Really beautiful. This is my favorite part right here...

This is the last episode of the seventh Lapsus Radio at Radio 3 season, and for the occasion we have invited a very special guest: Patricia Wolf (@patriciawolf_music). 
Portland (Oregon) producer delivers a one-hour mix full of ambient, drone and sounds moving with the slowness of magma.

You can also listen to all our shows at www.rtve.es/alacarta/audios/lapsus

TRACKLIST:

1.- Cole Peters - Recede
A Stable Means of Degradation [Grisaille, 2021]
 
2.- Shuttle358 - Calty
Frame (20th Anniversary Edition) [12k, 2021]
 
3.- Ffion - Equinox
Unfurling [Third Kind Records, 2021]
 
4.- Arushi Jain - My People Have Deep Roots
Under the Lilac Sky [Leaving Records, 2021]
 
5.- N Chambers - Threads 2
Dome Climate EP [self released, 2021]
 
6.- HHY & The Macumbas - Wilderness of Glass Version
Camouflage Vector - Edits From Live Actions 2017-2019 [Nyege Nyege Tapes, 2020]
 
7.- NP (Jad Atoui & Anthony Sahyoun) - Coins With Memory
Lattices [Ruptured Records, 2021]
 
8.- Giuseppe Cordaro - Tono 09 (feat. Michael Vallera)
Tono 09 [Rizosfera, 2021]

9.- Zane Trow - Part VII
Why Echoes? [Room40, 2021]
 
10.- Kajsa Lindgren - Anna
Everyone is here [Warm Winters Ltd., 2019]

11.- Void - Object_01
The preparation for a dive is always a tense time [Agos, 2018]

12.- Lisa Lerkenfeldt - Music For Three Combs
Collagen [Shelter Press, 2020]

13.- Jürg Frey (Reinier van Houdt, Dante Boon) - toucher l’air - part 6
l'air, l'instant - deux pianos [elsewhere, 2020]

14.- insomniac hotel - Petal
Petal [True Story Records, 2021]

15.- Alyssa Moxley - Night smoke over the caldera
Underdrift [Vertical Music, 2021]

16.- Ian Wellman - I Watched The World Burn Without Leaving My Home
TBR [Room40, 2021]

17.- Masayoshi Fujita - Pons
Bird Ambience [Erased Tapes, 2021]

18.- Zane Trow - Phase Shift
Why Echoes? [Room40, 2021]

19.- Ryan J Raffa - What We Do To Each Other
We Have Always Existed [Aural Canyon, 2021]

20.- Laraaji - Through Luminous Eyes 1
Through Luminous Eyes [All Saints Records, 2021]

LAPSUS RADIO 323 -  Patricia Wolf

SE - Sound Design

淳于棼 | Chunyu Fen

here is tokimonsta & shing02 version!
solidarity for the protest against the restart of Oi nuke plants by ryuichi sakamoto, shing02 and tokimonsta.

ODAKIAS - Ryuichi Sakamoto, Shing02, TOKiMONSTA

While we cannot see small nanoscopic objects like proteins or other molecules that make up virtually all living matter including our cells, tissues, as well as pathogens such as viruses, our computational algorithm allows us to make its material manifestation audible.  This piece is a musical representation of the amino acid sequence and structure of the spike protein of the pathogen of COVID-19, 2019-nCoV (protein data bank identifier 6VSB [1]). 

MUSICAL DECEIT

A virus’ genome hijacks the host cell’s protein manufacturing machinery, and forces it to replicate the viral genome and produce viral proteins to make new viruses from it.  This musical art teaches us something about the fine line between beauty of life and death as an opposite pole.  As you listen to the protein you will find that the intricate design results in incredibly interesting and actually pleasing, relaxing sounds. This doesn’t really convey the deadly impacts this particularly protein is having on the world. This aspect of the music shows the deceiving nature of the virus, how it hijacks our body to replicate, and hurt us along the way. So, the music is a metaphor for this nature of the virus to deceive the host and exploit it for its own multiplication. 

HOW IT IS DONE: 

What you hear is a multi-layered algorithmic composition featuring both the vibrational spectrum of the entire protein (expressed in sound and rhythmic elements), the sequence and folding of amino acids that compose the virus spike structure, as well as interwoven melodies - forming counterpoint music - reflecting the complex hierarchical intersecting geometry of the protein [2].

Scientific references:

[1] Wrapp et al., "Cryo-EM structure of the 2019-nCoV spike in the prefusion conformation," Science, 2020, DOI: 10.1126/science.abb2507

[2] Buehler et al., "A Self-Consistent Sonification Method to Translate Amino Acid Sequences into Musical Compositions and Application in Protein Design Using Artificial Intelligence," ACS Nano, 2019, DOI: pubs.acs.org/doi/10.1021/acsnano.9b02180

Viral counterpoint of the coronavirus spike protein (2019-nCoV)

Viral Counterpoint of the Coronavirus Spike Protein (2019-nCoV)

I hope these beats can energize your soul and bring you joy. Get up & GROOVE ON!

Never thought that Flows By Dess Vol. 04 would be recorded during such uncertain times, but I'm glad it did as it helped me get my mind set OFF and my groove back ON! Thanks to all the artists that created such elegant and fine-tunes that inspired me to blend them together in this mix. (Gene On Earth , Ben Balance, Derek Carr, Morgan Geist, Darshan Jesrani, TC80, Tom Ries, Axel Boman, and more...) Special thanks to @brigittezozula for allowing me to explore with your vocals.

#FlowsByDess

Flows By Dess Vol.04

Tavishi - Ether Surrounds
Tzusing - 日出東方 唯我不敗
Lafidki - The ceremony of the drowned
ÉMU - le Teint
Ao Wu - Heavenly dance treasure wheel
Meuko ! Meuko ! - 眾神廟The Temple
Ryan Hemsworth - Mr. MFN eXquire Illest Niggaz Breathin' (Pamyu Pamyu version)
Smalltown Press - Derelict Shoreline
Jlin - Black Origami
Fauxe - P U N D A Y

lao gan ma

Rain falling on the branches of a dead mopane tree in the Namib desert. Recorded with Sony PCM D10 and a pair of Lom mikroUsi microphones taped to the dry branches. Read about my epedition to Namibia at https://mindful-audio.com/blog/namibia-sound-recording-2020

Chromatic Rain

Maria Takeuchi as ÉMU is a multi-instrumental music producer, based in Brooklyn, NY and originally from a small town in Japan.

Maria’s synesthetic composition, which appeals to other senses beyond hearing, expresses her own philosophy and emotions as if to paint on canvas by colored sound. Her sound is easily “visualized” by listeners.

Through her experience in a wide-range of genres originally as a bassist in bands, she creates an interesting balance between fractured rhythm and laid-back bass line. Her music intertwines 80s electronic and modern digital sounds using analog and digital instruments.

Maria released her first composition album “Doppelgänger” in 2012. This six-track minimal composition shows merging the contrast between analog and digital, classical and electronic, harmony and disharmony with a refined avant-garde touch. Second track ‘Grey Water’ was inspired by the exhibition “INDEPENSENSE, Fabbrica Eos” held in Milan, Italy by Giuseppe Mastromatteo.

She also collaborates with art director Ai Kobayashi as Project ”O” and make experimental art films in order to pursue audio-visual experiences. ‘Karma Train’, ‘Cobblestone’, ’Noise’ just to name a few.

The new album “NEUTRALISM”, focuses on the depth of audio, creating a nature inspired eight track experimental artistic journey. ”NEUTRALISM” defines neutral judgement existing in natural principles, beyond right or wrong through the view of outstanding observer and nostalgic feelings. Art work is a collaboration with talented 3D artist, Frederico Phillips.

SE - Sound Design

ÉMU

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