my monthly report 
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in the pic: Aleksandr Scriabin

"musica assoluta" (dicembre 2023)

Marco Lucchi : synthesizers
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1 dicembre 2023
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Nel Museo nazionale romano di palazzo Altemps si conserva una testa in marmo che secondo la tradizione rappresenta un’Erinni addormentata. Gli occhi chiusi, i ciuffi dei capelli scarmigliati sulla fronte e la guancia, le labbra appena dischiuse, il volto della Furia – se di una Furia si tratta, sia essa Aletto, Megera o Tisifone – riposa quieto su un cuscino di buio marmo, come se sognasse.
Una furia che invece di gemere e urlare, scuotendo la chioma serpentina, chiude gli occhi e sogna, smentisce se stessa. Eppure proprio e soltanto il sogno o il sonno di una furia assomiglia al pensiero. Il pensiero non è soltanto contemplazione, è innanzitutto furore. Si dà pensiero, si dà contemplazione, solo se prima vi è stato furore, se guardando l’abominio degli umani e del mondo, la mente – diceva Bruno – discesa «ne la parte più inferna… si sente lacerare e sbranare». E solo se nel nostro eroico furore riusciamo a chiudere gli occhi e sognare, si ha vera quiete, si ha visione e teoria. I nostri sogni non sono allora fantasie a occhi aperti, che sappiamo ingannevoli e vane, ma verità a cui, anche se con gli occhi chiusi, non possiamo non credere, perché abbiamo prima visto la vendetta e l’errore. Il pensiero è questo acquietarsi del furore, è un’Erinni che sogna.

13 novembre 2023
Giorgio Agamben

Furore che sogna [1]

Ansynda [part 2]

reflecting on the slow sunrise before the morning birds awaken

Meanwhile, in a parallel dimension...

The assignment: describe a shadow using sound.

More on this 622nd weekly Disquiet Junto project, Know the Shadow (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0622/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0622-know-the-shadow/

throwing shade [disquiet0622]

Marco Lucchi : piano and synthesizers
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for the current Disquiet Junto challenge
https://disquiet.com/2023/11/30/disquiet-junto-project-0622-know-the-shadow/
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4 dicembre 2023

Afterlife [disquiet # 0622]

From my Album "Moonchild" released on Archives

Written and Produced by Tobias Lorsbach
Mastered by Porya Hatami
Photography Alexander Kopatz
www.go70north.com
ARCHIVES95
Archives | 2023

Moonchild

Get CD

Osiris

Onomern

:::
my contribution
to
Naviar Records
Haiku Challenge 517

my interpretation of a
haiku
by
John Hinks
aka: FlownBlue

.
.
.

Early dawn’s pale light:
A gentle start to the day
Two seagulls gliding

ra(ge_ntle) ::: naviar haiku 517

Early dawn’s pale light:
A gentle start to the day
Two seagulls gliding

John Hinks, aka FlownBlue, is a prolific and talented composer, and a regular participant in the Haiku challenge. Aside from his solo project, John is also involved in multiple projects: ‘Windfall Light‘ (with Jim Tetlow), ‘Abstract Blue‘ (with Kevin Buckland), ‘Light Fragments‘ (with Steve Escott), Szukanie (with Michał Wojciechowski), and Meadowlight (with Emma Reed).

two seagulls [naviarhaiku517]

a track by Marco Lucchi reworked by Mean Flow

dicembre 2023

Mean Flow & Marco Lucchi - Furore che sogna

Furore Che Sogna 1 De Meierkord Et Lucchi

2023-12-07

NLS - 2023 - 12 - 07 In Clouds

Up to transposition, there are 250 ways that an interval can transition to another interval without any note repeated (all notes within the chromatic scale).  The basic material here is a cycle of intervals that survey all 250 transitions.   Constant variations within the dimensions of timbre and articulation, though they might at first seem to work distractions away from the harmonic idea, actually mitigate exhaustion of the ear and so keep fresh the perception of all the intervals, and the intervals between intervals.

Every Bridge, for nine instruments

Jack Frost is here

Jack Frost Is Here

a track by Marco Lucchi re-interpreted by *idematoa*
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Spitfire Appassionata Strings - Basses (4) - Glancing Attack
Abbey Road One : Wondrous Flutes - Wondrous Legato (8ve)
Spitfire Appassionata Strings - Violas (6) - Legato 
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dicembre 2023

idematoa - Furore che sogna (Marco Lucchi)

This is a collaboration single entitled 'Ice Mermaid' made by Takahiro Kido and Yuki Murata, music composers who also are active as members of Anoice, RiLF, and Films, together with Kenji Azuma, an ambient music artist who plays a range of unusual instruments.

This song is based on an illustration featuring a mermaid in the ice world painted by MATSURICA who also takes charge of the artworks for some of the releases from Anoice, Yuki Murata, and Films, and is divided into four parts; the ground, the sea, the seabed, and the finale. The most notable point is that the basis of the sounds of the song are created from materials which are related to ice and water. The sounds of stepping on snow, waves, breathing, whale calling and mermaid's singing. You can feel the cold sea via the sounds expressed by the ice and water.

Spotify, Apple Music, iTunes, etc:
https://linkco.re/YX3qsryT?lang=en
BandCamp:
https://riccolabel.bandcamp.com/album/ice-mermaid

Ice Mermaid

BandCamp

Ice Mermaid (Anoice / Takahiro Kido, Yuki Murata, Kenji Azuma 'Ice Mermaid')

Esatonale [1]

Così Finisce Così Inizia

The world continues to be unfathomable. The human world no less so but in a more distressing way. Trying to make a process piece using pitch values that model conflict resolution. Paradoxically, to resolve tensions one creates different tesnions as a result -- in the distant hopes of an eventual balance. So I've eased into the process this way. Bringing discordant tones into a field of re-pitched urgencies leads somehow to this skein of tangled tanpura-like quiverings and frayed drones with keening moments. Nothing tremendously original thus far. Just a struggle. Nono meets Scelsi meets Eno. Maybe originality is too controversial in certain moments right now. Maybe your music cannot reach too many people sometimes and rather aids in transform your own consciousness. Melodica, looper pedals, synthesizer.

Process Peace`

"I'm a mellow artist, aging 68. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases

https://chitrarecords.bandcamp.com/album/lieder-ohne-worte 
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli amateurs, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute