contact me - ctcmbkd [at] gmail

1/2 of Odesza : Album coming out soon.

- new album OUT NOW!

- song recorded for last scene and ending credits of the short film "Once in a Blue Pill" by Boston based filmmaker Lance Reenstierna (http://vimeo.com/38472012)

- My song "Mmh-mmh, mmh-mmh" successfully placed in a scene of the short film "Tides of Time" by Chicago based Mashbat brothers films (http://www.youtube.com/watch?v=4uH__XPO8eo).


"Anjù recorded "Like the Sea" at her home, and perhaps that’s part of what gives the song such an intimate sound, but most likely it’s Anjù’s voice. Her approach to blues on her digital album "The Attic Sessions" is especially refreshing; there are no snarling or guttural sounds that all too often hit the listener over the head because they’re just not, well, snarly or guttural in the right way. Anjù also tips her hat vocally to some of the icons of jazz, but possibly Chet Baker more than anyone. All the songs on "The Attic Sessions", whether they’re bluesy or jazz influenced, are evocative and atmospheric, and Anjù’s voice has a lovely, subtle musicality that invites the listener in..." http://soundcloud.com/mimi-cross - Sirenstories.com

Welcome to my page, fellow musicians and music lovers!
Soundcloud has helped me discover 
that there are actually people out there
that get something out of my music.
This has given me courage 
to go on writing and singing.

I hope you enjoy!

Anjù.

For a further auditory excursion into my musical offerings, please explore my other SoundCloud accounts; this one's maxed out!

@feonaleejones1
@telepathicbirds
@feonaleejones
@feona

Feona Lee Jones currently lives in CA where she works as a freelance composer, pianist, and educator. As a composer and pianist, she continues to explore her own musical language, influenced by classical, jazz, North Indian classical, avant-garde film, experimental theatre, and electronics. Her music has been performed in the United States, Iceland, and Finland. She has been commissioned by prestigious ensembles, organizations, and artists such as the Del Sol String Quartet, Composers Inc., Awesome Orchestra, The Humane League, Opera on the Spot, Luger Hofmann-Engl, and Invoke String Quartet. Never satisfied with a single medium, she has worked in concert music, film music, interactive games, and most recently, opera.

*Album artwork photographed by Miles Newcombe

Hello everyone! my name is Brian Wood. I have been playing piano for the last 20 years and recording and writing my own music for the last 12. I make my music because I love it, it is indeed a passion of mine and I strive to make the higest quality that I physically know how to make for you to listen to.  I hope I can share the feelings of my experiences of life with you through the music that I write.  Thanks for listening and I hope you enjoy!

Resident DJ:
Footwork Records, Long Beach

My music reflects my life, experiences, environment and those around me. I started making Hip-Hop & Rap beats for my brother in 2011 and music has been the medium for expression ever since. I took a hiatus from music in 2020 to return to explore dance and EDM in 2024. Now I am back to chopping samples but also now mixing records in between. Cheers to 2025 and beyond as I rediscover who I am as a musician and producer through my heart and dance.

My Music? Its al'right.. just something i do for fun. Hope you like what iv got going on up stairs. Its mostly subconscious activity and me trying to translate it. 

I named my band after the man who said..

"Let an ultra-intelligent machine be defined as a machine that can far surpass all the intellectual activities of any man however clever. Since the design of machines is one of these intellectual activities, an ultraintelligent machine could design even better machines; there would then unquestionably be an 'intelligence explosion,' and the intelligence of man would be left far behind. Thus the first ultraintelligent machine is the last invention that man need ever make."  I.J. Good 1965



Anton Tumas moves through the worlds of DJing, promotion, production, and label curation with quiet precision. For well over a decade, his work has been grounded in a deep respect for electronic music’s craft and culture, leaving a lasting mark without the need for fanfare.

From LA’s underground clubs to desert gatherings like Moontribe and Burning Man, and festivals including Lightning in a Bottle, Further Future, and Woogie Weekend, Anton has shared the stage with artists such as Hernán Cattáneo, DJ Tennis, and Danny Howells. His selections traverse the edges of house, techno, and electronica—guided by an ear for the forward-thinking and timeless.

As a promoter, he’s built experiences that speak for themselves. His Subtract On The Pier residency has transformed Long Beach into a destination for world-class talent, hosting everyone from Doc Martin and Lee Burridge to Patrice Bäumel and Mathew Jonson. As producer of the Love Long Beach Festival, he curates with precision and vision, drawing over 10,000 people each year.

Subtract, the record label he founded, reflects the same philosophy: releasing only when the music demands it. Each record is chosen with care, featuring artists from emerging voices to veterans like John Digweed, Stimming, and Matthew Dekay. The label’s consistency speaks to Anton’s uncompromising standard for quality.

In recent years, he’s brought that same discipline to his own productions. His music has appeared on All Day I Dream, Sudbeat, Balance, Endless, Sol Selectas, and his own Subtract imprint, including collaborations with Hernán Cattáneo, Dave DK, and Jamie Stevens. Patient and exacting, his work carries the same refined sensibility that defines his DJ sets and events.

For Anton, the work is never finished. In his own words: “We’re in an ever-evolving landscape, inventing it as we go. One thing is certain: We're only getting started"

Marina T is following