breathes the air of spirituality...great work, my friend

Molto bella e suggestiva. Mi piace la spazialità religiosa che si crea, e questo moto come d'onde che s'infrangono delicatamente: davvero una meravigliosa meditazione in musica...

Logic Moon and Atmøsphäre come together for ‘Fading’, a carefully assembled study of light and dark. One minute light dances in the dark, and the next minute the shadows mime their way across illuminated canvases.

Logic Moon’s deliberately faint compositional style, coupled with Atmøsphäre’s ear for musical space, combine for something noticeably more affective than their previous solo outputs. A captivating and consuming listen.

Available here: bit.ly/39Q7GzJ

Fading

Download

Logic Moon & Atmøsphäre - Dancer in the Dark

Now available on https://alonefold.bandcamp.com/album/strange-lights-other-sky-ghosts

Resonance in Sylvanic Valley

One musician. 2 saxophones, bass clarinet, trumpet, kalimba. Effects and Looper. It's all.

Hikikomori

Violent Freedom

The Golden Dawn

Support

The Order

The ethereal sound of japanese producer Gallery Six has been an inspiration for Archives, so we are proud to have his first full EP on the label. 'The Fogbound Island' is a mystical journey through his magic pad sounds and delicate field recordings, including remixes by Darren McClure and Warmth. Also the CDr includes the previously released 'On The Waves' from the Ambient Archives Vol. 2.

Tracklist:

01. Stars on a Hilltop 07:47
02. The Frozen Lake 07:45
03. Shiosai 05:49
04. The Frozen Lake (Darren McClure Remix) 08:01
05. Shiosai (Warmth Remix) 07:12
06. On The Waves (Bonus Track) CD-Only 05:32

Written and Produced by Hidekazu Imashige.
Aditional Remixes by Darren McClure and Warmth.
Mastering by Zzzzra.
Photography by Alexander Kopatz 
www.go70north.com | www.facebook.com/go70north

Archives20// ArchivesCD002
Archives / 2016

Buy CD/Digital

Gallery Six - Shiosai | Warmth Remix

Billow Observatory

Slow Billows

12 June 2018

While the summer nights in the taiga is the realm of the White’s Thrush, the dawn is owned by other songbirds. In the intense and diverse choir of bird voices in the early morning hour one might identify Red-flanked Bluetail, Garden, Blyth’s Reed, Willow, Arctic and Greenish warbler, Oriental Cuckoo, Black Woodpecker, Willow and Coal Tit, and Olive-backed Pipit. 

Eastern foothill of the northern Ural Mountains, Russia (60.07N/59.63E)

SD MixPre-3, Primos

Dawn choir, Northern Ural Mountains

Marco Lucchi : synth, tape and treatments

“Io voglio cantare come cantano gli uccelli senza preoccuparmi di chi ascolta o di cosa pensi.”

Rumi

4 aprile 2019

Bandcamp

Lectio magistralis

"Black-east from the crow" - cold, dry east wind (Galloway) / stone shed (West Cornwall)

Music by Bethan Kellough
Artwork by Gregory Euclide

Place Language is an international non-profit compilation album project inspired by the themes found in Robert Macfarlane’s widely-acclaimed book ‘Landmarks’. In particular it focuses on the book’s extensive topographic glossaries, the “word-hoard” of depictive landscape terms gathered from 30 different languages, dialects and sub-dialects around Britain & Ireland and divided into sections by type of terrain (Flatlands, Uplands, Waterlands, Coastlands, Underlands, Northlands, Edgelands, Earthlands and Woodlands). Relying on these topograms, or “tiny place poems”, as creative prompts, Place Language seeks to both inspire a renewed interest in our surroundings and reinvigorate our appreciation for the audible textures & patterns that characterize a place in keeping with the book’s stated desire to “re-wild” our vocabulary.

The collection features the work of 28 different sound-artists, field recordists, and musicians from around the globe each of whom selected a Landmarks topogram and recorded an impression of it thus adding rich new aspects of dimensionality through the act of sonification. These selections cover all nine of the book’s glossaries along with place-words of new coinage as prompted by the blank one which Macfarlane leaves at the end of the book for readers to fill in from their own experience. The end result is a truly global and collaborative survey of place, language, and sound.

More info: stationarytravels.wordpress.com/place-language/

Bethan Kellough - Black-east from the Crow

CDs/Download: whitelabrecs.bandcamp.com/album/timecuts
Spotify: open.spotify.com/album/1spBu887TkWRSDjHxsuQn7
More Streaming/Stores: distrokid.com/hyperfollow/luismiehlich/timecuts

Written and produced by Luis Miehlich
Mastered by James Edward Armstrong
Photography by Luis Miehlich
Artwork by Harry Towell

Timecuts

CDs/Buy

Timecuts III | Taken from 'Timecuts'

Maps and Diagrams - Kalia

"I'm a mellow artist, aging 67. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli amateurs, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

Lectio magistralis

Marco Lucchi

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Litovinskaia Alöna

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