c'è in giro da tempo una nuova 'musica assoluta', astratta, che sta fra la cosiddetta 'ambient music' e la 'drone music', nei pressi dei cosiddetti 'soundscape' o, meglio ancora, degli 'innerscape' .. a volte ha tratti più 'cameristici', o addirittura per strumento solista, a volte è più 'sinfonica' .. a volte usa solo sonorità 'sintetiche', a volte invece anche strumenti 'tradizionali' .. ha antecedenti illustri, sia nella cosiddetta musica 'classica', diciamo storica, sia nella 'popular music' e nel jazz .. a quella soprattutto io guardo

https://www.facebook.com/notes/marco-lucchi/musica-assoluta/10155811583217624/

questo mese dedica speciale per Jonny Greenwwod

"musica assoluta" (agosto 2020)

the tracks I made (or which I have been involved in) during the month of August

(2020) August works

Flying Notes

the tracks I made (or which I was involved in) during 2020

(2020) works

Marco Lucchi : synth, tape and treatments

morphing and playing along "Water" by Jonny Greenwood

Lisa Moore : piano
Olivia De Prato : violin
Lauren Radnofsky : cello
Greg Chudzik : bass
Paul Coleman and Elena Moon Park : tanpura

to Olivier Messiaen

A glass of water [alt version]

Marco Lucchi : tape and treatments

morphing the wonderful and emotional finale of "Passio Domini nostri Jesu Christi secundum Joannem" by Arvo Part

2011 ---> 2020

the complete album
https://marcolucchi.bandcamp.com/album/secundum-joannem

bandcamp

secundum Joannem

Marco Lucchi : synth, tape and treatments

4 gennaio 2020

here too
https://meticulousmidgets.bandcamp.com/track/the-call-of-the-chthonic

The Call of the Chthonic

Marco Lucchi : tape and treatments

'morphing' "Dauggier" and "Quarro" by Boson Spin
https://soundcloud.com/boson_spin/dauggier
https://soundcloud.com/boson_spin/quarro

7 gennaio 2020

I have seen the dark universe yawning
Where the black planets roll without aim,
Where they roll in their horror unheeded,
Without knowledge, or lustre, or name.

H. P. Lovecraft, Nemesis

Spinning bosons

Bandcamp

Boson Spin & Marco Lucchi - Spinning bosons

Zuhé : keyboards, synth and electronics

reworking "So old" by Marco Lucchi
https://marcolucchi.bandcamp.com/track/so-old

gennaio 2020

Marco Lucchi & Zuhé - So Old

Marco Lucchi : electric organ, analog synth and Mellotron

for Naviar Haiku
https://naviarlab.tumblr.com/post/190146715083/naviarhaiku314-buoyantly-we-go

13 gennaio 2020

Hyo-hyo to shite mizu wo ajiwau

Taneda Santoka 

Buoyantly we go / Like the wind, / Tasting water. (Tr. by R. H. Blyth)

Marco Lucchi - Hyo Hyo (Naviar Haiku # 314)

Solitary simplicity cried out to me for this one

But the Moon Does Not Stare Back

But The Moon Does Not Stare Back (NaviarHaiku 343)

1Aug20

My naviarhaiku343 submission
https://www.naviarrecords.com/2020/07/29/naviarhaiku343-persistently-i-stare/
:D

Boson Spin - Staring at the Moon [naviarhaiku343]

Previews of the new album by Quiet Places (Dennis White, https://soundcloud.com/charliemay and Dave Gardner), available on Transparent Gatefold 2LP and digital August 17th on A Strangely Isolated Place asip.me/asipv023

Quiet Places / Volume 1 (ASIPV023) [Previews]

20200801(1

Marco Lucchi : piano and fx

5 agosto 2020

Dobrada à Moda do Porto

Um dia, num restaurante, fora do espaço e do tempo,
Serviram-me o amor como dobrada fria.
Disse delicadamente ao missionário da cozinha
Que a preferia quente,
Que a dobrada (e era à moda do Porto) nunca se come fria.

Impacientaram-se comigo.
Nunca se pode ter razão, nem num restaurante.
Não comi, não pedi outra coisa, paguei a conta,
E vim passear para toda a rua.

Quem sabe o que isto quer dizer?
Eu não sei, e foi comigo …

(Sei muito bem que na infância de toda a gente houve um jardim,
Particular ou público, ou do vizinho.
Sei muito bem que brincarmos era o dono dele.
E que a tristeza é de hoje).

Sei isso muitas vezes,
Mas, se eu pedi amor, porque é que me trouxeram
Dobrada à moda do Porto fria?
Não é prato que se possa comer frio,
Mas trouxeram-mo frio.
Não me queixei, mas estava frio,
Nunca se pode comer frio, mas veio frio.

Poesias de Álvaro de Campos. Fernando Pessoa, Lisboa: Ática, 1944

piano patterns no 1

Marco Lucchi : harmonica, synthesizer and fx

playing with
https://soundcloud.com/boson_spin/uthersor-part-1

6 agosto 2020

to Ennio Morricone

Once upon a time (with Boson Spin)

Marco Lucchi : piano and fx

11 agosto 2020

***

Não sou nada.
Nunca serei nada.
Não posso querer ser nada.
À parte isso, tenho em mim todos os sonhos do mundo.

piano patterns no 2

Based on : Piano pattern  n.1 by Marco Lucchi , remix by Walter Fini 
Marco Lucchi : piano and fx
Walter Fini : piano & synths, fx
Original Track : https://soundcloud.com/marcolucchi/piano-patterns-no-1

Stormi - Marco Lucchi e Walter Fini

itwasthewires : modular synthesizers
Marco Lucchi : found sounds, Mellotron, synthesizer and mix down

26 agosto 2020

itwasthewires & Marco Lucchi - Charlotte [first encounter]

Ianua

Exercise in blue

Exercise In Blue

Production Note
https://furicomusicteam.blogspot.com/p/mad-disco.html

Mad Disco

music  (Rise Your Chaos Star) & art . noxpox (Andre Hindenburg)@noxpox5
vocals & their mix . Mariam Zohra D : Myrh

at the bank of the shore | noxpox & myrh

original guitar demos and performances with little-known scales and other things...

Prepared guitar

Last month my friend Jeff/Stonerjazz sent me a preview of this song he was about to release (https://soundcloud.com/user-911083679/01-i-still), and he was so kind to ask me if I wanted to add anything to it. We had been planning a collaboration for months, so I happily started to work on it, recording a few instrumental tracks. I got inspired from Jeff's amazing lyrics and vocal harmonies, and we're both happy about the way this tune turned out to sound.
A wonderful collaboration that we'd like to dedicate to all of you SoundCloud maestros, wishing everyone a happy new year. Peace, love and happiness...

LYRICS:

captured in the eddy of the river bright, the still life painted with the colors of the soul, the dead-eyed and the damaged wander through the landscape of the misty light without compassion for our plight.
even in the darkest night there’s drops of paint, notes from my guitar, and tiny light that usher in such lush delights, though worthless in the merchants eye, the maestro has the wings to fly…
it’s a big mess, got a hole in my chest, taken down and crushed like apples in a press, i confess to everything i’ve ever done. every single one of us… on the run.
when minds are quiet, the stink of revolution floats in the air, and the overlords they waste away in deep despair… slippin in the deep end not so quietly. fantastic sights!!
tin can rattle in the back, living in a tiny shack, standing in the middle of a two lane blacktop gazing at a cloud i saw some thirty years ago.

Stonerjazz : vocals
Teth Sin : electric & acoustic guitars, bass, samplers (mellotron, drums, piano)

Original composition, arrangement, mix, mastering & cover artwork design by Teth Sin
Lyrics by Stonerjazz

The Maestro

The Maestro | feat. Stonerjazz

"I'm a mellow artist, ageing 69. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases:

https://whitelabrecs.bandcamp.com/album/the-book-of-dreams
https://chitrarecords.bandcamp.com/album/lieder-ohne-worte 
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli ‘amateurs’, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute