Chopin - The Lost Nocturne

Chopin - The Lost Nocturne is a captivating homage to the Romantic master, evoking the delicate beauty and emotional depth of his most cherished works. This nocturne enchants with its lyrical piano melody, accompanied by lush harmonies that create an atmosphere of introspection and serenity.

The piece flows with a dreamlike quality, balancing intricate phrasing with moments of profound simplicity. Its hauntingly beautiful themes and nuanced dynamics draw the listener into a world of quiet reflection, reminiscent of Chopin’s timeless nocturnes yet imbued with a sense of rediscovery.

A poignant tribute, The Lost Nocturne embodies the soul of Chopin’s artistry, offering both homage and innovation in equal measure.

Contemporary Classical - The Essential Collection

Chopin - The Lost Nocturne

🎬 VIDEO

Through the Dark

Hey God, You Gonna Save Me-

Fading lives,
Fading memories,
Fading senses,
All fades...

On All Saints' Day and All Souls' Day, let us remember those who have passed away and surround with love those who are slowly leaving us.

Simple improvisation turned into track with only 6 instruments:
Arturia Analog Lab V – Mini V3/Stage-73
Arturia Pigments
Arturia Augumented Brass
Heavyocity Foundations Emotive Choir (NI Kontakt Player) (free)
Spitfire Originals Intimate Strings

I hope You like it.

This piece was created by a human without the use of any generative A.I.

Cover photo from Freepik

As You Slowly Fade Away

(Verse 1)
I say words don’t mean much,
not when the truth’s been burned.
You tried to build it back with silence,
but silence never learned.
The cracks still show through every promise,
like scars that never fade,
and every time you reach for faith,
You find the trust was never made.

(Chorus)
’Cause trust is hard to earn,
easy to spend,
lost somewhere between
a lie and a friend.
It don’t come quick,
and it won’t return clean —
but if I stand my ground,
You might believe again.

(Verse 2)
We keep talkin’ ‘bout new beginnings,
but the past won’t let us go.
Every truth sounds like forgiveness
that we’re scared to show.
I ain’t sayin’ it’s all broken,
just sayin’ it’s been rough —
to make your heart believe again,
Haven't I bled enough.

(Chorus)
’Cause trust is hard to earn,
easy to spend,
lost somewhere between
a lie and a friend.
It don’t come cheap,
and it won't return clean —
but if I stay long enough,
You might believe again.

(Bridge)
Maybe time’s the only proof we get,
maybe words can’t fix regret.
But every hand you hold,
every truth you keep —
it builds what we both forget.

(Outro)
So don’t promise me forever,
just stand here till it’s true.
’Cause trust don’t start with talking —
it starts with you.

Trust Again

“Threads of Solitude” captures the quiet ache of feeling lost in a crowded world.. those superficial ties, misunderstood family bonds, and faded friendships that leave us yearning for something real, but with raw confessions the song introspectively explores the path from isolation to rebuilding genuine connections. Let me know your thoughts if the song resonates, thanks for listening!

Threads of Solitude

“Masks of Normalcy” takes an honest dive into the crushing weight of pretending to be “fine” while anxiety’s storm rages inside.. those social expectations carving us into shapes that don’t fit, the isolation in crowds, and the hidden battles we all fight to seem normal. The song aims at shattering the illusions to embrace our authentic chaos, so.. If you’ve ever felt trapped behind a facade, this one’s for you.. please give it a listen and let me know if it resonates

Masks of Normalcy

“Locked Chambers of the Heart” uncovers the hidden prisons we build within, those unspoken secrets, buried vices, and shattered trusts that weigh us down in silence. My song aims to introspectively trace the ache of isolation, and the subtle key to release, even if the path is steep. If you’ve ever felt chained by the unseen, I wrote this for you

Locked Chambers of the Heart

Sonata for viola and piano (2010-11)
Byron Adams (b. 1955)

Byron Adams began composing the Sonata for viola and piano after a series of eye operations.  Unable to read over several months, he recuperated by immersion in Beethoven’s string quartets.  Upon an improvement of sight and return to composing, he learned of the death of William “Chip” Mahon, a kind and gentle friend.  The Sonata for viola and piano is a musical response to that loss and dedicated to his memory.

It is cast in four movements with primary thematic material drawn from a stormy opening statement.  In a variant of sonata form, a sinister clarion call in the piano heralds the beginning of the development section.  The second movement is a lilting and melancholy siciliana.  The third movement is a funeral procession with the viola in somber lament.  In the finale - a sonata rondo in which themes from previous movements reappear in different forms - the music hurtles towards brusque, dismissive conclusion.  Nokuthula Ngwenyama and Eckart Sellheim gave its world premiere on December 2, 2012 in a recital presented by the Da Camera Society of Los Angeles.

Sonata For Viola & Piano II. Allegretto Grazioso, Ma Un Poco Malinconico - Byron Adams

Symphonie n°6 - 3rd mov. - "Own Time Story" (2020)

Composing a long time. Scores are available for sale. DM for information.

Trust Again

Mark_Bloss