Channeling the wild imagination and aesthetic enchantment of "Four Dream's" gorgeous album artwork into his songs, Keenhouse (Ken Rangkuty) entrances with soothing, aetherial vocals blended into seraphic synths that illuminate and perpetuate a fantastic fantasy world where magic breathes in iridescent dust of chimeric sound-waves.

Keenhouse’s “Four Dreams” lilts through your subconscious like prismatic clouds bursting with spectral colors. “Echoplants” charms as tropical birds and bugs cry out their lively echos against flora-like bass and synths that reverberate the sounds of a lively amazonian jungle. “Where I Belong” emotionally strings you along with wistful synths that cascade quietly in the background as wind chimes chirp in their high-pitched accents against Keenhouse’s mellifluously medicinal vocals that ache with the pain of a lost heart that can’t find its way home. Transcending traditional electronic music is the resplendent “Taura,” whose lead instrument is a Koto played by renowned new age composer Osamu Kitajima that solos and weeps over swirling pads like teardrops gently drenching the cheeks of a long-lost lover. The record concludes with “The Lullaby of Keenhouse,” a beautiful traditional piano piece played against the peaceful sounds of a babbling brook, as if Keenhouse himself was tickling the ivories beside a mystical creek, in the midst of an enchanted forest.
 

Pre-order here: https://utahsaints.lnk.to/US24SC
UTAH SAINTS (Ministry Of Sound) (ffrr)(London Records)

Utah Saints have been making music, dj’ing and playing gigs around the globe since the birth of House music.

The world renowned duo have released 9 Top 40 UK hits, 4 of which hit the Top 10, and sold over 2 million records worldwide (equivalent to 800m+ streams).
Precariously walking the tightrope between genres and also between the underground and the mainstream, Utah Saints roots are in electronic dance music, having met in a club in Leeds at the beginning of the rave movement in the UK and establishing themselves as pioneers of sampling in dance music.
Alongside this success, they set up and promoted award winning and legendary club nights The Gallery and SugarBeatClub and have recorded and presented shows for BBC Radio 1, Kiss and Ministry of Sound. 
Utah Saints are still very much at the top of their game and are out dj’ing regularly each month as well as curating festival stages and putting on an eclectic range of nights. They have played alongside everyone from DJ Zinc to Justice, Zane Lowe to A-Trak, Friendly Fires to Boys Noize and U2 to Public Enemy. They have djed at over 3000 events, from underground clubs to festival mainstages.

When the pioneering DJs aren’t playing at clubs and festivals in various parts of the world, they can be found in the studio working hard on their own material and production as well as remixing other artists as varied as Bring Me The Horizon and Girls Aloud.  As well as running a successful record label, the duo have now added film scores, soundtracks, video game music and production music to their ever-expanding portfolio and are planning to release new music as Utah Saints.
Recent accolades include being listed in Rolling Stone in 2022 as one of the 200 Greatest Dance Songs of All Time with Something Good. 

The remix, Something Good 08, having been the10th most streamed track of 2008 has recently been awarded Gold status in the UK.

"Utah Saints - Legends in the game " - Zane Lowe - Apple Music 
“Two of the most clued up DJs I have ever met” iDJ magazine
“The first true Stadium House band” – The KLF
"These guys invented rave" - Annie Mac BBC Radio 1
“Dance legends” - NME

For Dj Bookings/Remixes  contact - Admin@PunkClubBeats.com

Through interviews, stories and research, Ryan Hanley examines peak performance in life and business. 

There are many shows which focus on peak performance, so why subscribe to this one? CURIOSITY. 

I’m curious about how people get better at what they do. I’m curious about how people find meaning in their life. I’m curious about how people overcome obstacles (most notably the ones they put in front of themselves). I’m curious about life, our planet, aliens, drugs, money, government, and a million other things and over the course of the life of this podcast, we're going to try and examine them all.

If you’re curious too, then you're in the right place.
Want to content marketing strategies that will grow your business without all the superlatives?! 

Buckle up... because this isn't your Grandfather's marketing interview show.

I own Shovi Websites, a website design and email marketing firm based outside of Boston. On a daily basis, I strive to call on my experiences and expertise in web design and online marketing trends, and present them in a way that works more appropriately for your particular situation, your goals, and yes, your limitations.

“Because at the end of the day, I believe your website is the most important part of your company’s digital presence, and it needs to be performing at as high a level as possible.”

I also run WebSIGHT, a blog of sorts geared toward building a better, smarter web presence. Through webcasts, tutorials and insights, you'll gain knowledge about what goes into a successful website, email marketing campaign, and social media strategy.

Every weekday well-known online marketer Mark Traphagen brings you a three-minute takeaway. It might be about marketing, about content, about SEO...or it might be a random rant. But you'll always leave the drive through window with something nourishing!

Sponsored by Stone Temple Consulting www.stonetemple.com

I develop Social Media Optimization (SMO) tactics and strategies for B2B and B2C clients. 

I apply a keen attention to detail with an aptitude for solving complex technical problems while helping others make their online experience enjoyable and productive. I maintain an active Google+ community where members share solutions to common problems encountered using social media for business.

Join the BBE Mailing List: http://eepurl.com/yfBFX

Founded in 1996 by Peter Adarkwah, Barely Breaking Even (BBE Music) started life as a London club night, taking its name from the eponymous Disco record by the Universal Robot Band.

The label grew from the vibrant early 90's club scene with its first release, Stop & Listen compiled by Dr Bob Jones in 1996, opening the door to iconic series' such as All Back To Mine & Late Nite Tales.

A tonne of releases followed, ranging from Disco to Funk, Jazz to House. In the year 2000, the label celebrated Masters at Work's 10th Anniversary with a mighty box set that featured near 80 tracks.

A year later BBE Music spawned the Beat Generation Series of artist albums, notably introducing J Dilla (Welcome 2 Detroit) & a young Will.I.Am's first solo outing, alongside DJ Jazzy Jeff, Madlib & DJ Spinna, all of whom contributed to this seminal set of long players.

A quarter of a century and well over 500 titles later, having worked with Mark Ronson, Roy Ayers, Questlove, Hugh Masekela, DJ Premier, Dimitri from Paris, Joey Negro, Kon, RZA, Laurent Garnier, Black Coffee, DJ Shadow, David Rodigan and John Morales among many others, BBE Music looks to the future, celebrating its rich heritage while continuing to release a bounty of fresh titles.

The label’s most recent projects include an expansive reissue series from pioneering Nigerian label Tabansi, new imprint ‘Batakari’ in association with Boddhi Satva and the critically acclaimed ‘J Jazz’ Japanese Jazz multi-album project, not to mention the recent landmark 500th label release: a brand new version of 'Barely Breaking Even', featuring Leroy Burgess, Patrick Adams and Louie Vega.

In 2021 BBE Music is celebrating its 25th anniversary. To mark this milestone, the label is offering up some special projects, from the 20th Anniversary edition of J Dilla’s ‘Welcome 2 Detroit’, through David Bowie tribute album ‘Modern Love’, to a special new ‘Worldwide’ compilation from old friend Gilles Peterson. BBE Music will also be looking to the future with more exciting original artist projects, plus merch collaborations events and more...

Vieka Plays (:vee-e-ka p-l-aa-ys). Born, will die. A female singer-songwriter-electronic-fiddler-producer-engineer currently residing in the fair lands of Manchesterville, UK. Inspired and nourished by music and sound.

 Vieka plays her music full frontal, sometimes delicate, sometimes brash but always dedicated to the senses. Alikened to Björk, Portishead with a dash of Cocorosie, Vieka moves through you in a whirl of challenging stories and sounds created by all manors of electronic geekery that can be harnessed, beated and whipped into shape. 

...'Combining sonic brutality, unfettered on-stage physicality, never-quite-reassuring periods of calm and moments of breath-taking spectral beauty'...'Ostensibly an avant-garde musician in the Portishead/Björk mould mould, Vieka’s beguiling live performances set her apart from other experimentalists.'
 … 'Their live concerts can veer from dubstep mood-pieces to eerie swing narratives and sexual psycho-dramas all with an underlying Burial-style-soundtrack-David Lynch intensity'... 

With a lustful desire for the wild world, Vieka weaves through all manner of sounds; blending, warping and creating impassioned soundscapes with subtle sound recordings from nature, life and the wide-wide world. Obtuse creations of synthesised bass, glitch noise and samples come from deep within the digital spectrum while the vocals cut through unabashed.

'With a tongue stuffed thoroughly in her cheek she blissfully hovers her sound in the darker sides of life (or hoovers her music up from the filthy corner of the proverbial room).'

Mark Vang is following