Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

Snatch! is Riva Starr’s first label project and the aim behind it is to push new talents and well-established forward thinking producers. Expect slamming fresh house cuts from some of the most exciting talent in the scene.

Current artists: 
Riva Starr, David Keno, Donk Boys, Kolombo, LouLou Players, Thomas Schumacher, Tapesh, Maximiljan, Pirupa, Ramon Tapia, STARR TRAXX, KiNK, Jet Project, Phil d'bit & Sebastiano Sedda, Prince Club, Homework, Cajmere, John Made, Dualton, Acid Jacks, Federico Milani, Adam Port, Leon, Butch, &ME, Amir, DJ Sneak, Steve Mac, Pablo Rez, Mihalis Safras, M.in, Jonas Fahz, Fabian Argomed, Da Lukas, Kidde & Bebbe, Remerc, Thieve, Doomwork, Karl Yano, Fatboy Slim, Beardyman, Major Lazer, The Martin Brothers, Carl Cox, Jon Rundell, 2000 And One, DJ Madskillz, Gonzalez & Gonzalo, Spada, Aldo Cadiz, El Pocho, Ruben Mandolini, Joyce Muniz, Danny Serrano, Guti, Chube.Ka, Luid, Rickie Snice and more...

Exclusive WW Management for:

-Riva Starr
-Paul C & Paolo Martini
-Santos
-Pele & Shawnecy
-Ruben Mandolini
-Paride Saraceni
-Astin
-Upercent

Label Management: Michele
contact@snatchrecords.com

Snatch! Management:

Michele
management@snatchrecords.com

Gabriele:
help@snatchrecords.com

Demos to:
demos@snatchrecords.com

Bookings (Snatch! Artist / Showcase):
bookings@snatchrecords.com

Mark Fanciulli is one of modern electronic music’s most complete artists. An innovative and forward thinking producer whose dexterity and creativity behind the decks have made him a much desired DJ around the world. With a strong work ethic and a clear and determined vision for the future, it has been no surprise to see Mark climb the ranks as quickly and with as much humility as he has managed since his 2011 debut.

It was that debut that got Mark’s solo career off to the perfect start. “The Tide” was signed up to Joris Voorn’s Rejected imprint and went on to be the biggest track of summer 2011. Quite an induction, but not a wholly unexpected one when you consider the technical ability of this gifted producer who had spent the last few years honing his skills on the studio desk. “Keep On” a collaboration with Jordan Peak on Area Remote later that year and then his own “Sacrifice” on Saved Records in 2012 brought further success and garnered Mark wide critical acclaim and a helped yield a particularly strong fan base for a young producer with relatively few releases. But Mark has always been someone who focuses on quality ahead of quantity. “Cutoff” which was released via Leena Music and 2013’s “Game Plan” on Saved Records confirmed his much deserved status as one of the scene’s most exciting producers whose ability enables him to craft tracks across the entire spectrum of electronic music.

That same attitude also comes into play during Mark’s engaging DJ sets. A desire to play across the board and create a proper journey for the crowd has made Mark an extremely popular performer at the best clubs and festivals around the world. He is as adept at killing the floor at clubs like El Row in Barcelona, Amsterdam’s Studio 80, Space in Ibiza and Ministry of Sound in London as he is rocking festivals such as Sonar, WMC and the roadblock Saved events in his hometown of Maidstone. 

Having achieved so much already and still only at the age of 26, Mark has a bright future ahead of him. With his skill set and self-drive all at his disposal, he holds all the cards, it’s just up to him in which direction he will head next.


For management please contact info@bear.management 

For North/South America Bookings please contact
rs@thebullittagency.com

and for the rest of the world andrew@paramountartists.com

http://www.facebook.com/pages/Mark-Fanciulli/215635835139477?sk=info

Rent / Livity Sound / Ghost Notes / Trial & Error / Styles Upon Styles / FLUF / LavaLava / Not So Much / Timedance / Will & Ink / Night Slugs / 3024 / Bobby Donny 

Booking: bookmosca@gmail.com
Demos: notsomuchdemos@gmail.com

Robert Dietz, a luminary in the world of electronic music, has carved an exceptional path through the industry, leaving an indelible mark on both the global stage and the artistic realm.

Rise to Stardom and Residency Highlights: During the exhilarating decade of the 2010s, Robert Dietz held the spotlight with a thriving DJ career that spanned continents. He stood at the helm of acclaimed residencies, notably in New York and at Robert Johnson in Offenbach, where his masterful sets captivated audiences with an enchanting blend of soundscapes. His name became synonymous with the vibrant pulse of Ibiza's nightlife as a resident at Pacha, a testimony to his command over the decks. Moreover, his longstanding collaboration with Gerd Jansons' Running Back Records solidified his stature as a musical trailblazer.

A Journey of Reinvention and Innovation: Around 2019, Robert Dietz embarked on a transformative journey, temporarily veering away from commercial stages to rediscover the essence of his artistry. Under a series of captivating aliases, including DJ Discipline, R10, and Hokaiido, he breathed life into a new sonic identity. Simultaneously, he unveiled Teiwas, a visionary sound design studio, a testament to his commitment to pushing creative boundaries.

A Synthesis of Sound and Brands: With an ever-evolving creative spirit, Robert Dietz ventured into uncharted territory. His musical prowess found a new canvas as he composed evocative soundscapes for distinguished brands like Mercedes Benz, Louis Vuitton, Rimowa, and Nike. This fusion of artistic sensibilities and corporate aesthetics showcased Dietz's ability to create sonic landscapes that resonate beyond the dancefloor.

A Return to Records and Future Horizons: Undeterred by his diverse pursuits, Robert Dietz returned to the studio with unwavering determination. Amid his multifaceted endeavors, he cultivated two forthcoming EPs that are poised to grace Nous’Klaer Audio from Rotterdam. These releases stand as a testament to his enduring dedication to the art of crafting music that defies conventions.

Robert Dietz's journey is a symphony of exploration, reinvention, and creative fusion. A name that resonates through iconic venues, global stages, and intimate studios alike, Dietz's legacy continues to evolve, leaving an indelible impression on the ever-evolving landscape of electronic music.

This text has kindly been generated by chatGPT 3.5

Producer, selector, raver & founder of @fuselondon

Worldwide Bookings:
jim.oregan@teamwass.com

Management:
george@fuselondon.net 

Latest mixes, releases, events & more👇
linktr.ee/enzosiragusa

House, Tech House, Deep Tech, Minimal Tracks & Mixes.

Our release premiere series are all selected by @ronmexicodj for consideration please email hello@datatransmission.co

For our TRACK REPOST service, please submit them to here - https://datatransmission.co/submit-your-repost/

For label submissions please head to our in-house label at @63brecords

The Online Dance Music Authority.
Dancing without prejudice since 2008.

Bookings:
Spain/Latin America: mikel@b4bookings.net
USA: hamilton.wright@unitedtalent.com
ROTW: katrin@spar-ks.com

Antonio Marrandino is an Italian DJ felt fascinated by music from an early age and started messing around with a little DJ console when he was still a child. 2011 is the year in which he began to produce music. He moved to Milan and attended the SAE institute, offering him a great help for his work in the field of music production. From here his tracks are supported and played by the best DJs in the world such as Richie Hawtin, Christian Varela, Roger Sanchez, Carlo Lio, any many more.
Currently he brings his music around between Naples, Berlin, Lousanna, Salerno, Barcelona, Ibiza, Amsterdam alongside great international artists. In 2018 he founded his own label and DJ collective, ToBeat, a new crew born in Salerno and ready to be known with its own events both in Italy and in Europe.

MarkFanciulli is following