Marc Weidenbaum

Disquiet Junto Set 2015 (Mark Rushton)

More on this 169th Disquiet Junto project — “Make a track using only an HTML5 drum machine” — at:

http://disquiet.com/2015/03/26/disquiet0169-html505/

More on the drum machine at:

http://html5drummachine.com/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Disquiet Junto Project 0169: HTML505

Ice/glass, recording, edit, reverb, down 2 octaves in Acid Pro, render, down 2 more octaves in Acid Pro, render, edit out 20 seconds from rendered track, add to Samplr/iPad, layer & mess with, record out a small portion, edit, take that file and PaulStretch 7.88x BlackmanHarris, edit to 4 minutes.

But then I had to edit this track to one minute in length because of a bug that occurred when I downgraded my Soundcloud account from Pro Unlimited to free.  Seems it reverted to my old "Solo" Soundcloud account (which is no longer being offered) and there were some technical problems which I've been assured by Soundcloud support will be cleared up in the next week or so.  Even on vacation from my job as a software tester it's a Busman's Holiday.

More about my music at http://markrushton.com

My podcast is at http://ambient.libsyn.com

Occasional email list at:  http://mailinglist.markrushton.com/

More on this 157th Disquiet Junto project — “Record the sound of ice in a glass and make something of it.” — at:  http://disquiet.com/2015/01/01/disquiet0157-icemusic2015/

More on the Disquiet Junto at:  http://disquiet.com/junto

Join the Disquiet Junto at:  http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:  http://disquiet.com/forums/

Photo associated with this project by Michael Scott used via Creative Commons license:  https://flic.kr/p/5vyz3G

Tundra (disquiet0157-icemusic2015)

I try to stay away from the news because it's always so negative or boring.  It doesn't help that newspaper web sites are nasty places with pop-outs, modals, auto-play videos, Facebook comments, and god knows what else lurking behind those Flash widgets.

But I liked this "least important story" because whoever wrote the opening paragraph did it with a lot of rhyme.

Around 1986, when I was living in Kansas City, I purchased the LP "Break Through In Grey Room", an album of cut-up recordings by William S. Burroughs (who lived in nearby Lawrence, Kansas) and which proved to be very influential to me.

For this Junto's instructions, instead of going for the literal "noise" I went for "tiny parts heard out of order" - which included a bit of an "almost-homophone", something I repeat in the brief coda as a matter of clarification once you've heard the full original statement.

If you want to hear more music by me, visit http://markrushton.com

I also have a podcast of my music and sometimes more in-depth presentation at http://ambient.libsyn.com

More on this 158th Disquiet Junto project — “Go from noise to signal with words” — at:  http://disquiet.com/2015/01/08/disquiet0158-syllablegumbo/

More on the Disquiet Junto at:  http://disquiet.com/junto

Join the Disquiet Junto at:  http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at: http://disquiet.com/forums/

Pro-Marijuana President (disquiet0158-syllablegumbo)

one thing i wish the html5drummachine had would be mute buttons, but then again it's about the limitations in this case

(another limitation i discovered by pressing Backspace before i saved)

additional limitation was not using perc1, perc2 and crash sounds from the techno pack as i couldn't fit them in any way

some programming on the fly and also since it can switch between 2 patterns i took advantage of that

no layering, no additional processing, direct output from the browser

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Disquiet Junto Project 0169: HTML505
Make a track using only an HTML5 drum machine.

Step 1: Go to the following webpage in a browser that supports HTML5:
http://html5drummachine.com

Step 2: Create an original track using only this tool.

Step 3: Upload your track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, March 26, 2015, with a deadline of 11:59pm wherever you are on Monday, March 30, 2015.

Length: The length of your finished work should be roughly between one and four minutes.

More on this 169th Disquiet Junto project — “Make a track using only an HTML5 drum machine” — at:
http://disquiet.com/2015/03/26/disquiet0169-html505/

More on the drum machine at:
http://html5drummachine.com/

More on the Disquiet Junto at:
http://disquiet.com/junto/

Join the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:
http://disquiet.com/forums/

antipattern [disquiet0169-html505]

Single live track = Sound of 12 FireFoxes battling for CPU cycles. Minimising the windows doesn't stop them, but has drastic effects on the tempo. Maximising them all makes them glitch along eccentrically, in a manner I found satisfying.

OK - so it's mobile and cross-platform (if it works with your browser at all...) but, sheesh, 8-bit micro's sure did it better!

Wasted couple of hours trying to reverse engineer a local cached version of the app; to apply own sound sets, or modulate the controls algorithmically. Concluded there was no point.

--------------------------------------------

Disquiet Junto Project 0169: HTML505
Make a track using only an HTML5 drum machine.

Step 1: Go to the following webpage in a browser that supports HTML5:

http://html5drummachine.com

Step 2: Create an original track using only this tool.

Step 3: Upload your track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, March 26, 2015, with a deadline of 11:59pm wherever you are on Monday, March 30, 2015.

Length: The length of your finished work should be roughly between one and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0169-html505” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 169th Disquiet Junto project — “Make a track using only an HTML5 drum machine” — at:

http://disquiet.com/2015/03/26/disquiet0169-html505/

More on the drum machine at:

http://html5drummachine.com/

More on the Disquiet Junto at:

http://disquiet.com/junto/

HTML12 [Disquiet Junto Project 0169: HTML505]

Created using the Techno drum machine at http://html5drummachine.com/, played live and recorded into Audacity. No other processing.

////

More on this 169th Disquiet Junto project — “Make a track using only an HTML5 drum machine” — at:

http://disquiet.com/2015/03/26/disquiet0169-html505/

More on the drum machine at:

http://html5drummachine.com/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

HTR909 - disquiet0169-html505

I don't usually work with beats or drum machines - so I found this week's assignment a bit challenging. I played with the app for a while, to figure out what to do... recorded a few live performances and tried tweaking it to it's limits fast/slow/high&low pitches... But I really wanted to make a poly rhythmical piece, so I ended up oppening Firefox and Chrome each with the HTML505 drum machine, playing the same beat at the same tempo - 120...that happened not to be exactly the same tempo, so the rhythm goes from in sync slowly shifting to out of sync and then back into sync after a while.... quite lovely I think. 
The title is a homage to Steve Reich who composed a few pieces with a similar ideas... 

Disquiet Junto Project 0169: HTML505
Make a track using only an HTML5 drum machine.

Step 1: Go to the following webpage in a browser that supports HTML5:

http://html5drummachine.com

Step 2: Create an original track using only this tool.

Step 3: Upload your track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, March 26, 2015, with a deadline of 11:59pm wherever you are on Monday, March 30, 2015.

Length: The length of your finished work should be roughly between one and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0169-html505” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 169th Disquiet Junto project — “Make a track using only an HTML5 drum machine” — at:

http://disquiet.com/2015/03/26/disquiet0169-html505/

More on the drum machine at:

http://html5drummachine.com/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

- end -


“disquiet0169-html505” I'm Clapping in the Rain

I've been messing with some some self similar melody ideas, thanks to Tom Johnson's book of the same name. These patters are built on brief self similar melodies. 

More on this 169th Disquiet Junto project — “Make a track using only an HTML5 drum machine” — at:

http://disquiet.com/2015/03/26/disquiet0169-html505/

More on the drum machine at:

http://html5drummachine.com/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/


C63874e2 - 2ff5 - 4bc2 - B892 - 7497b7d50725 [disquiet0169-html505]

I missed a lot of Juntos due to moving houses and other issues.  The current house has a big room about 500 sq ft without any furniture other than a dining room table and art.  The ceilings are 12 foot high, wood floors, so there's lots of echo.  Understandably, I want to record stuff live in this space, and that's what I did here.  Output from my old laptop to some computer speakers with a subwoofer.  The recorder was put on a dining room chair maybe 20-25 feet away from the speakers.

Drum machines aren't my thing, but I tried to keep the program semi-interesting when on repeat, and for me that has to include a bit of silence in there.

Stricter In The Air (disquiet0169-html505)

I've wanted to get a white-noise module for awhile, and finally added one to my setup. This module has 7 different noise sources, including white, red, grey, and blue. Each is being triggered by a different sequence. They're all in sync, though one is slightly delayed, which lends a tiny bit of character to the cadence, I think. The only reason I skipped pink is because I don't have any pink cables right now, and the color-coded cables helped me keep track of things.

You can blame this on someone who's listened to too many Chain Reaction releases, too much Consolidated, and too many scores to Michael Mann films.

Slightly more technical information: The sequences are all in CV Toolkit (a piece of software running on my laptop), and they're getting to my modular synthesizer via an Expert Sleepers ES-3 module. The noise-source module is the Quantum Rainbow 2. The white, red, and grey sources are all receiving sequences directly from the software. The blue source is getting a slight trigger delay (and a slightly extended length to the trigger), thanks to the Doepfer A-162. The whole thing is being mixed in an ADDAC 802 VCA Quintet, and out through a Pittsburgh Outs, through a Focusrite Scarlett 2i4. It was recorded in Audacity. 

White Noise Beat

I was asked by the Dutch musician Michel Banabila to contribute a remix to Marilli Remixed, a collection of reworkings of tracks from his very first album, Marilli, released in 1983. I selected the fourth track on the first side of the LP.

The original was elegant, but had percussion throughout. I wanted the ambient quality more formalized, and the percussion a little more muted and arhythmic.

. . .  

Here are some notes on my remix. I’ll note in advance, they’re fairly technical, as a notebook entry on what went into this, and what I learned in the process.

I used the my modular synthesizer (mostly filters, and a little triggered live sampler), the software Audacity (to sequence it, and also for some effects), and my Monome (running the mlr patch in the software Max). 

First I stretched a relatively percussion-less segment of the original track to get an ambient bed, yielding in the end something about 30 seconds long. I set it to run eight times in a row, overlapping to varying degrees at each repeat. 

Then I extracted a small percussion loop from the original. I did a "live performance" of that percussion loop with the Monome (four simultaneous tracks: one straight through, two running tighter sub-loops against each other a little quieter, and one in reverse even quieter still, though it's also the last bit to fade out of that sequence, so it has a little moment in the sun). The loop ran a little slower than the original, and I used a small Novation Launch Control to manage the relative volume of the four tracks within mlr.

And then I used my modular synthesizer to create variations on the ambient bed, which I layered in at various stages. 

In the end I had eight tracks in Audacity:

The 1st and 3rd tracks are the eight sequential repeats of the ambient sound bed, each intersection overlapping to varying degrees.

The 2nd track is a filtered version of the ambient bed, which has a slow LFO on it (giving it a light Laurie Anderson–ish "ha ha ha" feel) and some echo. This was done on the modular using a filter (either the A-121 or the A-136 or the Z2040 — my notes are unclear — influenced by a digital LFO, the Hikari Sine, and then run through an Eko module).

The 4th is the "live performance" on the Monome of the percussion loop, running mlr. It has four tracks of the loop doing different things. I used a Novation Launch Control to balance the volume of those four tracks.

The 5th is a copy of the ambient sound bed, pitched lower for the full length of the loop. This gives it that deep vibe for the penultimate repeat of the ambient bed. In track 1 at that same stage the volume of the original ambient bed is a little quieter, to let the deep version sound even louder than it is, in relative terms. 

The 6th track is a copy of the ambient bed but pitched higher, and I just use it for a very short moment, a final peak before the track fades out. 

And the 7th and 8th are two different instances of the same tweak of the ambient bed, which I did in the modular using a Harvestman Polivoks. It's a tingling, slightly irritating sound, a momentary breach in the ambience.

The whole idea is it opens with this expanse, and then goes to something a little tribal, and then returns to the expanse. I'll be honest about my influences here. The ambient bed is striving toward Brian Eno's Thursday Afternoon, and the rhythmic part has Peter Gabriel's soundtrack to The Last Temptation of Christ in mind. The first appearance of the Polivoks "irritant" is then repeated toward the end to provide a sense of reflection on where the piece started, but in between is that percussion performance. The deep vibe in track 5 gives an orchestral sense of closure, and the peak in track 6 is little filigree, like the clouds breaking, before it all ends.

At least that's where I ended up. It wasn't where I started. When I started, it was all gonna be about this firecracker/rattle sound in the original, but in the end I went a totally different direction.

Free Album Download

"A4. Marilli Rmxd 14"

disquiet 0245
Disquiet Junto Project 0245: Practical Music
Write a piece of music for getting things done, suitable for playing on repeat.

Clean up, routine, tiding up....that leads me to repetitive stuff.
I played a simple riff on my “diaz custom5”  drake bass guitar, very repetitive and yet variations going from A to D to D/E with no real structure.
Added a synth bass drone, and a Wurlitzer A200 electric piano improvising a bit.
Then some repetitive voices (tah-tah-tah-tah...) in four part harmony/
My usual rhythmic delays played a big role, here in 1/8th and 1/4th notes.
You can loop this, there’s no lead in or lead off.
Love
DD
Recorded in Paris, France September 9th  2016.

More on this 245th weekly Disquiet Junto project — “Write a piece of music for getting things done, suitable for playing on repeat” — at:

http://disquiet.com/0245/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

http://llllllll.co/t/disquiet-junto-project-0243-synth-trial/4288

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by jurek d. and is used thanks to Flicker and a Creative Commons license:

http://flic.kr/p/npLwcU

clean it and loop it - disquiet0245

This is based on a Pure Data patch I made called "Oval Noise" because it reminded me of Markus Popp's ovalcommers-era sound. 

The patch is a mess since I just kind of threw it together with 3 oscillators playing one of four pitches randomly, with 2 of them summed up and the other being sent to another effect along with being summed with the other 2. 

Pure Data measures tempo by millisecond, so I started at 500 (i beat every half second), then divided it by 2, 4 and 6. The last little bit is divided by 8. 

Recorded into Audacity where I cropped it and fixed some clipping issues. 

||||

More on this 246th weekly Disquiet Junto project — “Compose a piece of music that increases speed in stages as it proceeds.” — at:

http://disquiet.com/0246/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

http://llllllll.co/t/double-quadruple-sextuple-music-disquiet-junto-project-0246/4549

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Oliver Gouldthorpe and is used thanks to Flicker and a Creative Commons license:

flic.kr/p/sMDxq

https://creativecommons.org/licenses/by-nc/2.0/