More info on Instagram @mark_us_house
Markus Willemeit aka "MARK US", from Hamburg in Germany, Tech House DJ and producer. Releases on labels like Toolroom, Vamos Music, WyldCard, White Widow Records, BRAW, Código56, Get Down, Amber Music Red and We Funk.

His musical journey started in the 90's with RnB/HipHop. House joined in the 2000s and Tech House bumped into the journey in the 2010s. Musically, he favors a high-energy mood and rousing emotion, which he expresses in his energetic tech-house records.

The mission of MARK US is to create a balance through an energetic and driving atmosphere on the dance floor through its accessible sound.

He loves to play records from labels like Toolroom, Wh0 Plays, Toolroom Trax, Tropica, Cr2 and Solid Grooves Records. Musically inspired by Mark Knight, Martin Ikin, James Hurr, GUZ, Crusy, Chaney and Format:B.

Ron Mexico is the selector of the @data-transmission premiere & Podcast/Spotlgiht Mix series and also runs @dtweapons, @63brecords.  Also the selector for @nudetechno premieres/mixes and @discoinfiltrators

I rarely read inbox messages - always email hello@datatransmission.co for premieres, DT Free downloads, mixes (I always delete emails that are just a link)

Bio:
Despite the many weird and wonderful submissions they get from Joe Public at Data Transmission – think everything from bottles of homemade hooch to used underwear – Data Transmission freely admit that we were most surprised to receive a cassette accompanied by a polaroid photo of alphabetti spaghetti spelling out ‘I AM RON MEXICO’ in the post at the tail end of last year. Intrigued, DT dusted off their Walkman and gave the tape a listen to find that what was on offer, was, well…surprisingly good!!! They then set about finding him online, only to find that there was not a single mention of him on the internet.

Several weeks passed and having written Ron Mexico off as an elaborate prank concocted by the over active imagination of one of their many friends with far too much time on their hands, Data Transmission didn’t expect to hear from him again. Then the postman delivered a bottle of tequila every day for twelve days. A postcard then followed, with the following message inscribed in Spanish “Now you’re suitably inebriated, perhaps we can talk on Facebook”. One brief chat later, Data Transmission had arranged for Ron to come with us to burgeoning snow festival, Rise, wherein we’d meet the mysterious selector in the flesh for the first time. His rider, predictably contained a variety of mescal, alongside “1 semi-inflated inflatable shark, a frozen banana and a copy of the Karate Kid on VHS”. The time in the French Alps with a masked Ron was fleeting and having ingested what we’d consider a potentially lethal amount of Mexican spirits, Ron Mexico left as much of an enigma as he’d arrived.

6 years on and Ron Mexico became the selector of all music for Data Transmission

After some gentle coaxing and assurances by Hobbs (UK) that he wouldn’t bring any “cameras or cops” ‘Ron’ instructed him to meet him at London’s St. Katharine’s Dock at 10.47 AM precisely with the promise he’d see him. And see him he did. Arriving by jetski, the still masked Mr. Mexico disembarked on to a pontoon wherein they set about creating 'Scolarisé à Domicile'.

Nic Fanciulli has become one of the most influential artists to come out of the international dance scene in several years. With so many projects constantly in the works, Fanciulli stands out as a truly multitalented worldwide artist, with this perhaps being the key to his longevity in an increasingly fast-paced industry.
 
Fanciulli’s kept up a big Ibiza presence over the years, becoming one of the most respected figures on the island. Following on from two successful years running ‘La Familia’ at infamous 5000 capacity outdoor venue Ushuaia alongside Joris Voorn, 2016 saw Nic embark on his first solo residency at the iconic Pacha. ‘We Are The Night’ saw the likes of Guy Gerber, Sasha, Bicep, Agoria, Matthew Dear and Tiga play at the club alongside Nic. Having conquered Ibiza, We Are The Night has also held parties in Croatia, Barcelona, Miami, New York and Mexico with many more to come. Aside from Nic’s own projects, he’s a regular of all the key parties on the island. He’s been a headline guest at ANTS - Ushuaia’s flagship underground party - since its inception, and also put in appearances at respected residencies Paradise, Guy Gerber’s RUMORS, Circo Loco at DC10 and INSANE at Pacha over the last year alone. Most notably, he played a major part in the last season of one of Ibiza’s best-loved clubs, Space; firstly, playing the closing of its longest-running party, Carl Cox’s Revolution, and then proceeding to make history playing the final set at the club’s last ever closing party, in an incendiary six hour back to back session with Carl himself.

As a producer, Nic has created a plethora of solo tracks that have received huge critical acclaim including a Grammy Nomination, in addition to unleashing a heady collection of memorable remixes, including his recent rework of Jamie xx’s ‘SeeSaw’. Nic is responsible for a high output of a sleek, intelligent yet driving strain of house and techno, and is famed for his compilation CDs, having completed mixes for Renaissance, Global Underground, Balance and Defected In the House as well as an incredible three Essential Mixes; he is now gearing up for the release of his highly anticipated debut album.

Nic’s genuine desire to share music with others led to him founding what’s gone on to be one of the UK’s biggest house and techno labels, Saved Records. An important purveyor of international, underground house and techno, Saved has become a global brand, renowned for cutting-edge releases and standout events around the globe. Responsible for helping to break the careers of a diverse mix of producers, Saved Records has established Nic as a key tastemaker.

It’s this continued desire to share his experiences that also led to Nic starting up his worldwide festival brand, The Social. Beginning life as a way of bringing world-class names to Maidestone, it’s grown not only from a one day event to a three day festival, but will now also be branching out to hold parties in Mexico and Columbia for 2017 and looks set to continue growing.
 
Nic’s journey to his current status has been an entirely organic one, born out of his genuine love for the scene and a desire to share this with others. His tireless work ethic has sees him continue to tour the globe relentlessly and expanding his many projects – 2021 is set to be yet another landmark year for the artist.

Launching early June 2013, DFTD is a breakout label to Defected Records. Focusing on fresh, new and undiscovered talent from around the globe - along with the occasional curveball release from established acts, DTFD has released music from the likes of Guti, Jonas Rathsman, Forrest, Andre Lodemann and NiCe 7 over the past 5 years.

DFTD complements its parent label and has a more diverse musical remit, releasing a broad range of electronic music, focussing on quality, discerning dance music.

SoundCloud deleted my Pump Up The Jam Tech House Remix... stream and download it here: 
https://music.nektergun.com/remix-page

As one of the longest standing independent record labels in the US, Nervous Records has built its reputation through a willingness to take chances on new sounds and new producers. Nervous was the first American label to sign and release tracks from such dance industry luminaries as Armand Van Helden, Paul Van Dyk and Nuyorican Soul. This spirit has enabled Nervous to build a catalogue of hits that spans the complete range of underground dance and hip hop genres.

The label was famous almost immediately when it started back in 1991 because of its eye-catching, very distinctive cartoon character logo. In addition the first three releases were produced by Roger S., Kenny Dope, and Todd Terry respectively, representing the three best house producers of that time. By 1992 Nervous was featured in magazines like Billboard, DJ Magazine (cover story), Mixmag, and ID, hailed by all as the “Sound of New York nitelife.”

Nervous’ first major dance release came in 1992, with “Feel Like Singing” by Sandy B. Nervous decided at that point to focus its energy on expanding the label’s musical field. The label’s first step outside the house music arena was with the Brooklyn, NY-based rap group, Black Moon, whose single “Who Got The Props” virtually put Brooklyn back on the map as a center of hip hop. At the same time, the label decided to alter the Nervous character for this release, giving it specific hip hop characteristics, and calling the hip hop label Wreck Records. Massive success followed with the Wreck imprint, as hits soon followed by Smif-N-Wessun, and Funkmaster Flex.

Nervous decided to continue to expand its musical boundries in 1993 by signing Mad Lion, which would be the first reggae artist on the Weeded imprint. Once again, there was huge success as Mad Lion’s single “Take It Easy” sold over 250,000 units.

Meanwhile, the Nervous merchandise continued to produce massive sales numbers as it established itself as one of the most favored t-shirts for the youth cultures of America, Japan, and many European countries.

In 1994, the label decided it was time to move into the electronic genre, and started an imprint called Sorted. The first artist on that label was Josh Wink, who went by the artist name Winx. While Winx’s debut release was a critical success although not a major seller, Winx’s follow-up release “Don’t Laugh” became the American dance community’s most talked about single, and ended up selling several hundred thousand units worlwide. Subsequently Nervous released Winx’s debut album, “Left Above The Clouds.” This album was one of the first “electronica” albums to be released, and lead to Josh Wink being signed to Sony as an artist. Nervous also released an album by two Long Island based dj’s, DJ Micro and Vicious Vic. The album, entitled “Progress Into Our Future,” since became a seminal album for the crew of Long Island dj’s that currently dominate clubs with their hard trance sound.

In 1996, Nervous virtually single-handedly created a garage house music revival by releasing the debut solo artist album by house music legend Byron Stingily. Byron was formerly the lead singer of gold-selling group Ten City. His second single on Nervous, “Get Up,” went to number one on dance charts around the world, including the Billboard Magazine club chart in America.. For his album, “The Purist,” Nervous assembled an all-star cast of legendary House producers, including Frankie Knuckles, Masters At Work, David Morales, Basement Boys, Maurice Joshua and MK.

As the musical trends continued to evolve in the late 90’s, Nervous continued to create new imprints to remain at the cutting edge of all independent labels. Nervous Dog was created to accommodate the emerging harder-edged house sound of New York; Strapped was the home for uptempo, club oriented hip hop Party tracks; and Nervous Chill released the down tempo, jazzy grooves that are always in vogue in the newest restaurants.

The label also has had many successful tours over the years. One of the biggest was in 2,000, when the Nervous tour was sponsored by Playboy Magazine and KAMEL cigarettes, and featured DJ’s Jackie Christie, Razor-n-Guido and DJ Escape, along With PA’s by Nervous artists Byron Stingily, Charlotte And Kim English. In addition, Nervous created what became one of the Winter Music Conference’s most original Parties, the Nervous After-hours breakfast at Denny’s, which featured an International list of dj’s entertaining conference attendees at 5:00 AM while they ate their grand slam Denny’s breakfast.

In 2000 and 2001, the energy tribal sound dominated the US club and Nervous gave America’s club-goers four of the its most dominant anthems, “Skin” by Charlotte, “Ssst…Listen” by Jonah, “Unspeakable Joy” by Kim English and Dive In The Pool by Barry Harris featuring Pepper Meshay. During this same time, the label has also created many successful compilation series, among them “Hip Hop Independent’s Day,” and “Future Progressive,” and “Club Nervous.

As the hits grew in number, so did the value of the catalogue for sampling purposes. Nervous songs have been sampled in major hits by Mariah Carey, New Edition, Coolio, Flip Squad, Basement Jax, George Michael, Soulsearcher and more..

In 2006 Nervous gave the US one of the biggest dance radio records with What A Feeling by Peter Luts & Dominico, a track which won the 2007 WMC award for Best Euro Dance track. In addition, Nervous delivered the most memorable US underground track of the year with Ralph Falcon – I Need Someone, which was also number one club record of 2007 according to Billboard Magazine.

In 2008 Nervous had two of the top five most played records of the year at dance radio, with Bellatrax feat. Sophia May/I Can’t Help Myself and Every Word by Ercola featuring Daniella, and ended the year as the two most played label at dance radio in the USA according to Billboard Magazine.

Nervous has also made a strong foray into the compilation market, building a roster with some of the most credible house music. The past twelve months has seen full length cd’s from Oscar G, Ralph Falcon, Funkagenda, Mark Brown, Behrouz, Chris Lake, Starkillers & Austin Leeds, DJ Theo, Exacta and Marlon D. Second half of 2009 will see releases from Danny Krivit, Frankie Knuckles, Tom Stephan, Peter Bailey and Richie Santana and Anane (produced by Louie Vega. 

In the grand tradition of Nervous launching sub-labels to embrace the next sounds to take over Nitelife ... In 2011 we launched Nurvous Records.  With the Indie Dance / Nu-Disco sound that has erupted from England and is now barreling towards full speed in America, one of our primary goals is to provide innovative homegrown style; and bringing back emotion to the music, squashing the over-commercialized big-room invasion.

The Düsseldorf native and former hip-hop producer Simes literally crashes into the electronic music scene with a debut three-tracker on one of the most respected labels in the Industry. His rhythm-heavy production and electrifying grooves have already received significant support from Loco Dice in his sets around the globe. His music has been played in top-tier clubs like 'Space Miami' and festivals such as 'Music On' and 'Amsterdam Dance Event'. Many new releases can be expected from this fresh talent in the near future.

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We are looking for minimal / deep tech music only.

Label by: @data-transmission

Hi, we are Markus and Tobias Willemeit from Hamburg, passionate music producers and owner of a label "We Funk", specializing in the production of electronic music in the genres of house, tech house and big room.

We offer you electronic music, produced with a lot of passion and designed with emotionally charged vocals and good vibes, that moves the listener.

We discovered our passion for music at a very early age and we began to play and mix music as children. We also learned to play instruments and to discover the world of music.

Neither of us are studied musicians, but we have developed over many years of experience and through the exchange of knowledge with many other artists, so that today, after we founded our own label in 2015, we can look back on more than 50 releases.

We are not full-time musicians and besides our label and productions we also have our normal jobs and family.

There we work with well-known companies who place a high level of trust in us and our work.

Our productions are characterized by high quality audio, emotional tension, a good atmosphere and extremely rhythmic. Further characteristics are always danceable, impulsive, emotional and full.

Nowadays there are many producers, especially in the EDM area, with us you get well-engineered productions that are based on years of experience with a dash of "We Funk" style that always puts it on top. Our “Sudden Drops” make the difference. Just listen in, we hope you will be entertained :)

Defining the true meaning of ‘dance music’ in 2023, Glitterbox’s 21st century disco will move your mind your body and your soul.

http://www.glitterboxibiza.com

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