Hailing from Adelaide, Australia Ezee.G has established himself as one of Australia’s premier house DJS and producers. As a dj, his signature sound showcases smooth technical wizardry combined with a music selection geared to satisfy even the most discerning house music listeners. 

Having played along side and supported the worlds finest acts and Djs of the likes of Axwell, Martin Solveig, Joey Negro, Dave Morales Dmitri From Paris, Kaskade, Derrick Carter, Stacy Kidd, The Prodigy, Johnny Fiasco, Chuck Love, John Larner, The Littlemen, Audio Jack, James Curd to name a few, including Australian artists Sneaky Sound System, John Course, Sgt Slick, TV Rock and more.
With such an array of talent Ezee.G is one hot prospect.
Wether it’s travelling the world or his native land of Australia, he has been a true entertainer. From such events as The Full Moon Parties and KU DE TA in Bali, to the Islands of Greece and Spain, Stereosonic, Future Music Festivals, Good Vibrations to Shores on a New Year’s Day in Australia and many more. Ezee. G has always been renowned for his high energy and consistently high quality dj sets, a true entertainer in his own right.

Radio has been a big part of his career with his long running radio show Deep on Fresh Fm. DEEP has been pushing the boundaries in house music for many years. The show has been a favourite on Fresh 92.7 since 2003. Long time DJ and producer EZEE.G presents Deep every Thursday night from 8-10pm.

DEEP is a show dedicated to house music. Its focus is to give the listener the very latest in new and soon to be released tracks from across the globe. Specialising in deep, tek, jackin and funky elements of house and all things underground.

The show features regular interviews with the world’s leading DJ’s and producers.

Ezee.G also features the deep essential track of the week that he believes could be the next big thing.

DEEP is a continuous mix of music to give the listener a club feel, while also featuring live mixes by local and touring DJ’s.

Deep every Thursday night at 8pm on Fresh 92.7As a producer /remixer, Ezee.G continues to exploit his raw musical talents and ever expanding skills. He has gained support from the industries most respected names and the appreciation of his experience and knowledge is sure to continue.

It’s been a long journey for Ezee.G and one he looks forward to the future with new and exciting times to come.




So, what's with that name Magnifik? Well, it stands for magnificent. Not the artist but the music. It's all about the love of music.
 
Magnifik’s soulful electronic tracks have been described as 'music for the nu-romantics' and his knack for mixing catchy melodies with soul, disco and house inspired productions have earned him plenty of fans since he first started playing his synth to his dog a decade ago.

He has represented Australian talent in New York as part of the Summer Stage Festival, played at the Warehouse Music Festival, performed runway shows four times at Fashfest fashion festival, featured at two ArtNotApart art festivals, was the headliner at the CBR Day concert and performed at the Triple J’s Groovin The Moo festival.
 
Magnifik has singles out on Bobbin’ Head Music, Yes Yes Records, Klub Kids, Say What and Hot Sunday Records and remixed such acts as PNAU and SAFIA on labels including Ministry of Sound, Etc Etc, Sweat It Out and Bam Bam Records. The singles have been around the ARIA Club Chart and received airplay as far as Radio 1 in the UK, Fritz radio in Germany and as close at Triple J in Australia.
 
His songs even featured on highly successful compilations including Ministry of Sound Chillout Sessions XIV, Hed Kandi Beach House, Defected Records Niki Beach Miami and RAW FM. How successful? Even his grandparents have a copy of all of them.

Magnifik has released four albums ‘Amateur’, ‘The Gentleman of Disco’, ‘Romantik’ and ‘Music & Wine’.  The last album must have really hit the right note with fans and critics, gaining 50,000+ streams in the first month.
 
For all this effort he has received a pointy award as the Best House Producer at the Music ACT Annual Music Awards. It is now glistening in his studio, but let’s not focus on that but rather on all the electronic soul music that he is lovingly working on now.

From disco to techno. Made with love & based in Milan
Dj/producer-> for bookings: musonova.a@gmail.com
instagram: musonova

Established in London, 1999.

#HouseMusicAllLifeLong

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To learn more about Miguel Migs, visit his website at: www.miguelmigs.com

To submit a demo for consideration to Salted Music @saltedmusic, send to: contact@saltedmusic.com. 
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House, Tech House, Deep Tech, Minimal Tracks & Mixes.

Our release premiere series are all selected by @ronmexicodj for consideration please email hello@datatransmission.co

For our TRACK REPOST service, please submit them to here - https://datatransmission.co/submit-your-repost/

For label submissions please head to our in-house label at @63brecords

The Online Dance Music Authority.
Dancing without prejudice since 2008.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Connecting club culture to the wider world, on screen and irl through parties, film and video.

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