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Welcome to...
A CARNIVAL FOR YOUR SPIRIT
A MUSICAL JOURNEY SHOWCASING TIMELESS TALENT
A CREATION OF CURIOUSITIES AND CABARET OF ODDITIES
A KALEIDASCOPE OF CREATIVES
LETS EVOLVE TOGETHER

https://realm.komi.io

@Gorgon-City's Label
Demos: https://tstack.app/realmrecords/send
Management: info@realm-records.com

Listen to 'The Party is Over' radio - curated by the Keinemusik crue - on Spotify. Updated weekly: goo.gl/MbTbcY

When one could assume, &ME entered the House and Techno world somewhat out of the blue, it is due to his sublime modesty that’s already captured in his alias. His way to become one of today’s most praised and sought after DJ/producers is based on a solid foundation. A foundation comprised of solo-releases, remixes, projects and collaborations that numerous, we’d rather refer to his discography than weary you with namedropping. Besides, all those references would just distract from what truly matters – the music this guy is delivering. Not to underestimate the importance of a project such as Terranova for &ME’s current path, but still the alignment has been made – to focus consistently on his solo-work. And it shows.

There are not many artists around turning in such a slew of globally praised floormaterial like &ME did over the last years. Just think of his last offerings on Keinemusik, a collective of Berlin based DJs and producers, including Rampa, Adam Port, Reznik & artist Monja Gentschow, he helped founding in 2009, namely “After Dark” and “Woods” or his “Vermillion”-remix for Damian Lazarus – all serious bangers, played by every renowned DJ worldwide. Everything is falling into place for the fella. His DIY-approach to handle things, his easy going attitude, his reputation as a gifted producer and DJ extraordinaire, his ability to link innovative production with consensual reception, making him one of the most unique and original figures in the game.

Stephen Wilson Jr. is a singer/songwriter from rural Southern Indiana. Self-described as “Death Cab For Country,” Stephen Wilson Jr. draws upon indie rock, grunge and country to create a distinct sound that is influenced by artists as diverse as The National, Willie Nelson, John Mellencamp and Nirvana.

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Wilson was raised by a single father who was a boxer and had him boxing from age seven through adulthood as an Indiana State Golden Gloves finalist. The self-taught guitarist moved to Nashville to pursue a degree in Microbiology at MTSU, where he started indie rock band AutoVaughn after finishing his degree. After five years of touring the world as lead guitarist with AutoVaughn, Wilson turned his creative focus toward songwriting and singing. After the band, Wilson relied back on his education where he worked for several years as an R&D scientist at Mars until signing a publishing deal with BMG Nashville in 2016. His songs were soon recorded by acts like Caitlyn Smith, Brothers Osborne, Old Dominion, MacKenzie Porter, Sixpence None the Richer and Leigh Nash.

 

Wilson went on to self-release several songs of his own including, "the devil", "Year To Be Young 1994", "The Beginning", "Holler From The Holler" - which won 6 independent film festival awards for its accompanying music video - and "billy", which caught the attention of Billboard who featured the single in its ‘Makin’ Tracks’ column. Wilson went on to tour the US and Europe with acts like Brothers Osborne, Midland, and Cadillac Three developing a global base of music fans enamored by his emotive performance, skilled guitar prowess, and powerful vocals.

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In March 2023, he signed to Big Loud Records, and released his debut EP bon aqua. The seven-song collection compiles 6 previously released songs and the brand new single “American Gothic” (feat. Hailey Whitters). Wilson joined Whitters on road as direct support for her Raised Tour and is scheduled to support The Lone Bellow this Spring before performing at Bourbon and Beyond Festival, FairWell Festival and CMA Fest later this year. He is also scheduled to appear at London’s Black Deer Festival and Highways Festival at Royal Albert Hall this year.

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