Lefkada

2025-11-11

in an empty room

20Nov25
https://naviarlab.tumblr.com/post/800654862684717056/naviarhaiku620-some-starlight
😊

some starlight [naviarhaiku620]

Made for Naviar Records' 620th Haiku Challenge.

Sparing starlight [naviarhaiku620]

Depth Perception here:
https://ceruleanascent.bandcamp.com/album/depth-perception

Album version visuals here:
https://youtube.com/shorts/kIIo5V--xs4?feature=share

Extended edit visuals here:
https://youtu.be/qK_RX74DK2o

Fetch The Soup [Album Version]

the variations of Daniele Varelli on a base track by Marco Lucchi

Daniele Varelli & Marco Lucchi - wallpaper music n*1 [variations]

Photo: Glasgow, Scotland. 2025.

Bit of an opus this one but builds nicely...

As ever, listen all the way through = good karma... thank you.

Drums: NI Kontakt and Ableton loops.
Bass: Sandberg Elektra 4-string with flats through NI Guitar Rig.
Guitars: Fender Telecaster into NI GuitarRig and Archetype Morgan Amps.
Keys: various VST from NI and Arturia.
Mastering: Ozone 11 Standard.
DAW: Ableton 12

Bandcamp

In That Quiet Moment

I always dreamed about being stranded on a desert island until it actually happened

a track by Marco Lucchi reworked by Mean Flow

Mean Flow & Marco Lucchi - 1985 - Toccata

An electronic composition, sounds from various sources including Pure Data.

Plum Garden (naviarhaiku623)

Made for the haiku challenge 624 of Naviar records.

A quiet cabin;
hunting milkcaps, I was soon
lost among the pines

by: Kagami Shikō

Kagami Shikō was a Japanese poet, considered one of the ten outstanding disciples (Shōmon jittetsu 蕉門十哲) of Matsuo Bashō. He was in turn the master of the famous poetess Fukuda Chiyo-ni.

Originally from the present-day Gifu Prefecture, Kagami Shikō became a monk at Daichi-ji Temple, and in 1690 he became a pupil of Bashō, later accompanying him on some of his journeys and recording his last will in 1694.

After Basho's death, he kept travelling around Japan, writing several essays on haiku and collections of writings until his death in 1731.

A quiet cabin (naviarhaiku624)

"I'm a mellow artist, ageing 69. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases:

https://whitelabrecs.bandcamp.com/album/the-book-of-dreams
https://chitrarecords.bandcamp.com/album/lieder-ohne-worte 
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli ‘amateurs’, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

Lefkada

Marco Lucchi

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