What can we do, there's nothing to do,
about sickness and hunger and dying.
What can we do, there's nothing to do,
nothing but cursing and crying.

Find something to burn.
Let it go up in smoke.
burn your troubles away.

Sometimes it's witches or what will you choose?
Sometimes it's lunatics, shut them away.
It's blacks and it's women and often it's Jews.
We's all be quite happy if they'd go away.

Find something to burn.
Let it go up in smoke.
burn your troubles away.

The lyrics of Caryl Churchill from her play 'Vinegar Tom'. Performed and composed by ALPHAMALE (https://soundcloud.com/dad-dreams) and Marlene Claudine Radice. This piece premiered in COUP Canberra's 2016 production of Vinegar Tom.
http://www.agac.com.au/2016/12/the-musicians-of-vinegar-tom/

Cut Common interview with Hannah and Marlene: http://www.cutcommonmag.com/how-can-we-use-music-to-achieve-social-change/

Something To Burn

And go past the forest 
where you can slowly wake up
or you can take your time 
and let the seasons catch up
slip off your shoes 
and feel the earth 
your ears will start to ring
and life will sing.

You've just got to swing past the 
forest 
where colours can blind you 
and everything finds you 
it can drive you insane 

You've got to slow down now
or you'll grow cold.
Leap past the flowers that sleep,
The hours that spring those old 
Shadows confuse you 
and the silence is loud 
your're reaching for the light
your're losing sight 

You've just got to swing past the
forest
where colours can blind you 
and everything finds you 
it can drive you insane

and go past the forest 
where you can slowly wake up

The Factory "Path Through the Forest" 1968

I love making my own music.

The expressive themes that interest me include alienation, psychological repression, the existential vacuum, obsession, rage, absurdity, mourning, regret, neurosis, depression, death, and the concept of self.  These themes may be bleak, yet all sounds are intended to be ultimately uplifting affirmations of human vitality and spirit.

Influences range from old-school industrial to musique concrète and contemporary classical, from kosmische musik to minimalism and dada, from power electronics to any form of genuinely experimental music.  While absorbing and acknowledging these influences, it is important to me to find and evolve my own sound.  

Contact: david.paganin@gmail.com

Compilation track, Dysgeusia, 2018: https://bit.ly/2SahLgf
Collab w/ anonymous waves, 2018b: http://bit.ly/2F5aeba
Collab w/ anonymous waves, 2018a: http://bit.ly/2FP6ewQ
Collab w/ anonymous waves, 2017: http://bit.ly/2AK7dhz
Compilation track, Dysgeusia, 2017: http://bit.ly/2iG35Fd
Compilation track, Cian Orbe, 2017: http://bit.ly/2BZgsJd
Compilation track, Petroglyph. 2017: http://bit.ly/2AM8g0D
Compilation track, Earsheltering, 2017: http://bit.ly/2BQj6QG

V.A. album  Vinyl Release 
on The Committee For Sonic Research
tcfsr.net
https://tcfsr.bandcamp.com/album/33-1-3

 New EP 
https://tcfsr.bandcamp.com/album/night

Charity release with Ullapul
https://trixiedelightforcharity.bandcamp.com/releases

http://tcfsr.bandcamp.com/album/submarine

profile pic by elektra stoffregen

i <3 utopia

i sing, i play streetsigns with a cellobow, 
i play the guitar, and i love hardware hacking&circuit bending. 

thank you fellow soundclouders for the huge support i've been experiencing, 
for the love on my radio show 
and the possibility to collab with you all 
- you guys are awesome!

in contrast to the things i upload, i like some very different styles. 
i have a heart for the underproduced, homerecorded, improvised. 
i am rendered helpless if guys sing in harmonies, 
and i like to get thrashed by serious breakcore and glitches. 
i recently discovered a predeliction for drone and dark ambient, and i like weird. 
give me the cheapest of neuro bass and the stupid grin will never leave my face. 
i probably forgot sth. oh yes, grime, dubstep, garage, that sort of thing. british preferably. scottish folk. 
...and i will always want you to include your lyrics in the track info!

As a Composer and Musician I am interested in a combination of electronic and chamber instrumental music, combining live audio and mixing. I am passionate about the notion of spontinaity that can be obtained through free improvisation and the infinite possibilities in how art and sound can be used in tandem to compliment and enhance one another.

I am also one half of the experimental music collaborations @phaser-ensori and  Erwartung (@marlene-radice & @campbellumbers ).

Composer, musician and producer. 

This account is an online folio of my 2016 Compositions which I have completed as a part of my Honors degree at Monash University.

I,Eternal
I,Eternal is a solo projekt, based on surreal and musique concrète roots. I do not live in an ivory tower far from reality, even reality was normal to some, but not for I,Eternal. I started with bands in the mid 80’s, but i started I,Eternal in 96. 
I started SpecImEn in 2016 to have the opportunity to create « Surfing HNW » . 
I offer my help to all kind of collaborations, from Grind Core to experimental. Discovering new artists is a part of my life.
My main label is I,Eternal Records 
 I,Eternal is a solo projekt, based on surreal and musique concrète roots. I do not live in an ivory tower far from reality, even reality was normal to some, but not for I,Eternal. I started with bands in the mid 80’s, but i started I,Eternal in 96. 
I started SpecImEn in 2016 to have the opportunity to create « Surfing HNW » . 
I offer my help to all kind of collaborations, from Grind Core to experimental. Discovering new artists is a part of my life.
My main label is I,Eternal Records 
https://ieternal1.bandcamp.com/music

Naarm/Melbourne based violinist/vocalist/sawist/composer 🪚🎻