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Antonio Vivaldi La Stravaganza
Concerto no.2 in E minor 
La stravaganza (The Eccentricity) is a set of concertos written by Antonio Vivaldi. The set was first published in 1716 in Amsterdam. All of the concertos are scored for solo violin, strings, and basso continuo; however, some movements require extra soloists (such as a second violin and/or cello solo).


Breathtaking Vivaldi

Ever Absent Ever Near

Piano Concerto No. 21 K. 467, 2nd movement: Andante in F major  by Wolfgang Amadeus Mozart (1785).

Live video: https://youtu.be/vDJdG8Qj4UE

The original is piano solo vs full orchestra. I'm trying to do it all live one one track with piano and some synth. So it feels a little bit empty at times.

The instrument is a Clavia Nord Stage 2 using a sampled Yamaha C7 grand piano and some sampled Mellotron flute and a synth pad.

Spotify

Mozart - Piano Concerto No. 21, Andante [piano + synth]

The "Tournidjaire Lemosina" (in Occitan) is a traditional dance from Limousin, inherited from a rich folk heritage where music served primarily to bring people together and celebrate. Its name comes from the idea of ​​turning, of twirling, and it is characterized by a lively and catchy rhythm, often marked by repetitive melodic phrases that encourage collective dancing. A part of intangible heritage, it is gradually disappearing from the Limousin choreographic and cultural landscape.

Transposed to the symphony orchestra, the Tournidjaire takes on a new dimension. The orchestra's varied colors and timbres support the festive and vigorous character of this rural dance: the strings provide the fluidity of the circular movement, the woodwinds translate the light and playful motifs, while the brass and percussion instruments emphasize the popular energy and rhythmic liveliness.

This rewriting does not betray the original spirit: it preserves the popular momentum, the regular pulse and the communicative joy of Limousin dance, while opening it up to the breadth and richness of sound of a large symphonic formation. La Tournidjaire thus becomes a bridge between tradition and modernity, between the memory of the land and universal musical language.
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La Tournidjaire Lemosina (en occitan) est une danse traditionnelle du Limousin, héritée d’un riche patrimoine populaire où la musique servait avant tout à rassembler et à célébrer. Son nom vient de l’idée de tourner, de virevolter, et elle se caractérise par un rythme vif et entraînant, souvent marqué par des phrases mélodiques répétitives qui incitent à la danse collective. Issue du patrimoine immatérielle, elle disparait peu à peu du paysage chorégraphique et culturel limousin.

Transposée à l’orchestre symphonique, la Tournidjaire prend une nouvelle dimension. Les couleurs et les timbres variés de l’orchestre supportent le caractère festif et vigoureux de cette danse rurale : les cordes apportent la fluidité du mouvement circulaire, les bois traduisent les motifs légers et espiègles, tandis que les cuivres et les percussions soulignent l’énergie populaire et la vivacité rythmique.

Cette réécriture ne trahit pas l’esprit originel : elle conserve l’élan populaire, la pulsation régulière et la joie communicative de la danse limousine, tout en l’ouvrant à l’ampleur et à la richesse sonore d’une grande formation symphonique. La Tournidjaire devient ainsi une passerelle entre tradition et modernité, entre mémoire des terroirs et langage musical universel.

Composer & Pianist: Pierre Fontaine
Dedicated to composer and pianist Lucas Debargue.


Score available for purchase on pierrefontaine.composer@gmail.com
Piano solo, Piano four-hands and Symphonic orchestra)

Copyright Pierre Fontaine © All rights reserved


Tournidjaire Lemosina | Petite Orchestre Symphonique

Chopin "Nocturne in C-Sharp Minor"

Excerpt of Brahms' Symphony No. 3 - III. Poco Allegretto.   For demonstration purposes only.

Brahms: Symphony No. 3 - III Poco Allegretto - excerpt

Valse Sentimentale | Tchaikovsky

Reminiscing | Bach

Verdi - La Traviata: Addio del Passato | Farewell to the Past
Pretty Woman (1990) Comedy, Romance, Drama - Heard in the Opera Scene

Pretty Woman | La Traviata Addio del Passato

Immortal Beloved (1994) Biography, Drama, Music 
Ludwig Van Beethoven Piano Concerto no 5 second movement. 
My angel, my all... my other self.
Just a few words today,
and that in pencil. Yours.                   
Only tomorrow will I know for certain
where I am to stay...
...a worthless waste of time and such.
Why this deep sorrow?
If we could be united,
we would feel this pain no longer.
Where I am, you are with me too.
Soon we shall live together,
and what a life it will be!
-We must talk.
-Not here.
No, Caspar will come!
But we must speak.
I'm talking too loudly?
Meet me in Karlsbad.
This is the address.
I can no longer skulk around
like a guilty schoolboy.
I have your child in me.. Go.
The journey was dreadful.
I did not arrive here
until in the morning.
At the last stop, they told me
not to travel at night...
...and tried to frighten me
about a forest...
...but that only tempted me.
The coach had to break down on
such a terrible road for no reason.
Just a country road.
And now I am held up completely.
But I have found another, and we
will surely see one another soon.              
Today, I hope.              
I have to see you.
However much you love me,
I love you more.
Never hide yourself from me.
Wait!
While still in my bed,
my thoughts turn to you...
...my Immortal Beloved.
Some of them happy, some sad...
...waiting to see
whether fate will hear us.
I can live only completely with you
or not at all.
Yes, it must be.             
I must go to sleep now.
Be calm, love.
Today, yesterday,
what longing with tears for you.
You....
You're my life, my everything.
Farewell, then. Go on loving me.
Ever yours, ever mine, forever.

Breathtaking Vivaldi

M.

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