in the world.
"Quantum listening" is a term that combines concepts from quantum mechanics and communication to describe a deep and mindful form of listening. It suggests a way of listening that goes beyond surface-level understanding and engages with the speaker at a more profound level.


IvanB

Quantum Listening

Name Your Price

Ritournelle Et Chaos

Jingle Guitare

Don't Dare

Pre Order the new album by Oberlin which was recorded in the summer of 2021 in Koblenz, Germany, while preparing a concert that never happened.

releases May 3, 2024 

All music and instruments (Eurorack Modular, Ibanez Custom Guitar, Koma Electronic Field Kit) by Alexander Holtz 

Shimmering Moods Records 2024 
SHM 299

Oberlin - Gernholland

Riverside Interlude

01 - SA - HZS - 60 Cellos All Standard - C Sord PP Long Soft CS
02 - SA - OPW - Ice Piano
03 - SA - OS - Woods High - Combo Swarm
04 - SA - Aperture - Refractions - Tremolo_Refractions - Normale
05 - SA - WE - Intense Sirens
06 - SA - BDT - Ensembles - Flute & Pic.soft_Ensembles - Bass & CI Soft

On The Way Back [Hans Zimmer Strings]

"I'm a mellow artist, aging 67. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli amateurs, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

Dante

Marco Lucchi

Recent comments

Eowyn

TRAUMA

The Windscale Blues Experiment

Well

Related tracks