This is a compilation preview of my second album from Alam-Pedja which is available here: https://andruskannel.bandcamp.com/album/alam-pedja-soundscapes-in-an-abandoned-farmhouse-nature-recordings

This is my second album that contains nature recordings from the Alam-Pedja nature reserve from Estonia. When the first album presented with ​​how Alam-Pedja sounds through the year and in different habitats then the concept of this album is one day and in one selected location in Alam-Pedja. All recordings are made in the yard of an abandoned farmhouse located in a deep forest. I'll listen one day through audio recordings I made in May 2020 and 2021

Some information about the old farmhouse. The farmhouse was built for forest workers in 1938 during the time of the first Estonian republic. Up to 15 people lived there at the same time in 1956 and in 2004 the last resident of this farm died. Since then, the farm is empty.

Equipment:
Tascam Dr-100 MK III digital recorder
An Azden microphone pre-amplifier/mixer
Handmade phantom powered Primo Microphones with EM172 capsules. 24 bit 48kHz

released June 15, 2021

Preview of a nature recording album: Alam-Pedja soundscapes in an abandoned farmhouse

『セスは語る』第4章 輪廻のドラマ

輪廻のドラマ～『セスは語る』より

pause pause pause
a crescendo of silence
wild applause

naviarhaiku346: pause pause pause

Moonlit PaperBoat(naviarhaiku354)

Disquiet Junto Project 0466: [ ] Sound Machine. The Assignment: What sort of sound does your city make?

I screwed together a few beats and sounds and added a lot of field recordings. So you will hear Munich (summer) sounds all the time, from birds and beergardens to subways and rainy backyards. The cow at the end is not real Munich, but a bit of a bavarian clichee.

Follow me on Bandcamp: https://krakenkraft.bandcamp.com/

I used own field recordings plus these CC0 recordings:
https://freesound.org/people/sephis/sounds/89965/
https://freesound.org/people/herrbasan/sounds/211662/
https://freesound.org/people/MiLeuthner/sounds/399017/
https://freesound.org/people/Jack_Master/sounds/204920/ the cow!
Thanks to them!

More on this 466th weekly Disquiet Junto project, [ ] Sound Machine (The Assignment: What sort of sound does your city make?), at:

https://disquiet.com/0466/

Project inspired by a December 2, 2020, tweet from George Wallace:

https://twitter.com/MrGeorgeWallace/status/1334274395938832387

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0466-sound-machine/

Munich Slacker [disquiet0466]

What was it like growing up Black in America during the Civil Rights struggles of the 1960's? What was the experience of systemic racism faced by students of color - especially Black women - in medical school during that era? With host Brenda Gazzar, Dr. Susan Rogers, new president of Physicians for a National Health Program, describes the life experiences that helped shape her commitment to social justice and healthcare equity. This is part one of two podcasts. For more about Code WACK visit https://heal-ca.org.

Code WACK. Been There. Dr. Susan Rogers On Racism In Medicine

A guided meditation to heal and restore the entire energy body, especially after an energetic shift/upgrade has taken place.

Watch this for more information: https://fb.watch/2Ox7HMqiIz/

Ascension Road

5D Integration

09.01.2021

A low budget cover of my deserving-enough-to-have-a-tattoo-of-it, my lifetime favourite song. An anniversary record for my own 21st birthday, as a start of something, probably, new, or not. And an endearing goodbye to my old ones.

Original sound: https://www.youtube.com/watch?v=rEXhAMtbaec

Hit LIKE and FOLLOW if you like to keep up with my latest covers/compositions.

For more information:
 ► INSTAGRAM: 
https://www.instagram.com/hoanh.ngx/
 ► FACEBOOK:
https://www.facebook.com/hoanhnguyeexnirresistible
► SOUNDCLOUD:
https://soundcloud.com/hoanhh-nguy-n

👉 Do not Reup!
👉 Phone: 0328.962.307
👉 Contact Email: hoanganh612000@gmail.com

LYRICS

Something always brings me back to you.
It never takes too long.
No matter what I say or do
I'll still feel you here 'til the moment I'm gone.

You hold me without touch.
You keep me without chains.
I never wanted anything so much
Than to drown in your love and not feel your rain.

[CHORUS:]
Set me free,
Leave me be.
I don't wanna fall another moment into your gravity
Here I am and I stand so tall, just the way I'm supposed to be.
But you're on to me and all over me.

Oh, you loved me 'cause I'm fragile
When I thought that I was strong.
But you touch me for a little while
And all my fragile strength is gone.

[CHORUS]

I live here on my knees
As I try to make you see
That you're everything I think I need here on the ground.

But you're neither friend nor foe
Though I can't seem to let you go.
The one thing that I still know is that you're keeping me down.

You're keeping me down, yeah, yeah, yeah, yeah
You're on to me, on to me, and all over...

Something always brings me back to you.
It never takes too long.

Gravity - Sara Bareilles (Male Version - Hoanh's Cover)

This is a recording I made at a large Weaver nest in Etosha NP, Namibia. Longer version and more details at https://youtu.be/K8qNPMqECI0

Secret Life Of A Weaver Nest

Participation in the "Disquiet Junto" project led by Marc Weidenbaum: Phase Transition.
The Assignment: Record the sound of ice in a glass and make something with it.
https://disquiet.com/0471/

Ice cubes fall into a glass.
Recorded with a Tascam DR-100MKII + built-in mics Uni.
The Tascam is placed vertically on the glass, in contact.
A Pure data patch lets you hear the recording transposed to 3 voices  and brings out their harmonic components by spreading out them over time.
At the beginning we hear the untransposed sound.
This is the same Pure data patch as for:
https://soundcloud.com/gerard-paresys/3stones-disquiet0441

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Participation au projet "Disquiet Junto" de Marc Weidenbaum: Phase Transition.
Enregistrer le son d'un glaçon dans un verre et faire quelque chose avec.

https://disquiet.com/0471/

Des glaçons tombent dans un verre.
Enregistrés avec un Tascam DR-100MKII + micros intégrés Uni.
Le Tascam est posé verticalement sur le verre, en contact.
Un patch Pure data fait entendre l'enregistrement transposé sur 3 voix et fait apparaitre ses composantes harmoniques en les déployant dans le temps.
On entends au début le son non transposé.
C'est le même patch que pour:
https://soundcloud.com/gerard-paresys/3stones-disquiet0441

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More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0471-phase-transition/

5D Integration

Mark Bind