Name: Phase 2 by marcuddo
Duration: 1 min 43 s
Description: Original soundtrack for the Boss Rush Jam 2025 for the game "Trials of Epoch"

Great development for a game score! Useful to have all the variations on the theme.

Helicopter

Original soundtrack for the Boss Rush Jam 2025 for the game "Trials of Epoch"

Phase 2

Lullaby I wrote for my little sister a while back.

Phoebe's Lullaby

Playing here for 40,000 people on the #ASOT stage at @EDC_LasVegas. 300,000 people converged here over this weekend. I began my career over 20 years ago now and from the time I came up there is almost no one that would be considered apart of my peer group that is still making or performing music. I'm kinda one of the last standing from the moment I began service to EDM. I am deeply proud of my 20 years of service. Playing a track from the new album on this night like "Must be the love" with Arty and Nadia Ali I am reminded I've only just begun. My daughter said when I finished "I have the coolest dad ever". I'll remember this night for the rest of my life. 

BT #ASOT Invasion EDC LV 2012

Dear All,

I am very excited to share with you the first single from my forthcoming #EDM album on @Armadamusic. This song, a collaboration with Arty and Nadia, began several years ago in demo form when I emailed a rough track to Nadia. After several months of riffing back and forth on lyrical notes and counterpoint lines, I began the lengthy and arduous task of comping together a meaningful and poignant vocal. I often compare this process to pointillism in art. It takes an extraordinary amount of time, but in the end when it's worth it, it's well worth it.

This track then sat on my proverbial studio shelf for about 18months. During this time, one of the myriad of pieces I was composing was a 6/4 64 bpm orchestral composition that had these protracted movements of cello, vibraphone, metalaphone and handbells. It occurred to me, somewhere I think I have a vocal, in a related key and tempo / signature. I dug around on the server and bingo...dorian it was. Nadia's vocal was a near perfect fit and worked amazingly with some of the orchestral and small instrument (TBU style) orchestration.

Enter...Arty. At this time Arty and I had been talking over DM on Twitter about collaborating on a track together. I sent him both the vocal and orchestral things we'd written and he sent me back beautiful percolating and driving percussion, an incredible undulating tresillo ostinato synth line and a beautiful drop.

This part of the process began to culminate during this summer. As I was beginning to dig in to Trevor Wisharts brilliant new version of CDP. For those of you that don't know, CDP is a command based DSP programing language that calls opcodes and commands in either OSX terminal or DOS. I've been using it in both for many years but this track is the first time I've really gotten my hands dirty so to speak, on something as prominent as a vocal and Nadia's provided the perfect clay. After about 100+ hours of pure sound design, spectral blurring..distort repeating and the epic PSOW and modify brassage, you can hear the results of these sonic transformations throughout "Must be the Love", most notably at the very beginning. I for one have never heard anything like this.

More than anything, this is a beautiful and simple song that speaks directly to me, and I hope to you as well. After all, music is first and foremost a language to speak the unspoken directly from breathing life form to breathing life form.

Thanks for listening.
Always,
_BT


Must Be the Love

BT and Arty feat. Nadia Ali-Must Be The Love

Recorded live in one take and completely improvised by two people. No pre-made audio or midi loops or bedtracks whatsoever. (The arpegieator on the synths is used.) Everything is played, looped, triggered and tweaked in realtime. The Synth is played &amp; looped as midi allowing it to be tweaked it in realtime. Stutter Edit (iZotope / BT) is also played live and looped as midi so stutter patterns can be repeating while other parts are played. Eleanor on Violin, live Looping &amp; effects Mikey on stutter edit, live looping, piano, guitar/guitar-synth (as heard in the intro of the track. The synth here is being generated by the guitar playing - Godin guitar w/ Roland GR-20 sending midi to the Virus - with a foot pedal to control the level of the midi signal.)

http://www.youtube.com/watch?v=q0ds3pxlrRs

Phase 2

marcuddo

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