"CYAN" is a sonic hallucination.
DA-PHONK crafts a slow-burning, hypnotic track where shimmering synth waves collide with sharp phonk beats.
The track feels like driving endlessly through neon landscapes lost between dreams and code, between liquid light and solid shadows.
Cold but sensual, minimal but obsessive, "CYAN" is a meditation on repetition and resonance.
Where beats echo like heartbeats… but wired.

CYAN

Searching for the tune that will end this obsession. 
Pronounced "doop".

Diolch am wrando!

Terima kasih telah mendengarkan!

듣기 주셔서 감사합니다!

Thanks for listening!

អរគុណ​ដែល​បាន​ស្តាប់!

Danke fürs Zuhören

Дякую за увагу

https://soundcloud.com/dwp-music

Dark Earl a shadows and light sorceror who roams through transmutating from mystery into sublime, immersive worlds that are singular and mesmerising.
Influenced by dark trip-hop and beat oriented electronic textures with innervining rhythms, he fuses some depth into the darkness of despair background with notes of redemption and escape.
Dark Earl, hailing from a polyglot melting pot, interprets the borders of his multi-ethnic sounds. By his tracks it as if stories – usually contemplating where every note holds feeling and each pause perpetuates reflection.
Amateur music productionist from the beginning back in 2003, Dark Earl evolved his sound and gone into the realms of experimental weirdness and outlandishness.
He refuses to limit himself to a 1-genre domination and finds outlet where music is more than just a quest for empire, but freedom and authenticity.
He is one of the most important figures today in a group of young artists supporting hands-on, and collaborating with DJs, sound engineers as well as singers from all over.
Dark Earl is not a producer, he makes experiences.

Lo-Feelers is a soulful, lo-fi collective born in the golden in-betweens of jazz, R&B, indie groove, and analog nostalgia. Their name echoes their essence: they feel deeply, but never loudly.
Formed between Paris, Oran, and nowhere in particular, the band brings together a blend of poetic melancholy and rhythmic subtlety. Feeling Café, their debut album, is a musical café without walls a place where memory, melody, and silence come to sip together.

🎤 Members:
* Anissa Boualem – vocals A velvet voice that carries both grief and irony, singing like she's writing a letter she’ll never send.
* Nabil C – vocals, guitar Minimalist crooner, guitar poet. Brings cinematic textures and late-night confessions to every track.
* Midi14 – bass Silent anchor of the group. His grooves walk between shadows and daylight.
* TT Williams – keys / synth The sound alchemist. From dusty Rhodes to dreamy synths, he paints air with harmony.
* Agogosax – drums, saxophone, experimental textures Jazz rebel. One-man brass section. His playing bends time, like a loop that never settles.

Lo-Feelers don’t perform they whisper. 
Their music doesn’t push it invites. 
It doesn’t shout it lingers.
Their debut Feeling Café is not just an album, it’s a room in your memory.

12.3 kHz is an electronic label connecting ten projects in one shared universe from cyberpunk trap and acid techno to darkwave and kawaii glitchcore. Strong concepts, bold visuals, and high-impact production. Each release is its own world.

Earth-616 is a New York-based collective of three: DJs Peter Stark and D. Princess, and vocalist Nana Wayne, whose stage presence fuses club energy with performance art. Lifelong fans of the Marvel universe, they weave its mythology into their music and visuals and proudly stand by the belief that Marvel beats DC. Their dark underground techno blends minimal grooves, metallic percussion, and deep warehouse reverbs, building sonic worlds as intense as any superhero showdown.

Album release date:
9 August 2025

Originaire d’Australie, USA et Corée du Sud, D4RKW4VE incarne la collision des ombres et des machines. Leur son est un rituel électronique.

Tokyo_Nights is a masked trio from Tokyo, shrouded in mystery and wrapped in neon shadows. Multi-instrumentalists with roots deep in the city’s electric veins, they translate Tokyo’s sleepless nights into cinematic EDM landscapes. Their sound fuses the high-energy pulse of kawaii beats with the soulful breath of traditional Japanese instruments most notably the shakuhachi flute morphed into a futuristic, almost cybernetic voice.
Always masked, their identities remain unknown. We do not know who is the man and who is the woman—only that their chemistry is undeniable. Each performance is an open-air movie, their music unfolding like scenes lit by street lamps, billboards, and the moon. Perfection for them is found in imperfection: glitchy textures, recycled sounds from daily life, scratches and distortion, all played with absolute precision. They are the soundtrack of a generation born into a world of perfect production, now chasing the beauty of the imperfect.

Gn On Fyah is a Moroccan–Russian–Singaporean DJ trio born in Marrakech and raised on chaos. The lineup is Farid (Morocco), Vogne (Russia), and Bbang (Singapore) three minds from three worlds, colliding in one sound.

Their philosophy is simple: beats are bullets, folklore is fire, words are weapons. They do not aim to please; they aim to disrupt. Every set is a battlefield where North African trance, Russian steel, and Asian cadence clash and fuse.

On stage, they are reckless yet precise, fearless yet calculated. Their sound moves between industrial trap, cyberpunk grit, glitch-heavy textures, and dark minimal techno, but always anchored in ritual and trance. For Gn On Fyah, music isn’t entertainment it’s confrontation, initiation, and survival.

This is not a project. It’s a pact. Gn On Fyah stand for turning culture into fire and fire into rhythm.

A Man On Acid is a Finnish DJ and producer shaped by the underground rave culture of the 90s. Known for his hypnotic 140 BPM acid techno, he blends rolling basslines, piercing rave sirens, and industrial percussion into a raw and addictive sound. His sets and productions capture the atmosphere of abandoned warehouses, neon-green lasers, and the iconic acid smiley sprayed on cracked concrete walls.
While rooted in acid techno, his music reaches further: certain tracks carry the melodic touch of Russian influences, others echo the cold mysticism of Finnish folklore, or the restless energy of industrial warzones. Still, the heart of his sound is uncompromising acid, fast, heavy, and meant for sweat-drenched nights where the crowd loses itself in repetition.

rare_version is a label for what hides between the lines. Lost takes, demos, deleted cuts, and fragments that were never meant to be seen. Nothing polished, nothing staged. Just rare moments, released as they are.

CYAN

Mars Tech Records