Bookings:
alma@lb-agency.net
ralf@vdhaardt.com (Classical Ensemble Requests)

Management: niko@starling.works

Music and more:  https://linktr.ee/sebastianmullaert

When you listen to Sebastian Mullaert’s music you will feel something enchanting, a resonance that delivers truth, integrity and reminds us to simply be. The Swedish artist has a distinct approach to life, as well as music, which is centred around tranquillity, stillness and the convergence of Zen meditation, nature and creativity. Known for his work as one half of Minilogue, Sebastian is also an accomplished solo artist with new material ready to roll. As an artist that is constantly evolving he has taken a bold new direction in his sonic exploration, immersing himself in the neo-classical scene and joining forces with one of the top 10 philharmonic orchestras in the world - Tonhalle Zürich. Working with great care and innovation he has created a truly immersive audio-visual performance experience, combining a mesmerising integration of electronic and classical instrumentation, with a visual art installation based on breath taking nature landscapes shot from a helicopter perspective. With such an innovative approach he aims to bridge the gap between classical and electronic music and introduce a whole new generation to the neo-classical concept. 

Sebastian's deep connection with music can be traced back to his formative years; from playing the organ and violin as a child, to performing in orchestras, string quartets and pop band, progressing into electronic music in his late teens. Discovering house and techno in the mid-nineties was the catalyst behind a revolution in his life, he set out on a new musical pathway, to promote the simplicity of being. Throughout the late nineties he experimented with electronic sounds, forming cult duo Minilogue with a friend and releasing with Crosstown Rebels, Traum Schallplatten, Wagon Repair and more, plus two albums via Cocoon – ‘Animals’ (2008) and ‘Blomma’ (2013). In 2014, the duo decided to take a break and invest their time in solo projects and Sebastian has since been hard at work cultivating a collection of new music already snapped up by hugely influential labels such as R&S sub-label Apollo, Drumcode, Hypercolour and Minus.

Sebastian Mullaert’s live performances are awe-inspiring, combining technical wizardry with energy, atmosphere and euphoria, you only have to watch his “Interpretations” performance for XLR8R or Boiler Room appearance for examples of his prowess. Recognition of his aptitude has led him to perform at institutions and festivals such as Panorama Bar - Berlin, Labyrinth Festival - Japan, Fabric - London, Concrete - Paris, The Block - Tel Aviv and Blackmarket - NYC. 

Sebastian’s collaborative work runs parallel to his solo endeavours and he has teamed up with several figures in the techno world to produce some unforgettable releases. Collaborators include Mathew Jonson, Eitan Reiter, Aril Brikha and Ulf Eriksson, and releases have come via underground platforms such as Hypnus, Mule Musiq and Kontra Musik. He also produces under the alias Wa Wu We, offering a serene, understated take on the techno aesthetic. Furthermore he is involved in the new Be Yokai project, a trio formed of Sebastian, Douglas Holmquist and Kristoffer Ström. The three men formed a natural alliance, finding their flow after several sessions together. Their first EP is signed to Hypercolour sub-label Space Hardware, with a live show and more music in the pipeline.

Sebastian Mullaert is already established as a potent force in the world of electronic music. Serious about reminding people to BE on the dance floor, or in the comfort of their own home, the music he makes is deep, progressive and utterly unique. Whatever the future holds, you can be sure he will continue to channel the infinite energy that surrounds us into every facet of his life.

Few artists embody the metaphor of life as a journey quite like Joyce Muniz. Born in Brazil and raised in Vienna, the DJ, producer, vocalist, and radio host now splits her time between Vienna — where she runs her studio and hosts a show on FM4 — and Berlin. She first made her mark at Vienna’s legendary Flex club as a DJ and MC before moving fully into production, releasing on leading labels including Exploited, Get Physical, Kompakt, Permanent Vacation, International DJ Gigolo, and Pets Recordings. Joyce also spent five years as a radio resident on Rinse FM UK, further cementing her presence across Europe’s electronic landscape.
Joyce’s creative world has expanded significantly in recent years. She became the first woman to join Germany’s Synth Live orchestral project, taking her hybrid electronic–orchestral show across the country. Her 2023 album Zeitkapsel (“time capsule”) represented a major artistic leap and the launch of her own imprint, Joyce Muniz Music. The record revisited the sounds that shaped her — from trip-hop and downtempo to drum & bass, house, and electro — with highlights such as the Portuguese-spoken anthem “Arrivederci Bella.”
A deep spiritual and artistic transformation also fuels her work. After overcoming cancer in her early 30s, Joyce returned to her Brazilian roots through plant-medicine traditions linked to her grandfather’s shamanism — a rebirth that continues to guide her creativity and purpose. During the pandemic she honed her technical craft, became a sought-after workshop host for Native Instruments, and completed a Bachelor’s degree in radio presenting.
Her momentum has only accelerated. In 2024 she released “No Haters” with Renato Cohen on Permanent Vacation, followed by her breakout Kompakt debut “Beats & Lines” with Sara Bluma — a track that held the No.1 position on Beatport’s Indie Dance Chart for several weeks. In 2025 she returned with the Afro-electro single “Mo Dupe” on Exploited, a lo-fi Yoruba-inspired homage to gratitude, and the powerful Kompakt release “Hack The System” featuring Futuradora, blending electro energy with sharp socio-political commentary.
Equally dedicated to the community, Joyce serves as a mentor and A&R guide for Lady of the House Brazil, supporting women and non-binary producers in electronic music. On the road, she tours nonstop across Europe, the Americas, and Brazil — where her achievements earned her a Mixmag cover feature.
Joyce Muniz is an artist in constant evolution: a boundary-breaking producer, a magnetic DJ, a cultural connector, and a storyteller guided by rhythm, identity, and spirit. With new releases and collaborations ahead, her journey — already spanning continents, styles, and generations — is only just beginning

Bookings
fraser@tuffemup.com

Contact
ghettoruckus@hotmail.com





hello everybody, one thing as information:
I DON'T ANSWER MAILS HERE!! 
It's too much, sorry, if you have music to share with me please write me:
solomundemo@diynamic.com
solomunpromo@diynamic.com
Thanks
Solomun


<a href='http://gigs.gigatools.com/u/minilogue' target='_new'>minilogue's Upcoming Gigs </a>Saturday 08 February, 2014 <a href='http://www.trouwamsterdam.nl' target='_new'>Trouw, Amsterdam, Netherlands</a> <a href='http://www.gigatools.com' target='_new'>Powered by GigaTools</a> Blomma

Everything comes in its own time: a wordly wisdom that Marcus Henriksson and Sebastian Mullaert aka Minilogue take for granted. Since their foundation in the year 1997 they emerged to one of the most respected and hard to pigeonhole electronic music acts world-wide. And that not only because in each of their artistic expressions you can feel their effortless passion for what they do - whether live or magnetized on a medium. Also because they do not stick to any stylistic niche to mark their territory. House, techno, ambient, trance, and lately jazz are equal parts in their creations.

The most effective bunched proof for their musical universalism was marked in 2008 with the release of their debut album „Animals““ on Cocoon. Since then a string of Ep’s on labels like Mule, Wagon Repair, Traum Schallplatten, and their own imprint Minilogue continued their story in sound in which everything is made out of the present moment. Also the jazz infused album „Bring Out The Imps“ that they recorded under the alias IMPS with two jazz musicians and a heartfelt collaboration album with the Japanese producer Kuniyuki entered their discography.

And between all their work they constantly performed their intense improvised live shows all around the globe. Privatly they formed themself a life far beyond the big city lights, out in the Swedish woods in the north of Malmö. Here they live a life where the inner gets the outer and where their way of creating is far away from Zeitgeist zones in which musical trends pass by like seasons. In the past five years they met every now and then when it felt like hooking up in the studio, jammed on their equipment without a clear goal in mind and recorded each unique moment that was guided by the experience of the single day of life that marked their souls when they came together. In past months they went through the archives of their creative comments on our time, that been born in moments where time was not on the agenda. In that time just music called the tune and as a result of this pure form of conversation between two souls their second album „Blomma“ emerged.

The title of the album isn’t just a name. The Swedish word „blomma“ represents two meanings in one: to bloom and the flower. The flower and the blooming are deeply tied to each other - as for Minilogue the process of making music and the temporary result of the process is one too, the album title matches perfectly with their aim of beeing aimless. Out of this attitude towards making music again a heterogeneous longplayer arose that does not work like a regulary formatted club music album. It comes in two parts that both have two faces within themself which are constantly shifting: dance oriented rhythm parts and airy layered ambient atmospheres – always intensely tuneful, musical, and shapely.

All eight tracks underpin the wisdom that says that in the moment of deep creativity you disappear. Because no ego can be heard and all grooves, melodies, field-recordings, samples, and chords work like a single colour of a musical painting that is full of versatile electric elements und unnatural sounds. Sounds that only evolve if those who create them are far away from knowing that they create. A state of mind that Minilogue bound on a double album that is just there to let the music speak. That is why again you can’t see their faces on the cover. Instead pictures of the nature that surrounds them in their everyday life stimulate the fancy of the listener while his ears get lost in a gentle amalgamation of rhythm and sound that conveys the impression that it just flew through the bodies of both while their extremities instantly used each instrument around – from the computer to the synth, from percussions to piano.

Nothing you can hear on the album is edited or post produced – it all sounds exactly like it was when the atoms of these two individuals danced together. The result is a record with no real beginning or end. An album that tells unconscious an epic story about the path it took to make it. With each atmospheric turn it blooms like an unreal sound fairytale which leaves much space for the listeners individual imagination. You can dance to it, you can ease, you can loose your feeling towards time and space. Whatever happens – in one moment suddenly Minilogue are very close, even if they are not present.

Send demos here: https://www.tstack.link/exploited-GBaXdMGvJLHubDbFJtn9O
Exploited Rec promises to strip the wallpaper from the walls of your home stereo.
Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)

*°☆.ღ
*°☆.¸.☆ ¸ƸӜƷ
....... .. welcome :o)

only by appointment
The online bookshop is at time: Ofline

Kontakt, nur nach Vereinbarung
Das Online-Antiquariat ist zur Zeit: Ofline

1962 bis heute - until today
Fankfurt a.M. - Bad Homburg v.d.H. up to my 21 age, first residence (double first country citizenry) I am 2x official (civil servant for live, one since my birth, on eis untouchable) (??? Without status informatics ???) << http://x2t.com/Beamter-auf-Lebenszeit >> mein 1+2 vater und ich Kriegsberichterstatter - my 1 + 2 father and I war correspondent

Independently
Dipl. Gemology / 20 years Bookseller - modern Antiquariat ///// Qualified: 5 years school industrial and retail trade Merchant for clocks and jewels ( I love the network planning technique ) 3 years // Lighting, Kamara stage particularly industrial film and publicity film // between the film projects: 2 years electrical installation // 2 years PANAM & Dan-Air - TXL airport ground personnel I can drive

Fankfurt a.M. - Bad Homburg v.d.H. up to my 21 age, first residence (double first country citizenry) I am 2x official (civil servant for live, one since my birth, on eis untouchable) (??? Without status informatics ???)
- http://x2t.com/Beamter-auf-Lebenszeit -
Study conducted :. live and to almost die in berlin = from an economic viewpoint, not recommended // mailorder - communications - public administrative services - my opinion = Unconstitutional in hundreds of cases, not recommended retention, necessarily exchanged for loyalty to the constitution alternatives under the supervision of the four powers = my judgment and a petition to the Constitutional Court and the four powers with which we are in ceasefire !!!

my current employment from compulsive events = house arrest without judicial judgment ( http://x2t.com/1/Hausarrest - http://x2t.com/1/Hausarrest-DDR) from extortion and hush up = Officially = lower grounds = USA: felony, by Stasi / Nazi organizations and private criminals who want a free ride with skimming, but the whole thing is actually when brought stasi of the Private offenders in transition (as principal), but that's stasi somehow more powerful, and them is everything outgrown !!! as I said I >>> grab always full in the shit and must still engage properly clean ..... so I'm loving .... and then getting really corrosive for people who want to piss me the leg no matter .... and whom it would be GOOD ..... I am a Berliner .... and to take on a real Berliner suicide is .... not all know .... ossis apparently ...... and everything for a coffee with my friend (best friend) .... which is really exhausting and Berlin ..... and has the same height as I ball .... which I would never applying
(administration expert and can expect + report everything up (and only vorlasse at ex mother + Igor, not like the Handis + The rest offender = extortion payment was then further actions: D))) ...) .... but they also no longer with me .... Bet


◕ ‿ ◕ thx for the interest ◕ ‿ ◕

Ghetto Ruckus is following