Diego Ratto, an Italian composer and sound designer currently based in Los Angeles, CA, boasts a diverse portfolio spanning film music, acousmatic compositions, music for video games, video-art installations, and concert music.

He holds a PhD in Music Composition from the University of California, Santa Barbara (UCSB). His educational journey includes studying film scoring at UCLA and completing a Master of Music in electroacoustic composition at the Royal College of Music in Stockholm (KMH). He also received separate Bachelor of Music degrees in jazz guitar and electronic music from the Music Conservatory "A. Vivaldi" in Alessandria, Italy.

His compositions have been selected in several international calls for works and have won awards in competitions such as: Prix Russolo 2022, Sound of Silences - Film Scoring / Romaeuropa Festival 2020, Prix CIME 2017 - International Confederation of Electroacoustic Music, WOCMAT 2018 International Phil Winsor Computer Music Competition, ULJUS 2024, Reel Loud Festival 2024, ULJUS 2023, Corwin Award 2023, IEMC 2022, Prix Russolo 2024, Golden Lala Awards 2020, Musicworks Magazine Electronic Music Contest 2020, Rimusicazioni Film Festival 2018, and Electroacoustic Contest EFME 2016 (Santa Fe, Argentina). In June 2018, he was offered an artistic residency at the prestigious ICST - Institute for Computer Music and Sound Technology (ZHdK) in Zurich.

In 2021, he was awarded a Fulbright scholarship to study Music Composition in the United States of America.

Experimental and purely electronic music endeavour. by artist and composer Gustaf Lundh (also known as "Fiktion")

While Fiktion has incorporated acoustic instrumentation and narratives, ONOMI is all instrumental and electronic. Mixed elements of classical counterpoint and electro-acoustic composition. Rough electronic soundscapes, sometimes reminiscent of videogame music.

Support this project by purchasing the music at bandcamp.

Contemporary music student composer from Karlstad, Sweden.

Been composing since 2009 and currently studying my masters at The Royal College of Music in Stockholm.

Emerging from the Nordic experimental music scene, swedish artist Fågelle is a raw collision of lyrical beauty and unhinged sonic expression. Her intricate soundscapes breathe with detail, blending fragile folkloristic passages with orchestral walls of sound, electronic disturbances, and primal, haunting vocals. Each performance feels like a ritual – a rare, hypnotic experience where the delicate meets the immense, and vulnerability transforms into power.

Following two acclaimed albums — Helvetesdagar (2019) and Den svenska vreden (2023) Fågelle now returns with a bold new project rooted in her home region of Halland, Sweden. This upcoming album marks a shift in process and place: a deep listening to the forests and villages that shaped her. Rather than nostalgia, it’s about reclaiming space and memory and transforming overlooked places into creative frontiers.
Sonically, it’s dark, textural, and atmospheric — distorted guitars, unruly drums, brass, broken electronics, and field recordings from forests, community halls, and teenage corridors of her youth, while lyrical, luminous vocals thread hope through the noise.

She has toured extensively across Europe, both solo and supporting Zola Jesus, BIG|BRAVE, and Esben and the Witch, and played festivals and venues like Roadburn, Way Out West, Berghain Kantine, Petit Bain, and more.

Her previous album, Den svenska vreden, received wide critical praise:

 “A fascinating thing: light, elegant and gossamer-thin, but… exhibiting tremendous strength.” – Metal Hammer

 “A remarkable canvas to behold.” – Electronic Sound

 “Hypnotic, wondrous, and completely otherworldly.” – The Sleeping Shaman

 “Much more cathartic than chaotic.” – DJ Mag

 “Fågelle’s creative energy is transcendental.” – CVLT Nation

Gustav Lindsten is a composer and multi-instrumentalist based in Stockholm, Sweden. Having spent most of his musical career as an interdisciplinary artist, Gustav has mainly composed music for the theatre and the stage. 

Through his electronic as well as acoustic works, Gustav explores themes of
nostalgia, introspection and the interpolation between nature and 
technology. Gathering most of his inspiration from the imperfections of lofi-gear, field recordings, modular synthesis and his own background in the contemporary classical music scene in Stockholm.

Composer of chamber, solo and orchestral music. Also guitarist.

If you have any questions or if you want to yell at somebody, please contact me here at soundcloud or nielsen.jesp(at)gmail.com.

https://soundcloud.com/ensemblekrock
https://soundcloud.com/qonos

Maria Lindström is following