MANAGEMENT AND REMIX ENQUIRIES - info@justinrobertson.co.uk
 
DJ BOOKINGS - caroline@klsbookings.com

Song-writer, creator of cosmic disco dub, Balearic love and bespoke techno.

Strictly Kev aka DJ Food aka Openmind - Music producer, DJ and Graphic Designer. I've worked with and for Ninja Tune since 1993, designing covers, mixing radio shows and producing records as well as touring the world DJing. 

Bookings - Phil York  
phil@yorkartists.com
anthony@yorkartists.com ( USA )

Joining the dots between dub, funk, disco & house. No specific genres, eras, musical fads or other such nonsense. Just a celebration of grooves that tickle your hips and soothe your soul.

DJ Bookings & remix/production enquires: jonathan.moore1@gmail.com


Worldwide Bookings
Abel Reynolds 
E: abel@fingerlickin.co.uk
T: +44 (0) 20 7255 2660 
http://fingerlickinmanagement.co.uk/krafty-kuts

The Freestylers: 28 Years of Bass, Beats & Global Anthems

With a career spanning nearly three decades, the Freestylers—Aston Harvey and Matt Cantor—have made their mark on the electronic dance music scene. From playing the world’s biggest festivals and clubs to appearing on Top of the Pops, they’ve remained at the forefront of the genre without ever standing still.

Origins & Breakthrough

Aston Harvey began as an engineer and producer, working with Rebel MC / Congo Natty and co-producing the jungle classic Spiritual Aura with DJ Rap. Matt Cantor, meanwhile, was part of Strike, co-producing the dance hit U Sure Do. The two met at Fresh Records, bonding over their love of hip-hop, electro, and breakbeats, leading to the birth of the Freestylers.

Their debut album brought them international success, with hits like B-Boy Stance and Ruffneck landing in the UK, Dutch, and German Top 20. A major US record deal followed, leading to a spot on Lenny Kravitz’s American Woman tour and a legendary Glastonbury 1999 performance.

Global Hits & Reinvention

Over the years, they’ve released a string of anthems, from Push Up, a #1 hit in Australia, Holland, and Belgium, to Cracks, which became a dubstep classic with 80+ million streams. They’ve also collaborated with Pendulum and held festival residencies worldwide.

In 2025, they’re set to release their seventh studio album, Enter the Sound—a collaboration with Dub Pistols featuring reggae legends like General Levy and Tippa Irie. With a packed schedule of festivals, remixes, and new music, the Freestylers are still going strong. In the words of LL Cool J: “Don’t call it a comeback—they’ve been here for years!”

For all bookings & enquiries please contact-

abel@fingerlickin.co.uk

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Let's stay in touch, sign up for my newsletter:
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