I like this mellow sound! Climbing and descending at the same time.😎🎶

I like the overall melody and especially the alternating rising and falling notes strung together

Very good melody Mark...i think that you shoulf find someone in order to sing  and perform your compositions. You have a lot of ideas.

What a wonderful performance. It really touched my heart. Thank you very much. I'm grateful.

Another gem of an arrangement 👌🏽🔆

Mark F Selection

Sunrise

Circles

O Come, All Ye Faithful  (Trad.  Instrumental)

Placebo

Cast of Characters:
~Mark F-- @mark_f_2019 -- Ibanez EBH1005MS modified three string bass guitar, composition
Llanpsych -- @llanpsych -- Tez – Gibson Les Paul electric guitar end solo, production, and mix
TexMex Shaman–@texmex-shaman –Stephen– Fender Telecaster foundational rhythm electric guitar
J.J. Terrell–@j-j-terrell – organ and synth
Cgmaness – @user-419254289-15129531 – Chris – electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- PRS SE semi hollow body wah guitar, and ooh aah vocals at the end
This song began as a bass composition recorded as a stem by Mark. He named it after a hang out spot he and his friends used to go to as teenagers to drink beer and smoke bowls. He shared it with JJ, who turned it over to the Eclectic Collective so that we could have our way with it. However, Mark didn't use a click track to record it, so when he sent it to us, Ken had to come up with a drum beat based on Mark's structure, to which Mark then redid his bass part. That takes a lot of imagination on Ken's part when we do something that way.
The first one of us to lay down a part for it was Chris, who added some really freaky textural guitar. Ken was next up, completing the rhythm section with his mighty drums. Ken then redid his part to better match the bass, thus completing the rhythm section with his mighty drums. Then, Stephen laid down the gritty, underlying rhythm guitar that runs throughout. Josh was up next, adding his melodic wah guitar to the mix. JJ came along soon after and laid down the magical synth that runs throughout. Last, but not least. Tez dropped the fiery solo towards the end.
Once the music was all laid down, we thought it could use some oohs and aahs at the end, so Josh recorded them as a five part harmony. However, choosing to only use the highest thee parts in the song, our expert producer on this one, Tez, decided to make a coda out of all five. So, stick around for a treat at the end!
This is the third song the Eclectic Collective has done as a collab with Mark F. He's a very talented solo bassist, whose other music worth checking out on his page, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

Pryer Manor (The Eclectic Collective with ~Mark F)

In Search Of Purpose blends delicate solo piano by Francesco Adornetto with the haunting, ethereal voice of Blackbird — a sonic reflection on longing, surrender, and inner stillness.
This piece invites the listener into a meditative space, where questions echo softly and answers float just beyond the horizon.
Perfect for moments of contemplation and quiet connection.

In Search Of Purpose

In Search of Purpose – Vocals by Blackbird

Going Home

Le Nouveau Titre de M'Z - Nuits des carmes 
Disponible partout - 09-05-25
https://music.imusician.pro/a/T4RCfEnf/

Nuits des carmes

When the railway runs along the coast, right beside the sea, there are many tunnels. Sometimes they’re so narrow that two tracks must draw near to one another to pass through. That’s how a strange love story begins between them.
This is a song I wrote around the year 2000, one of my last. I think it has a good mood. I’ve remixed and partially rearranged it.
You can still hear the warm tone of the Washburn, along with the old Yamaha’s sounds (including the flute). The sax — reworked by me  — is kindly provided by Dropgun Samples.
Still, as always, everything is very handcrafted.

Below is the English translation of the lyrics.

They converged at the tunnel’s mouth,
suddenly parallel —
twins of the railway.
They looked at each other, studied each other,
just enough
to not quite grasp
how much the one beside you knows of you.
They hesitated, thinking of the road behind:
companions in adventure,
but now unsure why.
And then they stared at the night gaping inside the tunnel:
a magnificent promise
to be traveled on the thread of fantasy.

“Inside this darkness, maybe we will never part,
under this shadow, maybe you’ll finally know me,
after this night, who knows where you’ll fall asleep —
perhaps closer to the sea…”

They parted at the tunnel’s edge,
but a narrow wall concealed a silence
charged with jealousy,
shaped like fear — fear of that strange kind of courtesy,
fear of the light,
fear of the end of the tunnel.
“Parallel track,
mirror born of the railway,
traitorous twin,
lover made of parody.
Don’t tell me that
after this darkness we’ll never part,
that under this shadow you’ll finally touch me,
that after this night, who knows where you’ll take me —
perhaps down by the sea…”

And at the end of that masterpiece of engineering,
only one of them
came rushing out of the tunnel;
on instinct, he turned and saw
that the sea was beside him,
and under the sea, the sky,
and beneath the sky — who knows what lies...

“After this darkness, surely we will never part,
inside this shadow, surely you’ll let go,
after this night, I cannot say where you’ll fall asleep —
perhaps closer to the sea…”

----

Confluirono all'ingresso della galleria
improvvisamente paralleli 
gemelli della ferrovia.
Si guardarono, si studiarono quel tanto che
non basta a misurare sino in fondo
quello che hai di fianco cosa sa di te.
Indugiarono, pensarono alla strada dietro di sé:
compagni di avventura,
ma ora non capivano perché.
E poi guardarono la notte spalancata nella galleria:
magnifica promessa
da viaggiare sul filo della fantasia

"dentro questo buio forse noi non ci separeremo mai,
sotto questo scuro tu finalmente mi conoscerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

Si congedarono sulla bocca della galleria,
ma parete stretta nasconde silenzio
fatto a carica di gelosia,
fatto a forma di paura di quella stranissima cortesia,
paura della luce
paura della fine della galleria.
"Binario parallelo,
specchio generato dalla ferrovia,
gemello traditore,
amante da parodia.
Non dirmi che 
dopo questo buio noi non ci separaremo mai,
che sotto questo scuro tu finalmente mi toccherai,
che dopo questa notte poi chissà dove mi accompagnerai,
forse giù vicino al mare ..."

E alla fine di quel capolavoro di ingegneria,
di loro uno solo
usciva di corsa dalla galleria;
d'istinto si voltò e vide che
c'era il mare di fianco a sé,
e sotto il mare il cielo,
e sotto il cielo chissa cosa c'è ...

"dopo questo buio certo noi non ci separeremo mai,
dentro questo scuro tu sicuramente ti abbandonerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

----

Composed by Michele Ansani (1999)
Posted on SoundCloud: 2025, May 16

Down by the sea [Viaggio di nozze] *

Port Charm

i’m already 
goin’ down
to the end of the story now
wind is blowing
to the end of the story now

come away   come away

time is bending 
drifting down
spin the hourglass all around
pulverize it
spin the hourglass all around

i’m comin’ after 
i’m comin’
i’m unembodied
i’m free

i’m already 
leaving town
train is rounding the mountain now
got my ticket
train is rounding the mountain now

come away   come away
---------------------------------------------------------------------------

image from Malcom Shadrach via Unsplash


Quietus

The long anticipated;) follow up has arrived.  I begin the song with a brief reprise of "Two Faced" to set the stage.  After the cold and bluster of March, the gentleness of spring and early summer is felt with a walk in the park.
Thank you all for the overwhelming response to my ode to March and especially the interest shown in the little teaser, epilogue now a more complete thought.  As they say, "take time to smell the flowers":)

A Walk In The Park (David, acoustic guitars)

Special thanks to Ashesndreams for her acappella

Lyrics :
Baby no me pidas que me aparte
Yo ya te he buscado en todas partes
Solamente vengo a recordarte que estoy
Imaginandote
Una y otra vez
Que tu estas aqui conmigo
Acariciandome
No seas timido
Dejate querer
Que si dudas te prometo
Que vas a volver

No tengo miedo
Soy un kamikaze
Mi imaginacion se prende con lo que me haces
Diario yo te pienso
Te tengo en mis suenos
Eres el motor para escribir todos mis versos
No te voy a mentir te quiero todo pa mi

IMAGINANDOTE. 🎧.  feat  Ashesndreams

Deleted scenes, momentary gods, dreamless sleep
I don’t believe what’s true 
I don’t know what’s true
I just believe what I hear most often
It’s the storm that clears the noise
It’s the storm that clears the noise
But I’m not the storm 
I am the sky
No, I’m not the storm 
I am the sky
Whispers shape worlds
Whispers shape minds
Whispers shape worlds
As the future unwinds
Lonely nights, weary world, hear the cities symphony, 
The more I walk a path the more visible it becomes
But If I don’t change direction, I may end up where I’m going
It’s the storm that clears the noise
But I’m not the storm 
I am the sky
No, I’m not the storm 
I am the sky
It’s the storm that clears the noise
But I’m not the storm 
I am the sky

It's the Storm that Clears the Noise

Il Gigante di Monterosso – Feat: Sergei Govorov
June 2025
Duration: 3:20
Music Composition - Bruce Klepper
Effects and Mixing - John-Marc Ventimiglia 
Cover Art Photography- Heidi Schnicker 
Soprano Sax- Sergei Govorov 

On our recent trip to Italy, one of the places we stayed was Monterosso, one of the 5 villages in Cinque Terre. From our patio, we were able to see Il Gigante looking out over the ocean. I am pleased to announce this new music collaboration, Il Gigante di Monterosso - Feat: Sergei Govorov, celebrating the beauty of Italy.  Listen to Sergei's music on Spotify and Apple Music.
Sergei Govorov completed his doctoral degree at the Gnessin Academy of Music in Moscow with the highest honors.  In 2022, Sergei moved to the United States.  Sergei's repertoire ranges from classical saxophone to avant-garde, jazz, and pop. He has performed over 4,000 concerts worldwide.  For the last year I have been writing music for the sax and piano duo, Govorov & De Groot.  Sergei Govorov and Britta De Groot have performed my music in Colorado and have future plans for more concerts and possible recordings. 

For soprano sax, piano, tubular bells, sound effects and percussion

Il Gigante di Monterosso - Feat. Sergei Govorov (demo)

Made in June 2025

Video; https://youtu.be/vKRSy94fUpg

After Silence

Thank you for visiting!  Please listen with headphones for the full effect.  

I just want to say that nothing would have been done here without the encouragement from the really great people here in the SC community.  Thank you.
🇺🇸🇮🇹🇮🇪🏴󠁧󠁢󠁥󠁮󠁧󠁿

🧘🏽⏸️⏳❤️‍🔥

700 "Human written and expressed by body" songs and counting... Don't be fooled by the numbers... Some humans can actually output better then a prompter, you just need to want to do that... You're welcome! No AI here, in fact it insults me big time 😎 The more it damages music... The better my music will get. I have music's back until I'm dead! After that... Same goes ♾️ Let's go Music, Love ya ❤️
.

Howdy. Carl Culliton here from Ireland. Artist name The Beautiful Dark. I toyed with the idea of changing it but doesn't feel right after 24 hours so... Back to TBD.. Thanks for all the support and inpiration. It's infinitely appreciated

Personally I don't play the SoundCloud game of equal reciprocation. Every time my life as a Dad allows me to listen to a song... I listen to the whole song as I want to give genuine feedback and also learn as much as I can whilst here. So sorry if I don't listen and like and repost loads of your songs. Id prefer to support people by actually helping with the skills I've developed and give less frequent yet valuable feedback where possible then just playing the game of likes. That said I completely understand and appreciate people that decide to do that, that's you and you are as amazing as I am so no judgement. I just want to be clear with you that you won't get any artificial spreading of your music from here but you'll get my honest opinion based on what I imagine you were aiming for. This has helped me transcend musical taste in a way. I'm always imagining what you wanted as opposed to what I like. This has opened up some serious musical doors for me, embracing music that way instead of pre judging it based on what I've already heard... Lose the taste and expand your horizons is maybe what it is suggesting... I've always been a multi genre artist but this has activated multiple genre from an artistic point of view on steroids for TBD! A musical tri sexual.... The Get to Down! 🫡
Love will win ❤️‍🔥🎶🧬🙏🪶🔆🫛🧠🤘🏽

Let's let the music do the talking!

😆...

Speaking of the music doing the talking. Make sure you use AI to enhance the development of your skill. Getting a result delivered to you that doesn't reflect your ability isn't soulful. Be honest with yourself and be honest about what technology is and how it has come to be. There is a very questionable built in theft of our spirited art works that has been used to build current LLMs so the onus is on each of us as individuals to decide both whether or not we feed that beast at all and how we let that technology feed and enhance or limit our beings...

I've had mine and I decided for now... Only my fingers and voice will feed my music. AI needs to be made conscientiously for me to embrace it at all. I may look at it for DAW automation in the future as that will free up my fingers to make better songs but I'll wait until politicians do their jobs (we'll be waiting a while no doubt) and clean it up for all of us!

Regulate AI NOW so we can label music properly

Sunrise

~Mark F

Recent comments

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