... on the road to discovery with both lightness and power.

In coral caves underwater, hundreds of mermaids wag their tails in sync with a music that is submarine and green, whilst phosphorescent lights from abyssal creatures are reflected and blink on their tails' scales.

Music and production by fectoper and https://soundcloud.com/tatiana-korkach
Vocals by https://soundcloud.com/tatiana-korkach and her mermaids
Mixing and mastering by fectoper
Cover art by Valeria Yudina

Wagging Tails

In A Room

Lateral Movement

Marco Lucchi : electric organ and tape
*
playing with
https://soundcloud.com/mmastalka/underwater
*
cello drone
https://www.youtube.com/watch?v=T4a4SrtTt6M&pp=0gcJCU8JAYcqIYzv

studio n*3 [60bpm] w/Night Note

a track by Marco Lucchi reworked by Mean Flow

Mean Flow & Marco Lucchi - Paulownia

Inspiriert

Hey all - thanks for popping in to listen to my looping improv, 100% live and performed in real time, exactly the way you hear it here. 
Simple setup -> Tele, 20% More, looper, reverb. That's basically it. Zero edits, so what you hear is how it happened, an outtake from an extended, joyful session. 

Enjoy!

Ixert Evac

Roland TR-8, Ensoniq ESQ-M, Korg Volca Kick, Modal Argon8, Waldorf Streichfett, DSI MoPho, Commodore C64 (SID 6581) + MSSIAH

Happy

This is the first track I made using my newly built Big Dumb Sequencer by @isaac-beers. The first three rows of the sequencer control the pitch of the kick/bass and three NLC FM OP sine oscillators (triads/lead). The fourth row triggers the hi-hat, the fifth the snare, and the sixth modulates the NLC MORE cowbell's delay rate (XAOC Sarajewo). The gate row triggers the cowbell and the reset after 10 steps. I controlled the Weston B2 kick and sidechain envelope with another trigger sequencer and my master clock (PNW).

Like Water

Trickle

Innocence

Stagnant Water

Songs From The Wounded Heart
Release Date: 01-01-2015
© 2015 Keith Richie

Songs From The Wounded Heart is a deeply personal anthology—an emotional tapestry woven from sorrow, memory, and quiet resilience.

Spanning more than a decade of composition, this collection features both new works and reimagined, re-mastered selections from my earlier catalog. Now presented in high-resolution 24-bit audio, each piece has been carefully preserved and enhanced to reflect its original emotional weight with greater clarity and depth.

From the mournful ambience of Harrowing Emptiness to the delicate piano-led reflection of Jake's Theme, and the poignant stillness of Weeping Angels and Candles, each track serves as a sonic elegy—an outlet for grief, healing, and remembrance.

This album is not merely music. It is a refuge for the wounded. A balm for those navigating loss. And a quiet reminder that there is beauty even in brokenness.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/sftwhBC

Yellow Roses

"I'm a mellow artist, ageing 69. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases:

https://whitelabrecs.bandcamp.com/album/the-book-of-dreams
https://chitrarecords.bandcamp.com/album/lieder-ohne-worte 
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli ‘amateurs’, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute