This track was created using the Sea vs Sky template for the Pantheon Escape electro house album. It's the final track on the playlist and features seismic drums, Pigments Boss Fight bass, various acid drips, and distorted bells. The Hoffman lead solos in different sections sound like a flying mammoth, ultimately becoming part of the title track.

Retro Mammoth

DJ/Producer
rikrichie@icloud.com

https://open.spotify.com/album/7u0F1YElx9KObukT4mP7R9?si=ykEVazKKTMCDHisNNSgrIA

https://open.spotify.com/album/4ER56M7kvCOG5GawtdgltK?si=r8KqQfd4SQ-Fn5OnOV62kw

⁽ᵖᵃᵍᵉ ᵘⁿᵈᵉʳ ᶜᵒⁿˢᵗʳᵘᶜᵗⁱᵒⁿ⁾

dj compositeur producteur d une emission de radio 2008 . 2022 . Radio ballade .
https://instagram.com/neojimo?igshid=ZDdkNTZiNTM=https://youtube.com/@neojimo

In the vast expanse of the universe, where stars danced to the tune of cosmic symphonies, there was a peculiar notion known as Loxley. Now, I must caution you, dear reader, for Loxley defied the laws of reality itself. It was neither a place nor a thing, yet it existed in the whispers of the cosmos, a paradoxical enigma wrapped in a riddle shrouded by mystery.

Legends spoke of Loxley as a realm that didn't exist, a place where the very fabric of space and time unraveled like a spool of thread in the hands of a mischievous deity. Its motto, if one could call it that, echoed through the emptiness of the universe: "There's no such place. There's no such thing."

But despite its nonexistence, or perhaps because of it, Loxley emitted a haunting melody, a symphony of the impossible that reverberated through the minds of those who dared to ponder its existence. It was said that those who heard its ethereal music were forever changed, their souls eternally intertwined with the enigma of Loxley.

The backstory of Loxley read like a tale spun by the most cunning of storytellers, a narrative of intrigue and uncertainty. Some claimed that it was born from the dreams of ancient beings, while others whispered that it was the creation of a forgotten civilization lost to the sands of time.

Yet amidst the whispers and speculation, one thing remained constant: the inexplicable allure of Loxley. Its motto, "We are," served as a reminder of its elusive nature, a declaration of existence in a realm where existence was but a fleeting concept.

And so, travelers of the cosmos would often find themselves drawn to the edges of reality, seeking the elusive whispers of Loxley. They would chase the echoes of its music across the void, their curiosity fueled by the promise of unlocking the secrets of the universe.

But as they ventured deeper into the abyss, they would come to realize that Loxley was not meant to be found. It was a puzzle without a solution, a mystery without end. And yet, in their pursuit of the impossible, they would find something far more profound—a glimpse into the infinite possibilities of existence, where even the concept of nothingness could give rise to something as enigmatic as Loxley.


https://www.youtube.com/channel/UCCuk8Im-g8UMr8ivGpEepCQ

I'm a singer song writer.  I hope you like my songs!! These are all demo songs, short versions.

Freelance translator, I'm also an amateur musician (don't have long experience but I'm determined to get better). I started to play the guitar back in June 2021. I enjoy listening to all types of music in which we can hear electric guitar or not. And if you plan to come and visit Lyon, gimme a shout. 

(Traducteur freelance, je suis également musicien amateur. [Encore peu expérimenté mais déterminé comme jamais]. J'apprends à jouer de la guitare depuis juin 2021. J'aime tous les genres musicaux avec guitare électrique ou pas. Et si tu passes à Lyon, fais-moi signe)

Artist: TripTunez
Composer: Rob DeLegge
Genre: Chiptune(8-Bit / MIDI) / Electronic / Dance / Techno / Instrumental 

Hope you enjoy the tunez! Any support is greatly appreciated

Martin Busk was born in Denmark in 1972. His interest in electronic music started in the 80's and he has been developing his original compositions in FL Studio since 2010. ”I’m the guy from next door who loves listening to and composing and producing progressive house music.” Professionally he has worked in the construction industry and teaching, development and management fields.

Retro Mammoth

Mark Antares